London Labour and the London Poor, Vol. 1

by Henry Mayhew

The party was then broken up, the players separating to wait for the new-comers that would be sure to pour in after dinner.

“Vic. Gallery.”

On a good attractive night, the rush of costers to the threepenny gallery of the Coburg (better known as “the Vic”) is peculiar and almost awful.

The long zig-zag staircase that leads to the pay box is crowded to suffocation at least an hour before the theatre is opened; but, on the occasion of a piece with a good murder in it, the crowd will frequently collect as early as three o’clock in the afternoon. Lads stand upon the broad wooden bannisters about 50 feet from the ground, and jump on each others’ backs, or adopt any expedient they can think of to obtain a good place.

The walls of the well-staircase having a remarkably fine echo, and the wooden floor of the steps serving as a sounding board, the shouting, whistling, and quarrelling of the impatient young costers is increased tenfold. If, as sometimes happens, a song with a chorus is started, the ears positively ache with the din, and when the chant has finished it seems as though a sudden silence had fallen on the people. To the centre of the road, and all round the door, the mob is in a ferment of excitement, and no sooner is the money-taker at his post than the most frightful rush takes place, every one heaving with his shoulder at the back of the person immediately in front of him. The girls shriek, men shout, and a nervous fear is felt lest the massive staircase should fall in with the weight of the throng, as it lately did with the most terrible results. If a hat tumbles from the top of the staircase, a hundred hands snatch at it as it descends. When it is caught a voice roars above the tumult, “All right, Bill, I’ve got it”—for they all seem to know one another—“Keep us a pitch and I’ll bring it.”

To any one unaccustomed to be pressed flat it would be impossible to enter with the mob. To see the sight in the gallery it is better to wait until the first piece is over. The ham-sandwich men and pig-trotter women will give you notice when the time is come, for with the first clatter of the descending footsteps they commence their cries.

There are few grown-up men that go to the “Vic” gallery. The generality of the visitors are lads from about twelve to three-and-twenty, and though a few black-faced sweeps or whitey-brown dustmen may be among the throng, the gallery audience consists mainly of costermongers. Young girls, too, are very plentiful, only one-third of whom now take their babies, owing to the new regulation of charging half-price for infants. At the foot of the staircase stands a group of boys begging for the return checks, which they sell again for 1½d. or 1d., according to the lateness of the hour.

At each step up the well-staircase the warmth and stench increase, until by the time one reaches the gallery doorway, a furnace-heat rushes out through the entrance that seems to force you backwards, whilst the odour positively prevents respiration. The mob on the landing, standing on tiptoe and closely wedged together, resists any civil attempt at gaining a glimpse of the stage, and yet a coster lad will rush up, elbow his way into the crowd, then jump up on to the shoulders of those before him, and suddenly disappear into the body of the gallery.

The gallery at “the Vic” is one of the largest in London. It will hold from 1500 to 2000 people, and runs back to so great a distance, that the end of it is lost in shadow, excepting where the little gas-jets, against the wall, light up the two or three faces around them. When the gallery is well packed, it is usual to see piles of boys on each others shoulders at the back, while on the partition boards, dividing off the slips, lads will pitch themselves, despite the spikes.

As you look up the vast slanting mass of heads from the upper boxes, each one appears on the move. The huge black heap, dotted with faces, and spotted with white shirt sleeves, almost pains the eye to look at, and should a clapping of hands commence, the twinkling nearly blinds you. It is the fashion with the mob to take off their coats; and the cross-braces on the backs of some, and the bare shoulders peeping out of the ragged shirts of others, are the only variety to be found. The bonnets of the “ladies” are hung over the iron railing in front, their numbers nearly hiding the panels, and one of the amusements of the lads in the back seats consists in pitching orange peel or nutshells into them, a good aim being rewarded with a shout of laughter.