A large number of ballads which I procured, and all sold and sung in the street, though not written expressly for the purpose, presented a curious study enough. They were of every class. I specify a few, to show the nature of the collection (not including ballads on a subject): “Ye Banks and Braes o’ Bonnie Doun,” with (on the same sheet) “The Merry Fiddler,” (an indecent song)—“There’s a good Time coming, Boys,” “Nix, my Dolly,” “The Girls of ——shire,” (which of course is available for any county)—“Widow Mahoney,” “Remember the Glories of Brian the Brave,” “Clementina Clemmins,” “Lucy Long,” “Erin Go Bragh,” “Christmas in 1850,” “The Death of Nelson,” “The Life and Adventures of Jemmy Sweet,” “The Young May Moon,” “Hail to the Tyrol,” “He was sich a Lushy Cove,” &c. &c.
I may here mention—but a fuller notice may be necessary when I treat of street art—that some of these ballads have an “illustration” always at the top of the column. “The Heart that can Feel for Another” is illustrated by a gaunt and savage-looking lion. “The Amorous Waterman of St. John’s Wood,” presents a very short, obese, and bow-legged grocer, in top-boots, standing at his door, while a lady in a huge bonnet is “taking a sight at him,” to the evident satisfaction of a “baked ’tater” man. “Rosin the Beau” is heralded by the rising sun. “The Poachers” has a cut of the Royal Exchange above the title. “The Miller’s Ditty” is illustrated by a perfect dandy, of the slimmest and straightest fashion; and “When I was first Breeched,” by an engraving of a Highlander. Many of the ballads, however have engravings appropriate enough.
Of the Experience of a Street Author, or Poet.
I have already mentioned the present number of street authors, as I most frequently heard them styled, though they write only verses. I called upon one on the recommendation of a neighbouring tradesman, of whom I made some inquiries. He could not tell me the number of the house in the court where the man lived, but said I had only to inquire for the Tinker, or the Poet, and any one would tell me.
I found the poor poet, who bears a good character, on a sick bed; he was suffering, and had long been suffering, from abscesses. He was apparently about forty-five, with the sunken eyes, hollow cheeks, and, not pale but thick and rather sallow complexion, which indicate ill-health and scant food. He spoke quietly, and expressed resignation. His room was not very small, and was furnished in the way usual among the very poor, but there were a few old pictures over the mantel-piece. His eldest boy, a lad of thirteen or fourteen, was making dog-chains; at which he earned a shilling or two, sometimes 2s. 6d., by sale in the streets.
“I was born at Newcastle-under-Lyne,” the man said, “but was brought to London when, I believe, I was only three months old. I was very fond of reading poems, in my youth, as soon as I could read and understand almost. Yes, very likely, sir; perhaps it was that put it into my head to write them afterwards. I was taught wire-working, and jobbing, and was brought up to hawking wire-work in the streets, and all over England and Wales. It was never a very good trade—just a living. Many and many a weary mile we’ve travelled together,—I mean, my wife and I have: and we’ve sometimes been benighted, and had to wander or rest about until morning. It wasn’t that we hadn’t money to pay for a lodging, but we couldn’t get one. We lost count of the days sometimes in wild parts; but if we did lose count, or thought we had, I could always tell when it was Sunday morning by the look of nature; there was a mystery and a beauty about it as told me. I was very fond of Goldsmith’s poetry always. I can repeat ‘Edwin and Emma’ now. No, sir; I never read the ‘Vicar of Wakefield.’ I found ‘Edwin and Emma’ in a book called the ‘Speaker.’ I often thought of it in travelling through some parts of the country.
“Above fourteen years ago I tried to make a shilling or two by selling my verses. I’d written plenty before, but made nothing by them. Indeed I never tried. The first song I ever sold was to a concert-room manager. The next I sold had great success. It was called the ‘Demon of the Sea,’ and was to the tune of ‘The Brave Old Oak.’ Do I remember how it began? Yes, sir, I remember every word of it. It began:
Unfurl the sails,
We’ve easy gales;
And helmsman steer aright.