Of the Street-sellers of Broad-Sheets.
The broad-sheet known in street-sale is an unfolded sheet, varying in size, and printed on one side. The word is frequently used to signify an account of a murder or execution, but it may contain an account of a fire, an “awful accident and great loss of life,” a series of conundrums, as in those called “Nuts to Crack,” a comic or intended comic engraving, with a speech or some verses, as recently in satire of the Pope and Cardinal Wiseman (these are sometimes called “comic exhibitions”), or a “bill of the play.” The “cocks” are more frequently a smaller size than the broad-sheet.
The sellers of these articles (play-bills excepted), are of the class I have described as patterers. The play-bill sellers are very rarely patterers on other “paper work.” Some of them are on the look-out during the day for a job in porterage or such like, but they are not mixed up with any pattering,—and a regular patterer looks down upon a play-bill seller as a poor creature, “fit for nothing but play-bills.” I now proceed to describe such of these classes as have not been previously given.
Of the “Gallows” Literature of the Streets.
Under this head I class all the street-sold publications which relate to the hanging of malefactors. That the question is not of any minor importance must be at once admitted, when it is seen how very extensive a portion of the reading of the poor is supplied by the “Sorrowful Lamentations” and “Last Dying Speech, Confession, and Execution” of criminals. One paper-worker told me, that in some small and obscure villages in Norfolk, which, he believed, were visited only by himself in his line, it was not very uncommon for two poor families to club for 1d. to purchase an execution broad-sheet! Not long after Rush was hung, he saw, one evening after dark, through the uncurtained cottage window, eleven persons, young and old, gathered round a scanty fire, which was made to blaze by being fed with a few sticks. An old man was reading, to an attentive audience, a broad-sheet of Rush’s execution, which my informant had sold to him; he read by the fire-light; for the very poor in those villages, I was told, rarely lighted a candle on a spring evening, saying that “a bit o’ fire was good enough to talk by.” The scene must have been impressive, for it had evidently somewhat impressed the perhaps not very susceptible mind of my informant.
The procedure on the occasion of a “good” murder, or of a murder expected to “turn out well,” is systematic. First appears a quarter-sheet (a hand-bill, 9½ in. by 7½ in.) containing the earliest report of the matter. Next come half-sheets (twice the size) of later particulars, or discoveries, or—if the supposed murderer be in custody—of further examinations. The sale of these bills is confined almost entirely to London, and in their production the newspapers are for the most part followed closely enough. Then are produced the whole, or broad-sheets (twice the size of the half-sheets), and, lastly, but only on great occasions, the double broad-sheet. [I have used the least technical terms that I might not puzzle the reader with accounts of “crowns,” “double-crowns,” &c.]
The most important of all the broad-sheets of executions, according to concurrent, and indeed unanimous, testimony is the case of Rush. I speak of the testimony of the street-folk concerned, who all represent the sale of the papers relative to Rush, both in town and country, as the best in their experience of late years.
The sheet bears the title of “The Sorrowful Lamentation and Last Farewell of J. B. Rush, who is ordered for Execution on Saturday next, at Norwich Castle.” There are three illustrations. The largest represents Rush, cloaked and masked, “shooting Mr. Jermy, Sen.” Another is of “Rush shooting Mrs. Jermy.” A prostrate body is at her feet, and the lady herself is depicted as having a very small waist and great amplitude of gown-skirts. The third is a portrait of Rush,—a correct copy, I was assured, and have no reason to question the assurance,—from one in the Norwich Mercury. The account of the trial and biography of Rush, his conduct in prison, &c., is a concise and clear enough condensation from the newspapers. Indeed, Rush’s Sorrowful Lamentation is the best, in all respects, of any execution broad-sheet I have seen; even the “copy of verses” which, according to the established custom, the criminal composes in the condemned cell—his being unable, in some instances, to read or write being no obstacle to the composition—seems, in a literary point of view, of a superior strain to the run of such things. The matters of fact, however, are introduced in the same peculiar manner. The worst part is the morbid sympathy and intended apology for the criminal. I give the verses entire:
“This vain world I soon shall leave,
Dear friends in sorrow do not grieve;