The situation of the female sex in Kashmir differs from that occupied by them among the Hindus of Bengal. They are far more free, and appear more licentious. The women of this delightful and romantic valley have long been celebrated for their grace and beauty. Their renown extended on the one side as far as the plains of Central Asia, and on the other beyond the borders of the Ganges. They were formerly much sought after by the Mogul nobility of Delhi, to whom they bore strong and handsome sons; and even after that monarchy had declined from its original opulence and power, its luxurious kings solaced themselves in their humiliation by concubines and dancing girls from Kashmir. Nor has the beauty which in those early ages attracted to the women of this country the admiration of all the East, faded in any degree. They are still described as the flowers of Oriental grace—not so slender as the Hindus of Bengal, but more full, round, voluptuous, and fascinating. Since few except those belonging to the very highest classes wear a veil, travellers have enjoyed abundant opportunities of observing the characteristics of the sex. The face is of a dark complexion, richly flushed with pink; the eyes are large, almond-shaped, and overflowing with a peculiar liquid brilliance; the features are regular, harmonious, and fine; while the person, as we have said, is plump and round, though the limbs are often models of grace. Such is the portrait we are led to draw by the accounts of the best writers. They agree, however, in adding, that among all, except the dancers, singers, and prostitutes, with probably those few women who are shut up in harems, art has done nothing to aid nature. The eyes, unsurpassed for brightness, with full orbs, and long black lashes, shine often from a dirty face, expressing a mind flooded with sensual desires, and utterly unadorned by education or accomplishments. Among the poorer classes, especially, filth, poverty, and degradation render many of the women repulsive, in spite of their natural beauty. It is remarkable that the inhabitants of the boats on the lakes possess among them the handsomest women in the valley.

The customs of marriage, courtship, and the general habits of the women, resemble so closely what have already been described in treating of India, that we need not enter into any particular account of them. The life of the woman belonging to a chief of high rank is a monotonous seclusion. She sits, enveloped in full wrappings of shawls and robes, amid all the luxury and brilliance of an Oriental harem, with every appliance of ease and comfort, but not the liberty which the humbler orders enjoy. Wives of all classes, indeed, are subject to their husbands, but those of the nobles are most under control. They often experience in its full bitterness the curse of slavery under a capricious despot. The authority of the man is absolute.

Mikran Singh, a chief of the valley, was a few years ago, during the reign of the Maharaja Runjit Singh, guilty of a horrible act, which illustrates in a striking manner the condition of women in that country. His wife happened to be in the Punjab, and, while there, was accused by some enemies of a criminal intrigue. She was sent to her husband in Kashmir. Her son flung his dagger at the feet of Mikran Singh, and threw himself at his knees, begging mercy for his mother. The man promised to forgive her; but, as soon as occasion offered, ordered her to be forced into a bath the temperature of which was rapidly increased with the purpose of suffocating her. She was tenacious of life, and struggled long with her tortures, filling the palace with shrill and piercing shrieks. Many people fled from the neighbourhood that they might not listen to these fearful cries. At length, to put an end to this horrid scene, the husband sent his wife a bowl of poison, which she drank and immediately died.

Women of the middle and lower classes affect no concealment, and never wear a veil. They experience less caprice from their husbands, and are perhaps more free than females in Hindustan formerly were. Widows have long been released from the disgusting obligation of burning at the funeral pyre of their husbands. The custom, indeed, was at no time very prevalent in the valley, and since the decree of abolition, published by Aurungzebe in 1669, it has never been revived. Women in Kashmir bear a fair proportion to the men, and are proverbially fruitful. The depopulation of the country is owing to no natural causes, but to the rapacious despotism under which it suffers. British government would soon, without a doubt, restore it to its ancient flourishing condition, as well as reform its manners.

Travellers in Kashmir always remark the dancing girls, for which it was formerly renowned. The village of Changus, near the ancient city of Achibul, was at one time celebrated for a colony of them. They excelled, in singing, dancing, and other accomplishments, all the other girls of the valley. When Vigne visited it some years ago, the village had fallen to decay, and its famous beauties had disappeared. Old men, however, remembered and spoke of them with regret. One, whose name was Lyli, still lived in the recollection of many. A few dancers of another class remained, but were inferior in their natural charms and arts to those of the city, and were obliged to be content with engagements in the humbler or country districts.

These women may be divided into classes. Among the highest we might find some that are virtuous and even modest, as we may among singers and actresses in Europe. Others frequent entertainments at the houses of rich men and public festivals, receiving large sums for their attendance, and occasionally consent to prostitute their persons for a valuable gift. Others are regular professional harlots, indiscriminately prostituting themselves to any who desire their society. Many of these are widows, who are forbidden to marry again, and are devoted to the service of some god, whose temple and priests they enrich by the gains of their disreputable calling.

The Watul or Gipsy tribe of Kashmir is remarkable for the loveliness of its females. Living in tents or temporary huts, these Gipsies pass from spot to spot; and many of their handsomest girls are sold as slaves to furnish the harems of the rich, or enter the train of some company of dancing girls. These are bred and taught to please the taste of the voluptuary, to sing licentious songs in an amorous tone, to dance in voluptuous measures, to dress in a peculiar style, and to seduce by the very expression of their countenances. Formerly many of these women amassed large sums in their various callings; but now that the prosperity of the valley has decreased, the youngest and most beautiful seek their fortunes in the cities of Agra and Delhi; which, though decaying, still retain traces of the imperial luxury and profligacy which once rendered them the splendid capitals of the East.

The bands of dancing girls are usually attended by divers hideous duennas and men, whose conspicuous ugliness makes the loveliness of the women appear more complete through contrast. Baron Hugel, whose ideas are purely German, did not find his sense of the beautiful satisfied by the women, and especially the public women, of Kashmir; but every other traveller, from Bernier to Vigne, expatiates upon the subject. The Baron does not, in other respects, inspire us with the idea that he is an authority on such a question.

The Nach girls are under the surveillance of the Government—which licenses their prostitution—and lead in general a miserable life. They are actual slaves, cannot sing or dance without permission from their overseer, and must yield up to him the most considerable part of their profits. Some of them still ask large sums, especially from strangers. One troop demanded from our German author a hundred rupees for an evening’s performance.

The education of a superior Nach girl should commence when she is no more than five years old. Nine years, it is said, are required to perfect them in song and dance. They dress usually in trowsers of rich-coloured silk, loosely furled round the limb, fitting tight at the ancle, and confined round the waist by a girdle and tassels, which hang down to the knee. Over these is draped a tunic of white muslin, reaching half-way down the leg; but when dancing they wear a full flowing garment of soft light tissue of various colours, intermixed with gold. Some have been seen with ornaments on their persons to the value of 10,000 or 12,000 rupees. Some, also, with all these adornments, neglect to be clean, and omit perfume from among the graces of their toilette. Their songs are often full of sentiment and fancy, finely expressed, and accompanied by pleasing music. Their dances are not chaste or modest; but neither are they obscene or gross.