So Francis’s life was not compassed by its circumstances; nor was its effect limited to the thirteenth century. His life partook of the eternal and the universal, and might move men in times to come as simply and directly as it turned men’s hearts to love in the years when Francis was treading the rough stones of Assisi.
On the other hand, Francis was mediaeval and in a way to give concrete form and colour to the elements of universal manhood that were his. He was mediaeval in complete and finished mode; among mediaeval men he offers perhaps the most distinct and most perfectly consistent individuality. He is Francis of Assisi, born in 1182 and dying in 1226, and no one else who ever lived either there and then or elsewhere at some other time. He is Francis of Assisi perfectly and always, a man presenting a complete artistic unity, never exhibiting act or word or motive out of character with himself.
From a slightly different point of view we may perceive how he was a perfect individual and at the same time a perfect mediaeval type. There was no element in his character which was not assimilated and made into Francis of Assisi. Anterior and external influences contributed to make this Francis. But in entering him they ceased to be what they had been; they changed and became Francis. For example, nothing of the antique, no distinct bit of classical inheritance, appears in him; if, in any way, he was touched by it—as in his joyous love of life and the world about him—the influence had ceased to be anything distinct in him; it had become himself. Likewise, whatever he may have known of the Fathers and of all the dogmatic possession and ecclesiastical tradition of the Church, this also was remade in Francis. Evidently such an all-assimilating and transforming individuality could not have existed in those earlier centuries when the immature mediaeval world was taking over its great inheritance from the pagan and Christian antique—those centuries when men could but turn their heritage of thought and knowledge this way and that, disturb and distort and rearrange it. Such an individuality as Francis could exist only at the climax of the Middle Age, at the period of its fullest strength and greatest distinction, when it had masterfully changed after its own heart whatever it had received from the past, and had made its transformed acquisitions into itself.
Francis is of this grand mediaeval climacteric. The Middle Ages were no longer in a stage of transition from the antique; they had attained; they were themselves. Sides of this distinctive mediaeval development and temper express themselves in Francis—are Francis verily. The spirit of romance is incarnate in him. Roland, Oliver, Charlemagne (he of the Chansons de geste), and the knights of the Round Table, are part of Francis;—his first disciples are his paladins. Again, instead of emperor or paladin, he is himself the jongleour, the joculator Dei (God’s minstrel).
And of all that had become Francis the greatest was Christ. He had not taken the theology of Augustine; he had not taken the Christ handed over by the transition centuries to the early Middle Ages; he had not adopted the Christ of the ecclesiastical hierarchy. He took Jesus from the Gospel, or at least such elements of Jesus’ life and teaching as he felt and understood. Francis modelled his life on his understanding of Christ and His teaching. So many another saint had done; in fact, so must all Christians try to do. Francis accomplished it with completeness and power; he created a new Christ life; a Christ life partial and reduced from the breadth and balance of the original, yet veritable and living. Francis himself felt that his whole life was Christ-directed and inspired, and that even because of his own special insignificance Christ had chosen him to show forth the true Gospel life again—but chosen him indeed.[508]
Although the life of Francis appears as if detached from the larger political and ecclesiastical movements of the time, it yields glimpses of the ways and doings of the people of Assisi. We see their jealousies and quarrels, their war with Perugia, also their rustic readiness to jeer at the unusual and incomprehensible; or we are struck with instances of the stupid obstinacy and intolerance often characterizing a small community. Again, we see in some of those citizens an open and quick impulsiveness, which, at the sight of love, may turn to love. It would seem as if the harshest, most impossible man of all the town was Peter Bernardone, a well-to-do merchant whose affairs took him often from Assisi, and not infrequently to France.
Bernardone had a predilection for things French, and the child born to his wife while he was absent in France, he called Francis upon his return, although the mother had given it the name of John. The mother, whose name was Pica, may have been of Provençal or French blood. Apparently such education as Francis received in his boyhood was as much French as Italian. Through all his life he never lost the habit of singing French songs which he composed himself.[509]
The biographers assert that Francis was nourished in worldly vanity and insolence. His temperament drew him to the former, but kept him from the latter. For while he delighted in making merry with his friends, he was always distinguished by a winning courtesy of manner toward poor and rich. An innate generosity was also his, and he loved to spend money as he roamed with his companions about Assisi singing jovial choruses and himself the leader of the frolic. Bernardone did not object to his son’s squandering some money in a way which led others to admire him and think his parents rich; while Pica would keep saying that some day he would be God’s son through grace. A vein of sprightly fantasy runs through these gaieties of Francis’s, which we may be sure were unstained by any gross dissipation. Francis’s life as a saint is peculiarly free from monkish impudicity, free, that is, from morbid dwelling upon things sensual; which shows that in him there was no reaction or need of reaction against any youthful dissoluteness, and bears testimony to the purity of his unconverted years.[510]
In those days Francis loved to be admired and praised. He was possessed with a romantic and imaginative vanity. Costly clothes delighted him as he dreamed of still more royal entertainment, and fancied great things to come. His mind was filled with the figures of Romance; a knight would he be at least; why not a paladin, whom all the world should wonder at? So he dreamed, and so he acted out his whim as best he might on the little stage of Assisi; for Francis was a poet, and a poet even more in deed than in words. He was endowed with exquisite fancy, and he did its dictates never doubting. His life was to prove an almost unexampled inspiration to art, because it was itself a poem by reason of its unfailing realization of the conceptions of a fervent and beautiful imagination.
There came war with Perugia, a very hard-hitting town; and the Assisi cavaliers, Francis among them, found themselves in their neighbours’ dungeons. There some desponded; but not Francis. For in these careless days he was always gleeful and jocular, even as afterwards his entire saintly life was glad with an invincible gaiety of spirit. So Francis laughed and joked in prison till his fellow-prisoners thought him crazy, which no whit worried him, as he answered with the glad boast that some day he would be adored by all the world. He showed another side of his inborn nature when he was kind to a certain one of the captives whom the rest detested, and tried to reconcile his fellows with him.