Humanism springs from cities; and it began in Italy long before Petrarch. North of the Alps there was nothing like the city life of Italy, so quick and voluble, so unreticent and unrestrained, open and neighbourly—neighbours hate as well as love! From Cicero’s time, from Numa’s if one will, Italian life was what it never ceased to be, urban. The city was the centre and the bound of human intercourse, almost of human sympathy. This was always true; as true in those devastated seventh, eighth, and ninth centuries as before or after; certainly true of the tenth and eleventh centuries when the Lombards and other Teuton children of the waste and forest had become good urban Italians. It was still more abundantly true of the following centuries when life was burgeoning with power. Whatever other cause or source of parentage it had, humanism was a city child. And as city life never ceased in Italy, that land had no unhumanistic period. There humanism always existed, whether we take it in the narrower sense of love of humanistic, that is, antique literature, or take it broadly as in the words of old Menander-Terence: “homo sum, humani nil a me alienum.”
Now turn to the close of the twelfth century, and look at Francis of Assisi. It is his humanism and his naturalism, his interest in men and women, and in bird and beast as well, that fills this sweet lover of Christ with tender sympathy for them all. Through him human interest and love of man drew monasticism from its cloister, and sent it forth upon an unhampered ministry of love. Francis (God bless him!) had not been Francis, had he not been Francis of Assisi.
A certain gifted well-born city child was five years old when Francis died. It was to be his lot to paint for posterity a picture of his world such as no man had painted before; and in all his work no line suggests so many reasons for the differences between Italy and the lands north of the Alps, and also so many why Salimbene happened to be what he was, as this remark, relating to his French tour: “In France only the townspeople dwell in the towns; the knights and noble ladies stay in their villas and on their own domains.”
Only the townspeople live in the towns, merchants, craftsmen, artisans—the unleavened bourgeoisie! In Lombardy how different! There knights and nobles, and their lovely ladies, have their strong dwellings in the towns; jostle with the townspeople, converse with them, intermarry sometimes, lord it over them when they can, hate them, murder them. But there they are, and what variety and colour and picturesqueness and illumination do they not add to city life? If a Lombardy town thronged with merchants and craftsmen, it was also gay and voluptuous with knights and ladies. How rich and fascinating its life compared with the grey towns beyond the Alps. In France the townspeople made an audience for the Fabliaux! The Italian town had also its courtly audience of knight and dame for the love lyrics of the troubadour, and for the romances of chivalry. In fact, the whole world was there, and not just workaday, sorry, parts of it.
Had it not been for the full and varied city life in which he was born and bred, the quick-eyed youth would not have had that fund of human interest and intuition which makes him so pleasant and so different from any one north of the Alps in the thirteenth century. A city boy indeed, and what a full personality! He was to be a man of human curiosity, a tireless sight-seer. His interest is universal; his human love quick enough—for those he loved; for he was no saint, although a Minorite. His detestation is vivid, illuminating; it brings the hated man before us. And Salimbene’s wide-open eyes are his own. He sees with a fresh vision; he is himself; a man of temperament, which lends its colours to the panorama. His own interest or curiosity is paramount with him; so his narrative will naïvely follow his sweet will and whim, and pass from topic to topic in chase of the suggestions of his thoughts.
The result is for us a unique treasure-trove. The story presents the world and something more; two worlds, if you will, very co-related: macrocosmos and microcosmos, the world without and the very eager ego, Salimbene. There he is unfailingly, the writer in his world. Scarcely another mediaeval penman so naïvely shows the world he moves about in and himself. Let us follow, for a little, his autobiographic chronicle, taking the liberty which he always took, of selecting as we choose.[632]
In the year 1221 Salimbene was born at Parma, into the very centre of the world of strife between popes and emperors—a world wherein also the renewed Gospel was being preached by Francis of Assisi, who did not die till five years later. But St. Dominic died the year of Salimbene’s birth. Innocent III., most powerful of popes, had breathed his last five years before, leaving surviving him that viper-nursling of the papacy, Frederick II., an able, much-experienced youth of twenty-two. Frederick was afterwards crowned emperor by Honorius III., and soon showed himself the most resourceful of his Hohenstaufen line of arch-enemies to the papacy. This Emperor Frederick, whom Innocent III., says Salimbene, had exalted and named “Son of the Church” ... “was a man pestiferous and accursed, a schismatic, heretic, and epicurean, who corrupted the whole earth.”[633]
Salimbene’s family was in high regard at Parma, and the boy naturally saw and perhaps met the interesting strangers coming to the town. He tells us that when he was baptized the lord Balianus of Sydon, a great baron of France, a retainer of the Emperor Frederick’s, “lifted me from the sacred font.” The mother was a pious dame, whom Salimbene loved none too well, because once she snatched up his infant sisters to flee from the danger of the Baptistery toppling over upon their house during an earthquake, and left Salimbene himself lying in his cradle! The father had been a crusader, and was a man of wealth and influence.
So the youth was born into a stirring swirl of life. These vigorous northern Italian cities hated each other shrewdly in the thirteenth century. When the boy was eight years old a great fight took place between the folk of Parma, Modena, and Cremona on the one side, and that big blustering Bologna. Hot was the battle. On the Carrocio of Parma only one man remained; for it was stripped of its defenders by the stones from those novel war-engines of the Bolognese, called manganellae. Nevertheless the three towns won the battle, and the Bolognese turned their backs and abandoned their own Carrocio. The Cremona people wanted to drag it within their walls; but the prudent Parma leaders prevented it, because such action would have been an insult forever, and a lasting cause of war with a strong enemy. But Salimbene saw the captured manganellae brought as trophies into his city.
Other scenes of more peaceful rejoicing came before his eyes; as in the year 1233, he being twelve years old. That was a year of alleluia, as it was afterwards called,