To the November Alleynian he contributed a racy and rattling parody of the modern sensational drama entitled Red Blood: a Western Drama in Two Acts, in which the dramatis personæ are an English cowboy (heir to a million dollars without knowing it), an Indian chief (his friend), a wicked uncle, a murderer, and a New York detective. His historical tastes peep out in his report of a lecture delivered 7th November, 1913, on the famous mediæval doctor, Pareil (1510-1590). From this report the following is extracted:
Much interest attaches to the historic associations of Pareil's life. As a famous surgeon he was in constant attendance on figures renowned in history, personages like Coligny (who was murdered by the mob of Paris while recovering from an amputation of Pareil's), Erasmus, Servetus, Leonardo da Vinci, and Catherine de Medici. Like Chaucer's doctour of physik, Pareil knew well the works of "Olde Ypocras," Galen, Avycen, etc., the famous physicians whose names have come down from history, but he was no pedantic scholar, preferring to do his own thinking. A stout Protestant, his last act was to beseech the Catholic Archbishop of Lyons, who was holding Paris against the assaults of Henry of Navarre (with the result that the population of the city was perishing by thousands), to open the gates and save the inhabitants, but he beseeched in vain.
Altogether a remarkable figure, this old Pareil. Looked at in perspective, and in his era, it is clear how great a man he was. For he, first of all men in medicine, freed the world from the influence of pedantic tradition, and paved the way for modern medical science. Then all honour to his name, for, as the Master put it in proposing the vote of thanks to Mr. Paget, the art of healing is the greatest boon which man can give to the world.
The last lecture he reported was delivered by Mr. F. M. Oldham, chief Science Master at the College, on "Primitive Man," on 3rd April, 1914. From this report the following extract is taken:
Our main knowledge of man in the earliest stages of his existence comes from the examination of river mud. Mr. Oldham showed how different strata are built up by the river on its bed, and how in the lowest of these strata there will be found the oldest relics of man. In this way we are able to declare that the difference between the earliest man and his immediate followers lay in the question of polishing his flint instruments. That is to say, the earliest or palæolithic man had his implements unpolished; his successors polished them, often to a beautifully smooth surface. This Mr. Oldham illustrated with a series of films—your pardon, slides—of the arrow-heads made by palæolithic and neolithic man. It was a natural step, once man had learned to polish his instruments, and when he was advanced enough to try to form conceptions of beauty for himself, that he should draw or scratch pictures on stone. Several of these Mr. Oldham showed on the screen; some of them are extraordinarily well executed and show real artistic feeling. We would particularly mention one such representation of a reindeer, and another of a man stalking a bison.
After the cave-dwellers' epoch comes that of huts, wood and bronze. Man in this stage is really but little different from what he is to-day. He has even the wit to construct himself lake-dwellings, consisting of huts placed on rafts and secured temporarily with large stones sunk in the lake-bed. Characteristic of this period are the great tolmens and monoliths found all over the world. Neolithic man had, indeed, sometimes constructed for himself a hut of stone, as Dartmoor will testify, but the tolmens are of quite different origin, and indicate a distinctly greater mental development, in that they are usually put up as monuments to great men or events. Of the same nature are the great mounds or "barrows" that abound in Ireland; inside there was a sort of crypt in which chiefs were buried. The monoliths were constructed, as doubtless the Pyramids also were, by rolling the great stones up an inclined bank of earth previously built up.
Throughout 1914 Paul was the mainstay of the magazine. The May number contains from his pen exhaustive reports of two house matches (football), a shrewd commentary on the Junior School Cup matches, and a long report of a lecture. For the July number he wrote ten pages of cricket reports, and an account of the swimming competition. He was also responsible for the finances of the magazine, continuing to act as secretary and treasurer. All this time he was preparing for his Oxford scholarship. If he owed much to Dulwich, the College also owed something to him. No boy ever worked harder for it, or consecrated himself with more entire devotion to its welfare.[Back to Contents]
CHAPTER VI
PUBLIC SCHOOLS AND THE WAR
Now all the youth of England are on fire.
Shakespeare: "Henry V."