Such was the effect upon Dulcibel. What a chasm she had escaped. To think she had really agreed to marry such a spirit as that! But fortunately it was now all over.
She not only had lost a lover, but a friend. And one day before, this also would have had its unpleasant side to her. But now she felt even a sensation of relief. Was it because this very day a new vision had entered into the charmed circle of her life? If it were so, she did not acknowledge the fact to herself; or even wonder in her own mind, why the sudden breaking of her troth-plight had not left her in a sadder humor. For she put "Little Witch" into a brisk canter, and with a smile upon her face rode into the main street of the village.
CHAPTER II.
In Which Some Necessary Information is Given.
Dulcibel Burton was an orphan. Her father becoming a little unsound in doctrine, and being greatly pleased with the larger liberty of conscience offered by William Penn to his colonists in Pennsylvania, had leased his house and lands to a farmer by the name of Buckley, and departed for Philadelphia. This was some ten years previous to the opening of our story. After living happily in Philadelphia for about eight years he died suddenly, and his wife decided to return to her old home in Salem village, having arranged to board with Goodman Buckley, whose lease had not yet expired. But in the course of the following winter she also died, leaving this only child, Dulcibel, now a beautiful girl of eighteen years. Dulcibel, as was natural, went on living with the Buckleys, who had no children of their own, and were very good-hearted and affectionate people.
Dulcibel therefore was an heiress, in a not very large way, besides having wealthy relatives in England, from some of whom in the course of years more or less might reasonably be expected. And as our Puritan ancestors were by no means blind to their worldly interests, believing that godliness had the promise of this world as well as that which is to come—the bereaved maiden became quite an object of interest to the young men of the vicinity.
I have called her beautiful, and not without good reason. With the old manuscript volume—a family heirloom of some Quaker friends of mine—from which I have drawn the facts of this narrative, came also an old miniature, the work of a well-known English artist of that period. The colors have faded considerably, but the general contour and the features are well preserved. The face is oval, with a rather higher and fuller forehead than usual; the hair, which was evidently of a rather light brown, being parted in the center, and brought down with a little variation from the strict Madonna fashion. The eyes are large, and blue. The lips rather full. A snood or fillet of blue ribbon confined her luxuriant hair. In form she was rather above the usual height of women, and slender as became her age; though with a perceptible tendency towards greater fullness with increasing years.