12. A small quantity of Great Primr new cast by ditto.

13. A very large ffount of Double Pica, new, the largest in England.

14. A quantity of two-line English letters.

15. A quantity of French Cannon, two-line letters of all sorts, and a set of silver initial letters. Cases, stands, etc. Five printing presses very good.

John Baskett is chiefly remembered for the magnificent edition of the Bible which he printed in 1716-1717, in two volumes imperial folio, and which from an error in the headline of the 20th chapter of St. Luke, where the parable of the Vineyard was rendered as the 'parable of the Vinegar,' has ever since been known as the 'Vinegar Bible.' This slip was only one of many faults in the edition, which earned for it the title of 'A Baskett-full of printer's errors.' But apart from these errors, the book was a very splendid specimen of the printer's art, and has been described as the most magnificent of the Oxford Bibles. The type, double pica Roman and Italic, was beautifully cut, and was that which is described in the above list as the 'largest in England.' It was clearly not one of the founts belonging to the University, for, had it been, Baskett would have had no power to mortgage it. It is also noticeable that it was not described as 'cast in Holland,' as many of the others were, so we may infer that it was cast in England, and an interesting question arises, by whom? Clearly it was not cast by Mr. Andrews, or Baskett would have said so.

During a great part of his life, Baskett was engaged in litigation over his monopoly of Bible printing, and in spite of the large profits attached to it, he became bankrupt in 1732. Further trouble fell upon him in 1738 by the destruction of his office by fire. He died on June 22nd, 1742. At one period he had been in danger of losing his patent altogether, for Queen Anne was induced by Lord Bolingbroke and others to constitute Benjamin Tooke and John Barber to be Royal printers in reversion, in anticipation of the ending of Baskett's lease in 1739; but Baskett purchased this reversion from Barber, and afterwards obtained a renewal of his patent for sixty years, the last thirty of which were subsequently acquired by Charles Eyre for £10,000.

John Barber, who for a time held the reversion of Baskett's patent, was the only printer who has ever held the high office of Lord Mayor of London, and for this reason among others he deserves a brief notice. He was born of poor parents in 1675, and according to one account was greatly helped in early life by Nathaniel Settle, the city poet.

He was apprenticed to Mrs. Clark, a printer in Thames Street, and proving himself a steady and good workman, was able to set up for himself in 1700. His first printing-house was in Queen's Head Alley, whence he soon afterwards moved to Lambeth Hill, near Old Fish Street.

Accounts differ as to his first work. Curll, in his Impartial History of the Life, Character, etc., of Mr. John Barber (London, 1741), says that the alderman himself admitted that the first fifty pounds he could call his own were earned by printing a pamphlet written by Charles D'Avenant; while in the Life and Character, another pamphlet printed in the same year for T. Cooper, it is said that it was Defoe's Diet of Poland which brought him the first money he laid up. It is also said that he was greatly indebted to Dean Swift for his rapid advancement.

By whatever means it was accomplished, Barber was introduced to Henry St. John, afterwards Lord Bolingbroke, and was engaged as printer to the Ministry, his printing-house becoming the meeting-place of the statesmen, poets, and wits of the day. Barber was himself a genial companion and hard drinker, who spent his money freely, and in this way made many friends. He printed for Dean Swift, for Pope, Matthew Prior, and Dr. King, and was also the printer of nearly all the writings of the versatile and unhappy Mrs. Manley. The story of her connection with Barber is sufficiently well known.