A Short History of English Printing, 1476-1898

by Henry R. Plomer

THE PRESENT CENTURY

t has been said that printing sprang into the world fully armed. At least this is certain, that for nearly four centuries after its birth the printing-press in use in all printing-houses remained the same in form as that which Caxton's workmen had used in the Red Pale at Westminster. There had been some unimportant alterations made in it by an Amsterdam printer in the seventeenth century; but until the year 1800 no important change in the form or mechanism of the printing-press had ever been introduced. Some such change was sorely needed. The productive powers of the old press were quite unable to keep pace with the ever-increasing demand for books and newspapers that a quickened intelligence and national anxiety had awakened. Up to 1815 England was constantly at war, and men and women alike were eager for news from abroad. In 1800 Charles Mahon, third Earl Stanhope, invented a new printing-press.

The Stanhope press substituted an iron framework for the wooden body of the old press, thus giving greater solidity. The platen was double the size of that previously in use, thus allowing a larger sheet to be printed, and a system of levers was adopted in place of the cumbersome handlebar and screw used in the wooden press. The chief merits of the new invention were increased speed, ease to the workman, evenness of impression, and durability. Further improvements in the mechanism of hand machines were secured in the Columbian press, an American invention, brought to this country in 1818, and later in the Albion press, invented by R. W. Cope of London, and since that time by many others. Yet even with the best of these improved presses no more than 250 or 300 impressions per hour could be worked off, and the daily output of the most important paper only averaged three or four thousand copies. But a great and wonderful change was at hand.

In 1806 Frederick Kœnig, the son of a small farmer at Eisleben in Saxon Prussia, came to England with a project for a steam printing press. The idea was not a new one, for sixteen years before an Englishman, named William Nicholson, took out a patent for a machine for printing, which foreshadowed nearly every fundamental improvement even in the most advanced machines of the present day. But from want of means, or some other cause, Nicholson never actually made a machine. Nor did Kœnig's project meet with much encouragement until he walked into the printing-house of Thomas Bensley of Bolt Court, who encouraged the inventor to proceed, and supplied him with the necessary funds. There is reason to believe that Kœnig made himself acquainted with the details of Nicholson's patent during the time that his machine was building. He also obtained the assistance of Andrew F. Bauer, an ingenious German mechanic. His first patent was taken out on the 29th March 1810, a second in 1812, a third in 1814, and a fourth in 1816. The first machine is said to have taken three years to build, and upon its completion was erected in Bensley's office in Bolt Court. There seems to be considerable uncertainty as to what was the first publication printed on it. Some say it was set to work on the Annual Register, one writer[20] asserting that in April 1811, 3000 sheets of that publication were printed on it; but Mr. Southward, in his monograph Modern Printing, confines himself to the statement that two sheets of a book were printed on the machine in 1812. Curiously enough neither Bensley's publication, the Annual Register, nor the Gentleman's Magazine takes any notice of the new invention, although in the Gentleman's Magazine for 1811 there is a notice of a printing machine invented at Philadelphia, which apparently embodied all the same principles as Kœnig's (Gent. Mag., vol. lxxxi. p. 576).

In 1814 John Walter, the second proprietor of the Times, saw Kœnig's machine, and ordered one to be supplied to the Times office, the first number printed by steam being that of the 28th November 1814. This machine was a double cylinder, which printed simultaneously two copies of a forme of the newspaper on one side only. But it was a cumbersome and complicated affair, and its greatest output 1800 impressions per hour.

In 1818 Edward Cowper, a printer of Nelson Square, patented certain improvements in printing, these improvements consisting of a better distribution of the ink and a better plan for conveying the sheets from the cylinders. Having joined his brother-in-law, Augustus Applegarth, they proceeded to make certain alterations in Kœnig's machine in Bensley's office which at one stroke removed forty wheels, and greatly simplified the inking arrangements. In 1827 they jointly invented a four-cylinder machine, which Applegarth erected for the Times. The distinctive features of this machine were its ability to print both sides of a sheet at once, its admirable inking apparatus, and great acceleration of speed, the new machine being capable of printing five thousand copies per hour.

These machines at once superseded the Kœnig, and were to be found in use in all parts of the country for printing newspapers until quite lately. In 1848 the same firm constructed an eight-cylinder vertical machine, which was one of the sights of the Great Exhibition of 1851. Shortly afterwards Messrs. Hoe, of New York, made further improvements in the mechanism, raising the output to 20,000 per hour. All these machines had to be fed with paper by hand, but in 1869 it occurred to Mr. J. C. Macdonald, the manager of the Times, and Mr. J. C. Calverley, the chief engineer of the same office, that much saving of labour would result if paper could be manufactured in continuous rolls; and the result of their experiments was the rotary press, which was named after Mr. John Walter, the fourth of that name, then at the head of the Times proprietorship. Since then the improvement in printing machines has steadily continued, and may be said to have culminated in the Hoe 'double supplement' press in use at the present day in many newspaper offices, which is capable of printing, cutting, and folding 24,000 copies per hour of a full-sized newspaper.

These great changes in presses and press-work have occasioned similar changes in type-founding.

At the beginning of the century, the firm of Caslon had been given a new lease of life by the energy of Mrs. Henry Caslon, who in 1799 had purchased the foundry, a third share in which a few years earlier had been worth £3000, for the paltry sum of £520. She at once set to work to have new founts of type cut, and was ably helped by Mr. John Isaac Drury. The pica then produced was an improvement in the style of Bodoni, and quickly raised the foundry to its old position. Mrs. Caslon took into partnership Nathaniel Catherwood, but both died in the course of the year 1809. The business then came into the hands of Henry Caslon II., who was joined by John James Catherwood. Other notable firms were those already noticed in the last chapter—Mrs. Fry, Figgins, Martin, and Jackson. One and all of these suffered severely from the change in the fashion of types at the beginning of the century, the ugly form of type, known as fat-faced letters, then introduced, remaining in vogue until the revival of Caslon's old-faced type by the younger Whittingham.