Charles Eyre, not being a practical printer, obtained the co-operation of William Strahan. On the renewal of the patent in 1798, the name of John Reeves was inserted, but Mr. Strahan purchased his interest. In 1829, the patent was again renewed to George Eyre, the son of Charles, John Reeves, and Andrew Strahan. George Edward Eyre, son of George William Strahan, was born at Edinburgh in April 1715, and, after serving his apprenticeship in Edinburgh, took his way to London, where, it is believed, he found a post in the office of Andrew Miller. In 1770 the printing-house was removed from Blackfriars to New Street, near Gough Square, Fleet Street. William Strahan was intimately associated with the best literature of his time, among those for whom he published being Dr. Johnson, Hume, Adam Smith, Robertson, and many other eminent writers. In 1774 he was Master of the Stationers' Company, Member of Parliament for Malmesbury, and sat for Wootton Bassett in the next Parliament. Among his greatest friends was Benjamin Franklin, who kept up a correspondence with him in spite of the strong political differences between them. Strahan died at New Street on July 9th 1785, leaving three sons and two daughters. The youngest son, Andrew, succeeded his father in the Royal Printing House, and one of the daughters married John Spottiswoode of Spottiswoode, whose son, Andrew, afterwards entered the firm. Andrew Strahan was noted for his benevolence, and on his death in 1831 he left handsome bequests to the Literary Fund and the Company of Stationers.

Andrew Spottiswoode, who died in 1866 at the ripe age of seventy-nine, had a large printing business apart from the office of Queen's Printer, and his imprint will be found in much of the lighter literature of the period. His son, William Spottiswoode, after a distinguished career at Oxford, ultimately attained high rank as a mathematician, and in 1865 became President of the Mathematical Section of the British Association. He was elected a Fellow of the Royal Society in 1853, and became its President on 30th November 1878. He died on 27th June 1883.

Equally renowned is the firm of Gilbert and Rivington. Early in the second half of the eighteenth century (the exact date is not known) John Rivington, the fourth son of John Rivington the publisher, and direct descendant of Charles Rivington of the Bible and Crown in Paternoster Row, succeeded to the business of James Emonson, printer, of St. John's Square, Clerkenwell. John Rivington died in 1785, and was succeeded by his widow, who in 1786 took as partner John Marshall. A series of classical works, of which they were the printers, was very favourably received. These included the Greek Testament, Livy, and Sophocles, as well as a series of Latin poets and authors, edited by Michael Maittaire. The business next passed into the hands of Deodatus Bye. He in turn admitted Henry Law as partner, and the firm became successively Law and Gilbert and Robert and Richard Gilbert. The partnership being dissolved early in the present century by the death of Robert Gilbert, Richard carried on the business alone until 1830, when he took into partnership Mr. William Rivington, a great-grandson of the first Charles Rivington, and from that day the firm has gone by the name of Gilbert and Rivington. Richard Gilbert died in 1852, and for eleven years after his death the printing business was carried on by Mr. William Rivington, who issued many valuable and standard works on subjects of classical and ecclesiological interest.

William Rivington retired from business in 1868, being succeeded by his son, William John Rivington, and his nephew, Alexander. The business increased largely in their hands; one of their first undertakings being the purchase in 1870 of the plant of the late Mr. William Mavor Watts, by which they secured a large addition to their collection of Oriental types. In 1875 Mr. E. Mosley entered the firm, and Mr. William John Rivington left it to join the publishing house of Sampson Low, Marston and Searle. Mr. Alexander Rivington retired from the firm in 1878, being thus the last Rivington connected with the house, which shortly afterwards was turned into a limited liability company.

Messrs. Gilbert and Rivington's collection of Oriental and other foreign types enables them to print in every known language, their specimen books embracing 267 distinct tongues. They are Oriental printers to the British Museum, India Office, British and Foreign Bible Society. Speaking of the Oriental work, the most striking feature in the firm's business, a correspondent to the British Printer (March-April 1895), says:

'Most of the type faces noticed were on English bodies, and the composition is somewhat similar. Arabic is composed just as with English. Sanskrit possesses some little features of accents and kerned sections, which render justification quite a fine art, accents on varying bodies needing to be utilised.... The firm does much Hindustani work, and possesses seven sizes of type in this language. Amongst the curiosities are the cuneiform types, the wedge-like series of faces in which old Persian, Median, and Assyrian inscriptions are written; and last, but by no means least in interest, the odd-looking hieroglyphic type faces, which are on bodies ranging from half nonpareil to three nonpareils, and some idea of their extent may be derived by noting that this type occupies fourteen cases of one hundred boxes each.'

To the firm of Messrs. Clowes of Stamford Street belongs the credit of being the first to print cheap periodical literature. William Clowes the elder, a native of Chichester, born in 1779, was apprenticed to a printer of that town, and coming to London in 1802 commenced business on his own account in the following year 1803. By marriage with the daughter of Mr. Winchester of the Strand, he obtained a share of the Government printing work. On moving to Stamford Street, Blackfriars Road, he was chosen to print the Penny Magazine, edited by Charles Knight, the first attempt to provide the public with good literature in a cheap periodical form. The work was illustrated with woodcuts, and so great was its success that from No. 1 to No. 106 there were sold twenty million copies; but the undertaking was heavily handicapped by the paper tax of threepence per pound (see The Struggles of a Book, C. Knight, 1850, 8vo). In 1840 an article appeared in the Quarterly Review, written, it is said, by Sir F. B. Head, but which is more in the style of T. F. Dibdin, on the Clowes printing-office. Even at that time there were no less than nineteen of Applegarth and Cowper's machines at work there, with a daily average of one thousand per hour each. Besides these there were twenty-three hand presses and five hydraulic presses. The foundry employed thirty hands, and the compositors numbered one hundred and sixty.

In 1851 Messrs. Clowes printed the official catalogues of the Great Exhibition, for which they specially cast 58,520 lbs. of type. They subsequently printed the catalogues of the Exhibitions of 1883-1886, and the Royal Academy catalogues, and have been connected from their inception with two works of a very different character, Hymns Ancient and Modern—the circulation of which has to be reckoned in millions—and the great General Catalogue of the Library of the British Museum, for their excellent printing of which all 'readers' are indebted to them. William Clowes the elder died in 1847. He was succeeded by his son, William, who died in 1883; and a third William, a grandson, is one of the managing directors of the firm which in 1881 was turned into a limited liability company.

But the chief honours of book production in London during the present century have been rightly awarded to the Chiswick Press.

Charles Whittingham the elder was born at Calledon, near Coventry, in 1767, and was apprenticed to a printer of that city. As soon as his time was out he came to London, and set up a press in Fetter Lane, his chief customers being Willis, a bookseller of Stationers' Court, Jordan of Fleet Street, and Symonds of Paternoster Row. His beginning was humble enough, his chief work lying in the direction of stationery, cards, and small bills. His first important publisher was a certain Heptinstall, who set him to print new editions of Boswell's Johnson, Robertson's America, and other important works. This was enough to set him going, and in 1797 he moved to larger premises in Dean Street, Fetter Lane, and then began to issue illustrated books. In 1803 he took a second workshop at 10 Union Buildings, Leather Lane, and again in 1807 he moved to Goswell Street. In 1811 he took his foreman Robert Rowland into partnership, and shortly afterwards left him to manage the city business, while he himself set up a press at Chiswick and took up his abode at College House. Here he continued to work until his death in 1840. For a short time, from 1824 to 1828, he was joined with his nephew Charles, to whom at his death he left the Chiswick business.