The longer communications were doubtless prepared beforehand, being general in nature and conveying about the same information that any departed spirit might give to any inquiring mortal, but, as will be observed, giving no adequate answers to the queries, with the exception of the last two sentences, which were written by the medium, after he became acquainted with the tenor of the questions upon the folded slips. The very short communications are written in a careless hand, such as a man would dash off hastily. There is an attempt at disguise, but a clumsy one, the letters still retaining the characteristics of the more deliberate chirography of the long communications. A close inspection of the slates reveals the exact similarity of the y’s, u’s, I’s, g’s, h’s, m’s and n’s.
The handwriting of messages on slates should be, and is claimed to be, adequate evidence of the genuineness of the communication, for are we not supposed to know the handwriting of our friends?
Possibly Mr. Keeler would claim that the handwriting was the work of his control “Geo. Christy”, who acted as a sort of amanuensis for the spirits. If this be so, why the attempts at disguise, and bungling attempts at that?
In the séance with Mr. Keeler, I subjected him to no tests. He had everything his own way. I should have brought my own marked slates with me and never let them out of my sight for an instant. I should have subjected the table to a close examination, and requested the medium to move or rather myself removed the collection of slates against the mantel, placed so conveniently within his reach. I did not do this, because of his well known irascibility. He would probably have shown me the door and refused a sitting on any terms, as he has done to many skeptics. I was anxious to meet Keeler, and preferred playing the novice rather than not get a slate test from one of the best-known and most famous of modern slate-writing mediums.
FIG. 6—SLATE WRITING.
After what has been stated, I think there can be no shadow of doubt that the medium abstracted by sleight-of-hand some of the paper slips containing my written questions, read them under cover of the table, and did the slate-writing himself. All of these slate-tests, where pellets or slips of paper are used, are performed in a similar manner, as will be seen from the exposé published by the Society for Psychical Research. In vol. viii of the proceedings of that association will be found a number of revelations, one of which throws considerable light on the Keeler tests. The sitter was Dr. Richard Hodgson, and the medium was a Mrs. Gillett. Says Dr. Hodgson:
“Under pretence of ‘magnetising’ the pellets prepared by the sitter, or folding them more tightly, she substitutes a pellet of her own for one of the sitter’s. Reading the sitter’s pellet below the table, she writes the answer on one of her own slates, a pile of which, out of the sitter’s view, she keeps on a chair by her side. She then takes a second slate, places it on the table, and sponges and dries both sides, after which she takes the first slate, and turning the side upon which she has written towards herself, rubs it in several places with a dry cloth or the ends of her fingers as though cleaning it. She then places it, writing downward, on the other slate on the table, and sponges and dries the upper surface of it. She then pretends to take one of the pellets on the table and put it between the two slates. What she does, however, is to bring the pellet up from below the table, take another of the sitter’s pellets on the table into her hand, and place the pellet which she has brought up from below the table between the slates, keeping in her hand the pellet just taken from the top of the table. The final step is to place a rubber band round both slates, in doing which she turns both slates over together. She professes to get the writing without the use of any chalk or pencil. Some of her slates are prepared beforehand with messages or drawings. More interesting, perhaps, because of its boldness, is her method of producing writing on the sitter’s own slates. Under the pretence of ‘magnetising’ these she cleans them several times, rubs them with her hands, stands them up on end together, and while they are in this position between herself and the sitter she writes with one hand on the slate-side nearest to herself, holding the slates erect with the other hand. Later on, she lays both slates together flat on the table again, the writing being on the undermost surface. She then sponges the upper surface of the top slate, turns it over, and sponges its other surface. She next withdraws the bottom slate, places it on top and sponges its top surface, keeping its under surface carefully concealed. The final step, the reversal, is made, as in the other case, with the help of the rubber band. Mrs. Gillett has probably other methods, also. Those which I have described were all that I witnessed at my single sitting with her.”