An ingenious improvement has been made to this hand-test by an American conjurer, one that enables the medium to produce the hand although his feet are secured by the sitter. “Be kind enough, sir,” says the performer to the investigator, “to place your feet on mine. If I should move my feet ever so little, you would know it, would you not?” The sitter replies in the affirmative. The medium, as soon as he feels the pressure of the sitter’s feet, withdraws his right foot from a steel shape made in imitation of the toe of his boot, and operates the spirit hand at his leisure. After the sitting, he of course, inserts his right foot into the shape and carries it off with him.
The production of spirit music was one of Home’s favorite experiments. There are all sorts of ways of producing this music, the most ingenious of which I give:
The apparatus consists of a small circular musical box, wound up by clock work, and made to play whenever pressure is put upon a stud projecting a quarter of an inch from its surface. This box is strapped around the right leg of the medium just above his knee, and hidden beneath the trouser leg. When not in use it is on the under side of the leg. On the table a musical box is placed and covered with a soup tureen, or the top of a chafing dish. When the spectators are seated, the medium works the concealed musical box around to the upper part of his leg near the knee cap, and by pressing the stud against the under surface of the table, starts the music playing. In this way the second musical box seems to play and the acoustic effect is perfect. Perhaps Home used a similar contrivance; Dr. Monck did, and was caught in the act by the chief of the Detective Police.
Home during his séances on the Continent of Europe was accused of all sorts of trickery. Some asserted that he had concealed about him a small but powerful electric battery for producing certain illusions, mechanical contrivances attached to his legs for making spirit raps, and last but not least, as the medium states in his “Memoirs:” “they even accused me of carrying a small monkey about with me, concealed, trained to perform all sorts of ghostly tricks.”
People also accused him of obtaining a great deal of his information about the spirits of the departed from tombstones like an Old Mortality, and bribing family servants. A more probable explanation may be found perhaps in telepathy.
There is one more phase of Home’s mediumship, the moving of heavy pieces of furniture without physical contact, that must be spoken of. In mentioning it, Dr. Max Dessoir, author of the “Psychology of Conjuring,”[1] says: “We must admit that a few feats, such as those of Prof. Crookes with Home, concerning the possibility of setting inanimate objects in motion without touching them, appear to lie entirely outside the sphere of jugglery.” In the year 1871, Prof. William Crookes, (now Sir William Crookes) Fellow of the Royal Society, a very eminent scientist, subjected Home to some elaborate tests in order to prove or disprove by means of scientific apparatus the reality of phenomena connected with variations in the weight of bodies, with or without contact. He declared the tests to be entirely satisfactory, but ascribed the phenomena not to spiritual agency, but to a new force, “in some unknown manner connected with the human organization,” which for convenience he called the “Psychic Force.” He said in his “Researches in the Phenomena of Spiritualism:” “Of all the persons endowed with a powerful development of this Psychic Force, and who have been termed ‘mediums’ upon quite another theory of its origin, Mr. Daniel Dunglas Home is the most remarkable, and it is mainly owing to the many opportunities I have had of carrying on my investigations in his presence that I am enabled to affirm so conclusively the existence of this force.” Prof. Crookes’ experiments were conducted, as he says, in the full light, and in the presence of witnesses, among them being the famous English barrister, Sergeant Cox, and the astronomer, Dr. Huggins. Heavy articles became light and light articles heavy when the medium came near them. In some cases he lightly touched them, in others refrained from contact.
FIG. 8. CROOKES’ APPARATUS.
The first piece of the apparatus constructed by Crookes to test this psychic force consisted of a mahogany board 36 inches long by 9½ inches wide and 1 inch thick. A strip of mahogany was screwed on at one end, to form a foot, the length being equal to the width of the board. This end of the board was placed on a table, while the other end was upheld by a spring balance, fastened to a strong tripod stand, as will be seen in Fig. 8.
“Mr. Home,” writes Prof. Crookes, “placed the tips of his fingers lightly on the extreme end of the mahogany board which was resting on the support, whilst Dr. A. B. [Dr. Huggins] and myself sat, one on each side of it, watching for any effect which might be produced. Almost immediately the pointer of the balance was seen to descend. After a few seconds it rose again. This movement was repeated several times, as if by successive waves of the psychic force. The end of the board was observed to oscillate slowly up and down during the experiment.