For a description of these performances, as well as many other feats in the same line, we refer to Mr. Evans’ fascinating explanations in the body of the present volume.
Tricks performed by mediums are in one respect quite different from the feats of prestidigitateurs; if they come up to the standards, they are, or might be, based upon the psychic dispositions of people. Believers will gladly be caught in the traps set for them and are, as a rule, grateful for the deception, while determined unbelievers will either prove altogether hopeless or will become so bewildered as to be likely to become believers. Sleight of hand is always a valuable aid to the medium; but, as tricks pure and simple, mediumistic séances are not different from the performances of prestidigitateurs, and differ only in this, that they claim to be done with the assistance of spirits. Mediums must be on the lookout and use different methods as the occasion may require. They produce rappings with their hands or their feet,[3] or with mechanical devices hidden in their shoes; neither do they scorn the use of rapping tables with concealed batteries and electric wires.
[2] Chicago Record, April 22, 1899.
[3] One of the Fox sisters could produce rappings through a peculiar construction of the bones of her foot, and Cumberland’s big toe was blessed with a tendon of its own, enabling him to rap the floor quite vigorously without being detected.
The instances here adduced are sufficient to show that even the most complete deceptions admit of explanations which, in many instances, are much simpler than the spectators think. {xxxi} Neither the marvelous feats of prestidigitateurs nor the surprising revelations of mediums should shake our confidence in science or make us slaves of superstition. The success of modern magic, which accomplishes more than the old magic or sorcery ever did, is a sufficient guarantee of the reliability of reason, and even where “now we see through a glass darkly,” we must remain confident that when we grow in wisdom and comprehension we shall learn to see “face to face.”
THE CONJURER. (By Prof. W. Zimmer.)
For all these reasons, knowledge of magic and its history, the false pretenses of the old magic and the brilliant success of modern magic should have a place in our educational program. I do not advocate its introduction into schools, but would recommend parents to let their children become acquainted with the remarkable performances of the best and greatest among modern magicians. We all should know something of the general methods of magic, and some time in our lives witness the {xxxii} extraordinary feats, bordering on miracles, with which a prestidigitateur can dazzle our eyes and misguide our judgment.
Modern magic is not merely a diversion or a recreation, but may become possessed of a deeper worth when it broadens our insight into the rich possibilities of mystification, while a peep behind the scenes will keep us sober and prevent us from falling a prey to superstition.