[38]. Allais and others, Projets d’architecture ... qui ont mérités les grands prix, Paris, 1806, and at different dates subsequently with varying authors and titles. For a collection of earlier projects, see Rosenau, H., ‘The Engravings of the Grand Prix of the French Academy of Architecture’, Architectural History, III (1960), 17-180, since the original publication is very rare.
[39]. Durand was already well known as the compiler of the Recueil et parallèle des édifices en tout genre, anciens et modernes, Paris, 1800, a curious work in which the drawings of important buildings of all periods are freely modified to bring them into conformity with the author’s modular theories of proportion. This is conventionally known as ‘Le grand Durand’.
[40]. Rondelet, J. B., Traité théorique et pratique de l’art de bâtir, 4 vols, Paris, 1802-17. There were several later editions. From 1806 Rondelet taught at the École Spéciale d’Architecture, which was shortly afterwards merged with the École Polytechnique.
[41]. French designs of this period for houses were provided in profusion in the publications of J. C. Krafft. See Krafft, J. C., and Ransonette, N., Plans, coupes, élévations des plus belles maisons et des hôtels construits à Paris et dans les environs, Paris [c. 1802]; reprint, Paris, 1909; and Krafft, J. C., Recueil d’architecture civile, Paris, 1812; later ed., 1829. Krafft, J. C., and Thiollet, F., Choix des plus jolies maisons de Paris et de ses environs, édifices et monuments publics, Paris, 1849, may also be mentioned here although very much later. It is significant of the international availability of the earliest work listed here that it was provided with texts in French, English, and German.
[42]. Klenze, L. von, Walhalla in artistischer und technischer Beziehung, Munich, 1842.
[43]. See Hitchcock, H.-R., Early Museum Architecture, Hartford, 1934.
[44]. Grandjean de Montigny, A.-H.-V., and Famin, A.-P.-Ste-M., Architecture toscane, Paris, 1815.
[45]. See Klenze, L. von, Anweisung der Architektur des christlichen Kultus, Munich, 1834.
[46]. See Möllinger, K., Elemente des Rundbogenstiles, 2nd ed., Munich, 1848. It is convenient to retain the German term for this very Germanic round-arched style, even though it flourished in several countries besides Germany (see below in this chapter for Scandinavia, and Chapter [5] for America).
[47]. See Hübsch, H., Die altchristlichen Kirchen nach den Baudenkmalen und älteren Beschreibungen, 2 vols, Karlsruhe, 1862-3.