[415]. Richard E. Schmidt (1865-1959) and Hugh M. G. Garden (1873-1961).
[416]. The contribution of these men is only beginning to receive the study which it merits now the realization is growing that American architecture was far less dominated by traditionalism in the first quarter of the twentieth century, particularly in the Middle West and on the Pacific Coast, than has generally been supposed in the last thirty years. See Brooks, A., ‘The Early Work of the Prairie Architects’, Journal of the Society of Architectural Historians, XIX (1960), 2-10.
[417]. See Thompson, E., ‘The Early Domestic Architecture of the San Francisco Bay Region’, Journal of the Society of Architectural Historians, X (1951), 15-21; Bangs, J. M., ‘Bernard Ralph Maybeck, Architect, Comes into His Own’, Architectural Record, CIII (1948), 72-9, and ‘Greene and Greene’, Architectural Forum, LXXXIX (1948), 80-9; McCoy, E., Five California Architects, New York, 1960; and Woodbridge, J. M. and S. B., Buildings of the Bay Area, a Guide to the Architecture of the San Francisco Bay Region, New York, 1960, which covers both earlier and later work.
[418]. See Price, C., ‘Panama-Californian Exposition: Bertram Grosvenor Goodhue and the Renaissance of Spanish-Colonial Architecture’, Architectural Record, XXXVII (1915), 229-51.
[419]. See Macomber, B., The Jewel City, its Planning and Achievement..., San Francisco, 1915.
[420]. See Lancaster, C., ‘The American Bungalow’, Art Bulletin, XL (1958), 239-53.
[421]. That is, on the West Coast; considered as an alternative to the ‘International Style’ suitable for emulation everywhere, as it was for a few years, it had no more validity than any other regional mode.
CHAPTER 20 - Notes
[422]. Reviving interest in Expressionism has already led to considerable significant publication. See, for example, Dorfles, G., Barocco nell’architettura moderna, Milan, 1951, especially the second part; Gregotti, G., ‘L’Architettura del’Espressionismo’, Casabella, August 1961, [[260]]-48; Conrads, U., and Sperlich, H. G., Phantastische Architektur, Stuttgart, [1960]; and, for a particularly significant figure, Joedicke, J., ‘Haering at Garkau’, Architectural Review, CXXVII (1960), 313-18. For a remarkable Expressionist publication by an architect who was very active and influential in Germany in the 1920s, see Taut, B., Die Stadtkrone, Jena, 1919.