Among the Classical tutors, two of the most enlightened spirits, men of great personal charm, were Mr. E. S. Shuckburgh, afterwards lecturer at Emmanuel College, Cambridge, and the Rev. Duncan Tovey, who a few years later took the Eton living of Worplesdon. Shuckburgh, though himself most impatient of the old traditions, and sympathizing largely with the newer thought, was of a very critical habit of mind, and used to delight, for argumentative purposes, in dwelling on the difficulties and shortcomings of the reforms which some of us advocated. Tovey was a literary man (his works on Gray and Thomson are well known), out of his element in such a place as Eton, but in his happier moods a most delightful talker and companion. Mrs. Tovey, too, had a lambent wit which could play lightly round the anomalies of Eton life. She once wrote a charming list of some imaginary books of fiction, the authorship of which she assigned to various local celebrities: one of the works, the supposed creation of an Eton upholsterer notorious for his big bills, had a title which might make the fortune of a modern philosophical novelist: “Man’s Time; a Mystery.”

Some of the junior masters played a useful part in challenging the old superstitions. Mr. J. D. Bourchier, afterwards a famous correspondent of The Times in south-east Europe, was the first rider of the bicycle at Eton, and incurred much obloquy through his persistence in a practice which no Eton master could then countenance with safety. My brother-in-law, J. L. Joynes, jun., was a still worse offender. He had been impressed by Henry George’s Progress and Poverty, and in the summer holidays of 1882 travelled with George in Ireland. By a ridiculous blunder of the Irish Constabulary, the two were arrested and locked up as dangerous conspirators; and, though they were quickly discharged when the magistrates discovered the error, the whole Press of the country rang with amused comments. The Government had to apologize to Henry George as an American citizen; and an account of the fiasco, written by Joynes, and published in The Times, caused great scandal in Etonian circles, where publicity was regarded, not without good reason, as the thing of all things to be deprecated. Great, then, was the horror of the Eton authorities when, a few weeks later, an advertisement announced Joynes’s forthcoming volume, Adventures of a Tourist in Ireland. In hot haste he was informed by the headmaster that he must choose between his mastership and his book: he chose the latter, and resigned his post. That was the result, as a patriotic colleague and friend pointed out to me, of giving heed to “a mouldy American.” Thus fallen from the high estate of an Eton mastership, Joynes became a leading spirit in the Social Democratic Federation; and by him I was introduced to many well-known socialists whose names will be mentioned later on.

During the sixteen years of his headmastership Dr. Hornby dismissed no fewer than four assistants, and was himself involved at times in serious conflicts with the Governing Body. A weak man, he was obstinate to the last degree when once engaged in controversy; as was shown by his determination to get rid of Mr. Oscar Browning, who, whatever the merits of their quarrel, was worth much more to Eton than Hornby himself. It was not generally known that three other assistant masters proffered their resignations as a protest against Mr. Browning’s dismissal; a most ill-judged step, because matters had then reached a point where either Hornby or Browning had to go. The resignations were accepted, and the three mutineers had to ask leave to withdraw them, which they did with as good a grace as they could muster. Thus the headmaster triumphed; but it was a victory that brought him little credit, and it was a lucky day for Eton when, on the death of Dr. Goodford, he was appointed to the Provostship in 1884.

Dr. Warre, succeeding Dr. Hornby, was like King Stork following King Log: it was as if the school, after a long period of “go as you like,” had been suddenly placed under a military dictatorship. Warre had nearly been appointed headmaster in 1868; and though, during Hornby’s reign, he continued to serve loyally as an assistant, it was evident that it galled him to watch the nervelessness and vacillation with which the government of the school was conducted: I have heard him at a “masters’ meeting” appeal to Dr. Hornby in terms which, however respectful in form, conveyed a reproach which could hardly have been unnoticed: “Will the headmaster insist upon his rule being kept? Will you pull us up, sir, if we neglect it?” We listened in amusement, knowing full well that Hornby would himself be the first to break his own rule, if it was one that demanded either punctuality or perseverance.

One of Dr. Warre’s earliest innovations was to visit the different Divisions in person while a lesson was going on; a very right and proper course to take, but one which came rather as a shock to the assistant masters of that time, who had been accustomed to consider their class-rooms, like the proverbial Englishman’s house, as their “castles.” We each wondered, not without anxiety, when his own turn would come. When mine came, I was spared a lengthy inspection owing to an incident which was as amusing as it was unforeseen. The next room happened to be occupied that day by a colleague who was entirely unable to keep order; and as neither the unfortunate man, nor his rowdy Division, was aware that the headmaster was so near them, I had hardly begun my lesson when there rose a terrific din from next door—shrieks, catcalls, peals of laughter, stamping of feet, all the noises of a madhouse. With a wave of his hand to me, the headmaster slipped swiftly from the room; and a moment later I knew what had happened, not by hearing, but by the instant cessation of sound, for that wild uproar stopped as suddenly as if it had been cleft with an axe, and was succeeded by a deep silence more eloquent than words.

A few days later, Dr. Hornby, the new-made Provost, came up to a small group of masters who were standing near the school-yard, and smilingly asked us if we had been “inspected” yet. “I’m glad,” he added, with a sigh of relief, “that they didn’t inspect me.”

Dr. Warre was in every way a contrast to Dr. Hornby. Far less sensitive and refined, he had much more real sympathy, if not with the masters, at any rate with the boys, and under a rough exterior showed on many occasions a practical kindness which was quite wanting in his predecessor. For example, the setting of “Georgics” (i.e. the writing of 500 lines of Virgil), one of the most senseless punishments in vogue at that time, was always encouraged by Hornby. When Warre heard an assistant master remark that he was “looking out for an opportunity” to set a “Georgic” to a troublesome boy, he interrupted him with: “You should look out not to set him a ‘Georgic.’ ” He had that kindly understanding of boyhood which is of great value to a teacher; and from the point of view of those who believe that Eton is an ideal school, and the “hub” of the universe, it is difficult to see how a better headmaster than Dr. Warre could have been found; but he was a Tory of the strictest type, and his appointment meant the indefinite postponement of reform.

Enough has now been said to show why a ten-years’ sojourn as a master at Eton was likely to bring disillusionment, even if outside influences had not quickened the process. Socialism was even then “in the air”; and to have become personally acquainted with Bernard Shaw, Edward Carpenter, H. M. Hyndman, Henry George, William Morris, John Burns, H. H. Champion, Belfort Bax, and other apostles of what was then termed “revolution,” was not calculated to strengthen a waverer in the pure Etonian faith. Still earlier, in the winter holidays of 1878-79, I had met at Coniston, in the Lake District, an ardent disciple of Ruskin, Mr. William Harrison Riley, who held communistic views; and in the course of some long walks with him on the mountains, in which I acted as his guide, he more than repaid the obligation by opening my eyes to certain facts which I had previously overlooked. He brought me a message from another world.

This Riley, with all his fiery zeal, was a man of touching simplicity. He was then working some land of Ruskin’s, at St. George’s farm, near Sheffield, and he had come to Coniston to visit the Master, for whom he felt and expressed an almost childlike veneration. By Mr. Ruskin’s invitation I accompanied Riley to luncheon at Brantwood, and was greatly struck by the meeting between the two—the devotion of the follower, and the geniality of the sage. Early in the morning Riley, who was much surprised by the luxuriance of the verdure at Coniston, as compared with the grey desolation of the Sheffield hills, confided to me his intention of taking as a present to Ruskin a clump of moss from a wall-top near the hotel; but as there was hardly a wall in the district that was not similarly covered, I suggested to him, as delicately as I could, that it might be a case of carrying “coals to Newcastle.” Disregarding such hints, he arrived at Ruskin’s door with a big parcel of the moss, and gravely presented it as soon as the first salutations were complete. The delightful charm of Ruskin’s manner was seen in this little incident: he laughed—for who could have helped laughing?—yet took the gift—and turned the subject—with a graciousness that could leave no hurt. A few years later Riley migrated to Massachusetts, but took with him his quenchless ardour for “the cause.” The last letter I received from him concluded with the words: “My feeble hand still holds aloft the banner of the ideal.”

I remember that one of the subjects on which Ruskin discoursed was the poetry of Tennyson, who was still regarded by most people, certainly by the literati of Eton, as a thinker of extraordinary power. He was an instance, said Ruskin, “of one who, with proper guidance, might have done something great”; as it was, he had written nothing of real value, except, perhaps, In Memoriam. Maud and The Princess were “useless,” Enoch Arden “disgusting”; the hero of Maud “an ass and a fool,” and the war-spirit in the poem “downright mischievous.” Thus, again, was sapped the simple faith of an Eton master, who knew by heart a large portion of Tennyson’s poetry, including the whole of Maud.