So wonderful a poem as The City of Dreadful Night needs no apology; its justification is in its own grandeur and strength: nor ought such literature to be depressing in its effect on the reader’s mind, but rather (in its right sphere and relation) a means of enlightenment and help. For whatever the subject and moral of a poem may be, there is nothing saddening in Art, provided the form and treatment be adequate; we are not discouraged but cheered by any revelation of feeling that is sincerely and nobly expressed. I hold Thomson, therefore, pessimist though he was, to have been, by virtue of his indomitable courage and love of truth, one of the inspired voices of democracy.
Over thirty years ago I was requested by Mr. Bertram Dobell, Thomson’s friend and literary executor, to write a Life of the poet; and in the preparation of that work, which involved a good deal of search for scattered letters and other biographical material, I was brought into touch not only with many personal friends of Thomson, such as Mr. Charles Bradlaugh, Mr. G. W. Foote, Mr. and Mrs. Theodore Wright, Mrs. H. Bradlaugh Bonner, Mr. J. W. Barrs, Mr. Charles Watts, and Mr. Percy Holyoake, but also with some well-known writers, among them Mr. George Meredith, Mr. Swinburne, Mr. Watts-Dunton, Mr. W. M. Rossetti, and Mr. William Sharp. I was impressed by the warm regard in which Thomson’s memory was held by those who had known him, the single exception being a sour old landlady in a gloomy London street, of whose remarks I took note as an instance of the strangely vague views held in some quarters as to the function of a biographer. She could give me no information about her impecunious lodger, except that he had “passed away”; but she added that if I wished to write the Life of a good man, a real Christian, and a total abstainer—here she looked at me dubiously, as if questioning my ability to carry out her suggestion—there was her dear departed husband!
In another case an old friend of Thomson’s, who told me many interesting facts about his early life, detained me just as I was taking my departure, and said in a meditative way, as if anxious to recall even the veriest trifle: “I think I remember that Jimmy once wrote a poem on some subject or other.” What he imagined to be my object in writing a Life of an obscure Army schoolmaster, except that he had written a poem, I did not discover; perhaps the idea was that the biographer goes about, like the lion, seeking whom he may devour.
In literary circles there has always been a strong prejudice against “B.V.,” owing, of course, to his atheistical views and the general lack of “respectability” in his life and surroundings. I was told by Mr. William Sharp that, just after the Life of James Thomson was published, he happened to be travelling to Scotland in company with Mr. Andrew Lang, and having with him a copy of the book, which he was reviewing for the Academy, he tried to engage his companion in talk about Thomson, but was met by a marked disinclination to discuss a subject so uncongenial. I was not surprised at hearing this; but I had been puzzled by a refusal which I received from Mr. Swinburne to allow me to publish a letter which he had addressed to Mr. W. M. Rossetti some years before, in high praise of Thomson’s narrative poem “Weddah and Om-el-Bonain,” which he had described as possessing “forthright triumphant power.” That letter, so Mr. Swinburne wrote to me, had been inspired by “a somewhat extravagant and uncritical enthusiasm,” and he now spoke in rather severe reprobation of Thomson, as one who might have left behind him “a respectable and memorable name.” The word “respectable,” coming from the author of Poems and Ballads, deserves to be noted.
About two years later, in 1890, the immediate cause of this change of opinion on Mr. Swinburne’s part was explained to me by no less an authority than Mr. Watts-Dunton, who had invited me to pay him a visit in order to have a talk about Thoreau. During a stroll on Putney Heath, shared by Mr. Bernard Shaw, Mr. Watts-Dunton told me the story of James Thomson’s overthrow; and as the similar downfall of Whitman, and of some of Swinburne’s other early favourites, was probably brought about in the same manner, the process is worth relating. Mr. Swinburne, as I have said, had written in rapturous praise of one of “B.V.’s” poems. One day Mr. Watts-Dunton said to him: “I wish you would re-read that poem of Thomson’s, as I cannot see that it possesses any great merit.” A few days later Swinburne came to him and said: “You are quite right. I have re-read ‘Weddah and Om-el-Bonain,’ and I find that it has very little value.” Watts-Dunton’s influence over his friend was so complete that there are in fact two Swinburnes: the earlier, democratic poet of the Songs before Sunrise, who had not yet been rescued by Mr. Watts-Dunton; and the later, respectable Swinburne, whose bent was for the most part reactionary. A “lost leader” indeed! Contrary to the proverb, the appeal, in this case, must be from Philip sober to Philip drunk.
At the luncheon which followed our walk, Mr. Swinburne was present, and one could not help observing that in personal matters, as in his literary views, he seemed to be almost dependent on Mr. Watts-Dunton: he ran to him with a new book like a poetic child with a plaything. His amiability of manner and courtesy were charming; but his delicate face, quaint chanting voice, and restlessly twitching fingers, gave an impression of weakness. He talked, I remember, of Meredith’s Sandra Belloni and Diana of the Crossways, and complained of their obscurity (“Can you construe them?”); then of his reminiscences of Eton, with friendly inquiries about my father-in-law, the Rev. J. L. Joynes, who had been his tutor and house-master; also about one of the French teachers, Mr. Henry Tarver, with whom he had been on very intimate terms. Here a few words on the poet’s adventures at Eton may not be out of place.[24]
It is stated in Gosse’s Life of Swinburne that there is no truth in the legend that he was bullied at Eton; it is, however, a fact that his Eton career was not altogether an untroubled one. Mr. Joynes used to tell how Swinburne once came to him before school and begged to be allowed to “stay out,” because he was afraid to face some bigger boys who were temporarily attached to his Division—“those dreadful boys,” he called them. “Oh, sir, they wear tail coats! Sir, they are men!” The request was not granted; but his tutor soothed the boy by reading a Psalm with him, and thus fortified he underwent the ordeal.
One very characteristic anecdote has unfortunately been told incorrectly. Lady Jane Swinburne had come to Eton to see her son, who was ill, and she read Shakespeare to him as he lay in bed. When she left him for a time, a maid, whom she had brought with her, was requested to continue the reading, and she did so, with the result that a glass of water which stood on a table by the bedside was presently dashed over her by the invalid. In the version quoted by his biographer the glass of water has become “a pot of jam”—quite wrongly, as I can testify, for I heard Mr. Joynes tell the story more than once.
Swinburne was not allowed to read Byron or Shelley while he was at Eton. In Mr. Joynes’s house there was a set of volumes of the old English dramatists, and the young student urgently begged to be permitted to read these. “Might he read Ford?” To settle so difficult a question recourse was had to the advice of Mr. W. G. Cookesley, a master who was reputed “to know about everything”; and Mr. Cookesley’s judgment was that the boy might read all Ford’s plays except one—the one, of course, which has a title calculated to alarm. But this, it transpired, was one that he had specially wished to read!
Mr. Watts-Dunton has been well described by Mr. Coulson Kernahan as “a hero of friendship”; and his personal friendliness was shown not to distinguished writers only, but to any one whom he could encourage or help, nor did he take the least offence, however bluntly his own criticisms were criticized. In reviewing The City of Dreadful Night, on its first appearance in book form (1880), he had said that Thomson wrote in his pessimistic style “because now it is the fashion to be dreadful,” a denial of the sincerity of the poet to which I referred in my Life of James Thomson as one of the strangest of misapprehensions. When I met Mr. Watts-Dunton, he alluded to this and other matters concerning Thomson so genially as to make me wonder how he could at times have written in so unsympathetic and unworthy a manner of authors whom he disliked. Admirers of Walt Whitman, in particular, had reason to resent the really disgusting things that were said of him; as when he was likened to a savage befouling the door-step of the civilized man. That Whitman himself must have been indignant at the jibes levelled at him from Putney Heath can hardly be doubted: I was told by a friend of his that he had been heard to speak of Swinburne—the second Swinburne—as “a damned simulacrum.”