From no catalogue of quaint plants could the butterwort be omitted. "Mountain-sanicle" was its old name; and all climbers are acquainted with it, as it studs the wet rocks on the lower hillsides with pale green or yellowish leaves like starfish on a seashore. Its flowering-season is short, but full of interest, for lo! from its centre there rise in June one or two long and dainty stems, each bearing at its extremity a drooping purple flower that might at first glance be taken for a violet—a violet springing from a starfish!
It is a long step from these conspicuous examples of the quaint to the small and modest moschatel, a hedge-flower which is likely to go unobserved unless it be made a special object of inquiry. Adoxa, "the unknown to fame," is its Greek title; but if it has little claim to beauty in the ordinary sense, there is no slight charm in its delicate configuration, and in the whimsical arrangement of its five slender flower-heads—a terminal one, facing upwards, supported by four lateral ones, with a resemblance to the faces of a clock; whence its not inappropriate nickname, "the clock-tower." A fairy-like little belfry it is, whose chimes must be listened for, if at all, in the early spring, for it hastens to get its flowering finished before it is overgrown by the rank herbage of the roadside.
There are many other flowers that might claim a place in this chapter, such as the sundews and the bladderworts; the mimulus and ground pine; the samphire and sea-rocket; the mullein and the teazle; and not least, the herb Paris, with that large quadruple "love-knot" into which its leaves are fashioned. But it must suffice to speak of one more.
The fritillary, which shall close the list, is quaint to the point of being bizarre: its various names bear witness to the freakishness of its apparel—"guinea-flower," "turkey-hen," "chequered lily," "snake's-head," and so forth. It was aptly described by Gerarde as "chequered most strangely. . . . Surpassing the curiousest painting that art can set down"; and in addition to this gorgeous colouring, the bell-like shape and heavy poise of its flower-heads contribute to the striking effect. From Gerarde to W. H. Hudson, who has portrayed it very beautifully in his Book of a Naturalist, the fritillary has been fortunate in its chroniclers; in its name, which it shares with a handsome family of butterflies, it can hardly be said to have been fortunate. For apart from the consideration that it is no great honour to a fine insect or flower to be likened to that instrument of human folly, a dicebox (fritillus), there is the practical difficulty of pronouncing the word as the dictionaries tell us it must be pronounced, with the accent on the first syllable; and not the dictionaries only, but the poets, as in Arnold's oft-quoted but very cacophonous line:
I know what white, what purple fritillaries. . . .
Why must so quaintly charming a flower be so barbarously named that one's jaw is well-nigh cracked in articulating it?
XII
HERTFORDSHIRE CORNFIELDS
A gaily chequered, heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
Thomson.