Then, quite suddenly, there had come to him an overpowering urge to place his hand upon this whorl-center. Almost reluctantly, against his better judgment, he had done so; and upon making the contact had felt at once the strange, almost painful suction which had perplexed him that morning. Immediately thereafter—quite without warning, but with a wrench which seemed to twist and tear every bone and muscle in his body and to bulge and press and cut at every nerve—he had been abruptly drawn through and found himself inside.


He felt a strange, almost painful suction.


Once through, the excruciatingly painful stress upon his entire system was suddenly released. He felt, he said, as though he had just been born—a feeling that made itself evident every time he tried to do anything; walk, stoop, turn his head, or utter speech. Everything about his body seemed a misfit.

These sensations wore off after a long while, Robert's body becoming an organized whole rather than a number of protesting parts. Of all the forms of expression, speech remained the most difficult; doubtless because it is complicated, bringing into play a number of different organs, muscles, and tendons. Robert's feet, on the other hand, were the first members to adjust themselves to the new conditions within the glass.


During the morning hours I rehearsed the whole reason-defying problem; correlating everything I had seen and heard, dismissing the natural scepticism of a man of sense, and scheming to devise possible plans for Robert's release from his incredible prison. As I did so a number of originally perplexing points became clear—or at least, clearer—to me.

There was, for example, the matter of Robert's coloring. His face and hands, as I have indicated, were a kind of dull greenish dark-blue; and I may add that his familiar blue Norfolk jacket had turned to a pale lemon-yellow while his trousers remained a neutral gray as before. Reflecting on this after waking, I found the circumstance closely allied to the reversal of perspective which made Robert seem to grow larger when receding and smaller when approaching. Here, too, was a physical reversal—for every detail of his coloring in the unknown dimension was the exact reverse or complement of the corresponding color detail in normal life. In physics the typical complementary colors are blue and yellow, and red and green. These pairs are opposites, and when mixed yield gray. Robert's natural color was a pinkish-buff, the opposite of which is the greenish-blue I saw. His blue coat had become yellow, while the gray trousers remained gray. This latter point baffled me until I remembered that gray is itself a mixture of opposites. There is no opposite for gray—or rather, it is its own opposite.