At times she was secretly ashamed of her niece, but that esprit de corps which binds women together prompted her always to defend Millicent. The only defence at the moment was silence, and an assumed density which did not deceive Sir John—even she could not do that.
In the meantime Miss Millicent Chyne was walking on the sea-wall at the end of the garden with Guy Oscard. One of the necessary acquirements of a modern educational outfit is the power of looking perfectly at home in a score of different costumes during the year, and, needless to say, Miss Chyne was finished in this art. The manner in which she wore her sailor-hat, her blue serge, and her neat brown shoes conveyed to the onlooker, and especially the male of that species (we cannot in conscience call them observers), the impression that she was a yachtswoman born and bred. Her delicate complexion was enhanced by the faintest suspicion of sunburn and a few exceedingly becoming freckles. There was a freedom in her movements which had not been observable in London drawing-rooms. This was Diana-like and in perfect keeping with the dainty sailor outfit; moreover, nine men out of ten would fail to attribute the difference to sundry cunning strings within the London skirt.
“It is sad,” Millicent was saying, “to think that we shall have no more chances of sailing. The wind has quite dropped, that horrid tide is running, and—this is your last day.”
She ended with a little laugh, knowing full well that there was little sentiment in the big man by her side.
“Really,” she went on, “I think I should be able to manage a boat in time, don't you think so? Please encourage me. I am sure I have tried to learn.”
But he remained persistently grave. She did not like that gravity; she had met it before in the course of her experiments. One of the grievances harboured by Miss Millicent Chyne against the opposite sex was that they could not settle down into a harmless, honest flirtation. Of course, this could be nothing but a flirtation of the lightest and most evanescent description. She was engaged to Jack Meredith—poor Jack, who was working for her, ever so hard, somewhere near the Equator—and if Guy Oscard did not know this he had only himself to blame. There were plenty of people ready to tell him. He had only to ask.
Millicent Chyne, like Guy, was hampered at the outset of life by theories upon it. Experience, the fashionable novel, and modern cynicism had taught her to expect little from human nature—a dangerous lesson, for it eases responsibility, and responsibility is the Ten Commandments rolled into a compact whole, suitable for the pocket.
She expected of no man—not even of Jack—that perfect faithfulness in every word and thought which is read of in books. And it is one of the theories of the day that what one does not expect one is not called upon to give. Jack, she reflected, was too much a man of the world to expect her to sit and mope alone. She was apparently incapable of seeing the difference between that pastime and sitting on the sea-wall behind a large flowering currant-tree with a man who did not pretend to hide the fact that he was in love with her. Some women are thus.
“I do not know if you have learnt much,” he answered. “But I have.”
“What have you learnt?” she asked in a low voice, half-fascinated by the danger into which she knew that she was running.