And in the world's life there are ages of faith and ages of criticism. Both assurance and questioning appear to be necessary. Professor Royce asserts that "a study of history shows that if there is anything that human thought and cultivation have to be deeply thankful for, it is an occasional, but truly great and fearless age of doubt." And in individuals it is only by facing obstinate questionings that faith is freed from folly and attains reasonableness.
Nor can religious experience, however boldly it claims to know, fail to admit that its knowledge is but in part. Our knowledge of God, like the knowledge we have of each other, is the insight born of familiarity; but no man entirely knows his brother. And as for the Lord of heaven and earth, how small a whisper do we hear of Him! Some minds are constitutionally ill-adapted for fellowship with Him because they lack what Keats calls "negative capability"—"that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason. Coleridge, for instance, would let go a fine isolated verisimilitude, caught from the Penetralium of mystery, from being incapable of remaining content with half-knowledge." We have to trust God with His secrets, as well as try to penetrate them as far as our minds will carry us. We have to accustom ourselves to look uncomplainingly at darkness, while we walk obediently in the light. "They see not clearliest who see all things clear."
But to many it seems all darkness, and the light is but a phantom of the credulous. How do we know that we know, that the
inference we draw from our experience is correct, that we are in touch with a living God who is to any extent what we fancy Him to be? Our experience consists of emotions, impulses, aspirations, compunctions, resolves; we infer that we are in communion with Another—the Christian God; but may not this explanation of our experience be mistaken?
Religious experience is self-evidencing to the religious. God is as real to the believer as beauty to the lover of nature on a June morning, or to the artistic eye in the presence of a canvas by a great master. Men are no more argued into faith than into an appreciation of lovely sights and sounds; they are immediately and overwhelmingly aware of the Invisible.
The rest may reason, and welcome; 'tis we musicians know.
Faith does not require authority; it confers it. To those who face the Sistine Madonna, in the room in the Dresden Gallery where it hangs in solitary eminence, it is not the testimony of tradition, nor of the thousands of its living admirers throughout the world,
that renders it beautiful; it makes its own irresistible impression. There are similar moments for the soul when some word, or character, or event, or suggestion within ourselves, bows us in admiration before the incomparably Fair, in shame before the unapproachably Holy, in acceptance before the indisputably True, in adoration before the supremely Loving—moments when "belief overmasters doubt, and we know that we know." At such times the sense of personal intercourse is so vivid that the believer cannot question that he stands face to face with the living God.
Such moments, however, are not abiding; and in the reaction that follows them the mind will question whether it has not been the victim of illusion. John Bunyan owns: "Though God has visited my soul with never so blessed a discovery of Himself, yet afterwards I have been in my spirit so filled with darkness, that I could not so much as once conceive what that God and that comfort was with which I had been refreshed." Many a Christian today knows the inspiration and calm and reinforcement of religion, only to find himself wondering whether these may
not come from an idea in his own head, and not from a personal God. May we not be in a subjective prison from whose walls words and prayers rebound without outer effect?