By the Tasmanians "the bones of relatives were worn around the neck, less, perhaps, as ornaments than as charms."[75] The Ainos of Japan and the Fijians held that tattooing was a custom introduced by the gods. Fijian women believed "that to be tattooed is a passport to the other world, where it prevents them from being persecuted by their own sex."[76] An Australian custom ordained that every person must have the septum of the nose pierced and must wear in it a piece of bone, a reed, or the stalks of some grass. This was not done, however, with the object of adorning the person, but for superstitious reasons: "the old men used to predict to those who were averse to this mutilation all kinds of evil." The sinner, they said, would suffer in the next world by having to eat filth. "To avoid a punishment so horrible, each one gladly submitted, and his or her nose was pierced accordingly." (Brough Smyth, 274.) Wilhelmi says that in the Northwest the men place in the head-band behind the ears pieces of wood decorated with very thin shavings and looking like plumes of white feathers. They do this "on occasions of rejoicings and when engaged in their mystic ceremonies." Nicaraguans trace the custom of flattening the heads of children to instructions from the gods, and Pelew Islanders believed that to win eternal bliss the septum of the nose must be perforated, while Eskimo girls were induced to submit to having long stitches made with a needle and black thread on several parts of the face by the superstitious fear that if they refused they would, after death, be turned into train tubs and placed under the lamps in heaven.[77] In order that the ghost of a Sioux Indian may travel the ghost road in safety, it is necessary for each Dakota during his life to be tattooed in the middle of the forehead or on the wrists. If found without these, he is pushed from a cloud or cliff and falls back to this world.[78] In Australia, the Kurnai medicine men were supposed to be able to communicate with ghosts only when they had certain bones thrust through the nose.[79] The American Anthropologist contains (July, 1889) a description of the various kinds of face-coloring to indicate degrees in the Grand Medicine Society of the Ojibwa. These Indians frequently tattooed temples, forehead, or cheeks of sufferers from headache or toothache, in the belief that this would expel the demons who cause the pain. In Congo, scarifications are made on the back for therapeutic reasons; and in Timor-Laut (Malay Archipelago), both sexes tattooed themselves "in imitation of immense smallpox marks, in order to ward off that disease."[80]
MOURNING LANGUAGE
Australian women of the Port Lincoln tribes paint a ring around each eye and a streak over the stomach, and men mark their breasts with stripes and paints in different patterns. An ignorant observer, or an advocate of the sexual selection theory, would infer that these "decorations" are resorted to for the purpose of ornamentation, to please individuals of the opposite sex. But Wilhelmi, who understood the customs of these tribes, explains that these divers stripes and paints have a practical object, being used to "indicate the different degrees of relationship between a dead person and the mourners."[81] In South Australia widows in mourning "shave their heads, cover them with a netting, and plaster them with pipe-clay"[82]. A white band around the brow is also used as a badge of mourning[83]. Taplin says that the Narrinyeri adorn the bodies of the dead with bright-red ochre, and that this is a wide-spread custom in Australia. A Dyeri, on being asked why he painted red and white spots on his skin, answered: "Suppose me no make-im, me tumble down too; that one [the corpse] growl along-a-me." A further "ornament" of the women on these occasions consists in two white streaks on the arm to indicate that they have eaten some of the fat of the dead, according to their custom. (Smyth, I., 120.) In some districts the mourners paint themselves white on the death of a blood relation, and black when a relative by marriage dies. The corpse is often painted red. Red is used too when boys are initiated into manhood, and with most tribes it is also the war-color. Hence it is not strange that they should undertake long journeys to secure fresh supplies of ochre: for war, mourning, and superstition are three of the strongest motives of savage activity. African Bushmen anoint the heads of the dead with a red powder mixed with melted fat. Hottentots, when mourning, shave their heads in furrows. Damaras wear a dark-colored skin-cap: a piece of leather round the neck, to which is attached a piece of ostrich egg-shell. Coast negroes bury the head of a family in his best clothes and ornaments, and Dahomans do the same[84]. Schweinfurth says that "according to the custom, which seems to belong to all Africa, as a sign of grief the Dinka wear a cord round the neck."[85] Mourning New Zealanders tie a red cloth round the head or wear headdresses of dark feathers. New Caledonians cut off their hair and blacken and oil their faces[85]. Hawaiians cut their hair in various forms, knock out a front tooth, cut the ears and tattoo a spot on the tongue[86]. The Mineopies use three coloring substances for painting their bodies; and by the way they apply them they let it be known whether a person is ill or in mourning, or going to a festival.[87] In California the Yokaia widows make an unguent with which they smear a white band two inches wide all around the edge of the hair[88]. Of the Yukon Indians of Alaska "some wore hoops of birch wood around the neck and waists, with various patterns of figures cut on them. These were said to be emblems of mourning for the dead."[89] Among the Snanaimuq "the face of the deceased is painted with red and black paint… After the death of husband or wife the survivor must paint his legs and his blanket red."[90] Numerous other instances may be found in Mallery, who remarks that "many objective modes of showing mourning by styles of paint and markings are known, the significance of which are apparent when discovered in pictographs."[91]
INDICATIONS OF TRIBE OR RANK
Among the customs which, in Darwin's opinion, show "how widely the different races of man differ in their taste for the beautiful," is that of moulding the skull of infants into various unnatural shapes, in some cases making the head "appear to us idiotic." One would think that before accepting such a monstrous custom as evidence of any kind of a sense of beauty, Darwin, and those who expressed the same opinion before and after him, would have inquired whether there is not some more rational way of accounting for the admiration of deformed heads by these races than by assuming that they approved of them for esthetic reasons. There is no difficulty in finding several non-esthetic reasons why peculiarly moulded skulls were approved of. The Nicaraguans, as I have already stated, believed that heads were moulded in order to make it easier to bear burdens, and the Peruvians also said they pressed the heads of children to make them healthier and able to do more work. But vanity—individual or tribal—and fashion were the principal motives. According to Torquemada, the kings were the first who had their heads shaped, and afterward permission to follow their example was granted to others as a special favor. In their classical work on Peruvian antiquities (31-32) Eivero and Tschudi describe the skulls they examined., including many varieties "artificially produced, and differing according to their respective localities."
"These irregularities were undoubtedly produced by mechanical causes, and were considered as the distinctive marks of families; for in one Huaca [cemetery] will always be found the same form of crania; while in another, near by, the forms are entirely different from those in the first."
The custom of flattening the head was practised by various Indian tribes, especially in the Pacific States, and Bancroft (I., 180) says that, "all seem to admire a flattened forehead as a sign of noble birth;" and on p. 228, he remarks:
"Failure properly to mould the cranium of her offspring gives the Chinook matron the reputation of a lazy and un-dutiful mother, and subjects the neglected children to the ridicule of their companions; so despotic is fashion."
The Arab races of Africa alter the shapes of their children's heads because they are jealous of their noble descent. (Bastian, D.M., II., 229.)
"The genuine Turkish skull," says Tylor (Anth., 240),