Other Indians take the matter much more seriously. When a Blackfoot girl elopes her parents feel very bitter against the man.

"The girl has been stolen. The union is no marriage at all. The old people are ashamed and disgraced for their daughter. Until the father has been pacified by satisfactory payments, there is no marriage." (Grinnell, 215.)

The Nez Percés so bitterly resent elopements that they consider the bride in such a case as a prostitute and her parents may seize upon the man's property. (Bancroft, I., 276.)

Indian elopements, I repeat, are nothing but attempts to dodge payment for a bride, and therefore do not afford the least evidence of exalted sentiments, i.e., of romantic love, however romantic they may be as incidents. Read, for instance, what Mrs. Eastman writes (103) regarding the Sioux:

"When a young man is unable to purchase the girl he loves best, or if her parents are unwilling she should marry him, if he have gained the heart of the maiden he is safe. They appoint a time and place to meet; take whatever will be necessary for their journey…. Sometimes they merely go to the next village to return the next day. But if they fancy a bridal tour, away they go several hundred miles, with the grass for their pillow, the canopy of heaven for their curtains, and the bright stars to watch over them. When they return home the bride goes at once to chopping wood, and the groom to smoking."

What does such a romantic incident tell us regarding the nature of the elopers' feelings—whether they are refined and sentimental or purely sensual and frivolous? Nothing whatever. But the last sentence of Mrs. Eastman's description—photographed from life—indicates the absence of at least four of the most elementary and important ingredients of romantic love. If he adored his bride, if he sympathized with her feelings, if he felt the faintest impulse toward gallantry or sacrifice of his selfish comforts, he would not allow her to chop wood while he loafed and smoked. Moreover, if he had an appreciation of personal beauty he would not permit his wife to sacrifice hers before she is out of her teens by making her do all the hard work. But why should he care? Since all his marriage customs are on a commercial basis, why should he not discard a wife of thirty and take two new ones of fifteen each?

SUICIDE AND LOVE

Having thus disposed of elopements, let us examine another phenomenon which has always been a mainstay of those who would fain make out that in matters of love there is no difference between us and savages. Waitz (III., 102) accepts stories of suicide as evidence of genuine romantic love, and Westermarck follows his example (358, 530), while Catlin (II., 143) mentions a rock called Lover's Leap,

"from the summit of which, it is said, a beautiful Indian girl, the daughter of a chief, threw herself off, in presence of her tribe, some fifty years ago, and dashed herself to pieces, to avoid being married to a man whom her father had decided to be her husband, and whom she would not marry."

Keating has a story which he tells with all the operatic embellishments indulged in by his guide (I., 280). Reduced to its simplest terms, the tale, as he gives it, is as follows: