"The Ho population of the village forming the environs of Chaibasa are at other seasons quiet and reserved in manner, and in their demeanor toward women gentle and decorous; even in the flirtations I have spoken of they never transcend the bounds of decency. The girls, though full of spirits and somewhat saucy, have innate notions of propriety that make them modest in demeanor, though devoid of all prudery…. Since their adoption of clothing they are careful to drape themselves decently as well as gracefully, but they throw all this aside during the Mágh feast. Their natures appear to undergo a temporary change. Sons and daughters revile their parents in gross language, and parents their children; men and women become almost like animals in the indulgence of their amorous propensities. They enact all that was ever portrayed by prurient artists in a bacchanalian festival or pandean orgy; and as the light of the sun they adore and the presence of numerous spectators seem to be no restraint on their indulgence, it cannot be expected that chastity is preserved when the shades of night fall on such a scene of licentiousness and debauchery."

"MARVELLOUSLY PRETTY AND ROMANTIC"

Nor are these festivals of rare occurrence. They last three or four days and are held at the different villages at different dates, so the inhabitants of each may take part in "a long succession of these orgies." When Dalton declares (206) regarding these coarse and dissolute Hos, who thus spend a part of each year in "a long succession of orgies," in which their own wives and daughters participate, that they are nevertheless capable of the higher emotions—though he admits they have no words for them—he merely proves that long intercourse with such savages blunted his own sensibilities, or what is more probable—that he himself never understood the real nature of the higher emotions—those "tracts of feeling" which Lewin found missing among the hill-tribes. We are confirmed in this suspicion by noticing Dalton's ecstatic delight over the immoral courtship customs of the Bhúiyas, which he found "marvellously pretty and romantic" and describes as follows:

"In each village there is, as with the Oráons, an open space for a dancing ground, called by the Bhúiyas the Darbár; and near it the bachelors' hall…. here the young men must all sleep at night, and here the drums are kept. Some villages have a 'Dhangarin bássa,' or house for maidens, which, strange to say, they are allowed to occupy without anyone to look after them. They appear to have very great liberty, and slips of morality, as long as they are confined to the tribe, are not much heeded. Whenever the young men of the village go to the Darbár and beat the drums the young girls join them there, and they spend their evenings dancing and enjoying themselves without any interference on the part of the elders.

"The more exciting and exhilarating occasions are when the young men of one village proceed to visit the maidens of another village, or when the maidens return the call. The young men provide themselves with presents for the girls, generally consisting of combs for the hair and sweets, and going straight to the Darbár of the village they visit, they proclaim their arrival loudly by beating their drums and tambourines. The girls of that village immediately join them. Their male relations and neighbors must keep entirely out of view, leaving the field clear for the guests. The offerings of the visitors are now gallantly presented and graciously accepted and the girls at once set to work to prepare a dinner for their beaux, and after the meal they dance and sing and flirt all night together, and the morning dawns on more than one pair of pledged lovers. Then the girls, if the young men have conducted themselves to their satisfaction, make ready the morning meal for themselves and their guests; after which the latter rise to depart, and still dancing and playing on the drums, move out of the village followed by the girls, who escort them to the boundary. This is generally a rock-broken stream with wooded banks; here they halt, the girls on one side, the lads on the other, and to the accompaniment of the babbling brook sing to each other in true bucolic style. The song on these occasions is to a certain extent improvised, and is a pleasant mixture of raillery and love-making….

"The song ended, the girls go down on their knees, and bowing to the ground respectfully salute the young men, who gravely and formally return the compliment, and they part.

"The visit is soon returned by the girls. They are received by the young men in their Darbár and entertained, and the girls of the receiving village must not be seen….

"They have certainly more wit, more romance, and more poetry in their composition than is usually found among the country folk in India."

LIBERTY OF CHOICE

All this may indeed be "marvellously pretty and romantic," but I fail to see the least indication of the "higher emotions." Nor can I find them in some further interesting remarks regarding the Hos made by the same author (192-93). Thirty years ago, he says, a girl of the better class cost forty or fifty head of cattle. Result—a decrease in the number of marriages and an increase of immoral intimacies. Sometimes a girl runs away with her lover, but the objection to this is that elopements are not considered respectable.