It is in Love that “confusion makes his masterpiece.” The lover is so incessantly tossed on the ocean of turbulent emotion that he soon ceases to know or care which is up and which down, and all that remains is an all-engrossing sense of love-sickness.
“Angels call it heavenly joy,
Infernal torture the devils say;
And men? They call it—Love.”—Heine.
XI.—ADMIRATION OF PERSONAL BEAUTY
This is the æsthetic overtone of Love; and so prominent is it that it is commonly heard before and above all the others. “Beauty provoketh thieves sooner than gold,” says Shakspere; and if you tell twenty of your male acquaintances that you have been introduced to a young lady, nineteen of them will ask immediately, “Is she pretty?” No reporter ever writes about a girl murdered by a tramp or burnt in a house, without describing her as a model of beauty, in order to double the reader’s interest and quintuple his pity. Madame de Staël confessed that she would have gladly exchanged her literary genius for beauty. With the Greeks already the words Love and Beauty were inseparably associated; and even the Chinese, who are not embarrassed by an excess of beauty, have a proverb, “With one smile she overthrew a city, with another a kingdom.”
This completes the preliminary analysis of Love. I regret exceedingly that I have been able to discover only eleven “overtones” in Modern Love: but inasmuch as at least six of these—Nos. V. to X.—are only about a thousand years old, there is reason to hope that some fine morning in May a new one will be born to make up the round dozen. If so, it is to be hoped it will assume in men the form of an absolute insistance on feminine health, and an instinctive detestation of the hideous and love-killing fashions with which women still persist in ruining their beauty.
HERBERT SPENCER ON LOVE
For the sake of comparison I may cite Mr. Spencer’s summary of the elements which he thinks compose Love: “Round the physical feeling forming the nucleus of the whole there are gathered the feelings produced by personal beauty, that constituting simple attachment, those of reverence, of love of approbation, of self-esteem, of property, of love of freedom, of sympathy. All these, each excited in the highest degree, and severally tending to reflect their excitement on each other, form the composite psychical state which we call Love. And as each of these feelings is in itself highly complicated, uniting a wide range of states of consciousness, we may say that this passion fuses into an immense aggregation, nearly all the elementary excitations of which we are capable; and that from this results its irresistible power.”
Let us now see how many of the characters of true Romantic Love are to be found in the courtship of animals and savages.