The first historical work of Voltaire was a life of Charles XII., in 1728.[887] At this time his knowledge was still scanty, and he was still influenced by the servile traditions of the preceding generation. It is not, therefore, wonderful, that he should express the greatest respect for Charles, who, among the admirers of military fame, will always preserve a certain reputation; though his only merits are, that he ravaged many countries and killed many men. But we find little sympathy with his unfortunate subjects, the accumulations of whose industry supported the royal armies;[888] nor is there much pity for those nations who were oppressed by this great robber in the immense line of his conquests from Sweden to Turkey. Indeed, the admiration of Voltaire for Charles is unbounded. He calls him the most extraordinary man the world had ever seen;[889] he declares him to be a prince full of honour;[890] and while he scarcely blames his infamous murder of Patkul,[891] he relates with evident emotion how the royal lunatic, at the head of forty servants, resisted an entire army.[892] In the same way, he says, that after the battle of Narva, all the attempts of Charles were unable to prevent medals from being struck at Stockholm in celebration of that event;[893] although Voltaire well knew that a man of such extravagant vanity must have been pleased by so durable a homage, and although it is quite certain that if he had not been pleased, the medals would never have been struck: for who would venture, without an object, to offend, in his own capital, one of the most arbitrary and revengeful of princes?
So far, it might appear that little had been gained in the method of writing history.[894] But, even thus early, we find one vast improvement. In Voltaire's Life of Charles XII., faulty as it is, there are none of those assumptions of supernatural interference in which Bossuet delighted, and which were natural to the reign of Louis XIV. The absence of this marks the first great stage in the French school of history in the eighteenth century; and we find the same peculiarity in all the subsequent historians, none of whom recurred to a method, which, though suitable for the purposes of theologians, is fatal to all independent inquiries, since it not only prescribes the course the inquirer is bound to take, but actually sets up a limit beyond which he is forbidden to proceed.
That Voltaire should have infringed upon this ancient method only thirteen years after the death of Louis XIV., and that he should have done this in a popular work, abounding with such dangerous adventures as are always found to tempt the mind to an opposite course, is a step of no common merit, and becomes still more worthy of remark, if taken in connexion with another fact of considerable interest. This is, that the life of Charles XII. represents the first epoch, not only in the eighteenth century, but also in the intellect of Voltaire himself.[895] After it was published, this great man turned awhile from history, and directed his attention to some of the noblest subjects: to mathematics, to physics, to jurisprudence, to the discoveries of Newton, and to the speculations of Locke. In these things he perceived those capabilities of the human mind, which his own country had formerly witnessed, but of which during the authority of Louis XIV. the memory had been almost lost. Then it was that, with extended knowledge and sharpened intellect, he returned to the great field of history.[896] The manner in which he now treated his old subject, showed the change that had come over him. In 1752, appeared his celebrated work on Louis XIV.,[897] the very title of which is suggestive of the process through which his mind had passed. His former history was an account of a king; this is an account of an age. To the production of his youth he gave the title of a History of Charles XII.; this he called the Age of Louis XIV. Before, he had detailed the peculiarities of a prince; now, he considered the movements of a people. Indeed, in the introduction to the work, he announces his intention to describe, ‘not the actions of a single man, but the character of men.’[898] Nor, in this point of view, is the execution inferior to the design. While he is contented with giving a summary of military achievements, on which Bossuet hung with delight, he enters at great length into those really important matters which, before his time, found no place in the history of France. He has one chapter on commerce and internal government;[899] another chapter on finances;[900] another on the history of science;[901] and three chapters on the progress of the fine arts.[902] And though Voltaire did not attach much value to theological disputes, still he knew that they have often played a great part in the affairs of men; he therefore gives several distinct chapters to a relation of ecclesiastical matters during the reign of Louis.[903] It is hardly necessary to observe the immense superiority which a scheme like this possessed, not only over the narrow views of Bossuet, but even over his own earlier history. Still it cannot be denied, that we find in it prejudices from which it was difficult for a Frenchman, educated in the reign of Louis XIV., to be entirely free. Not only does Voltaire dwell at needless length upon those amusements and debaucheries of Louis, with which history can have little concern, but he displays an evident disposition to favour the king himself, and to protect his name from the infamy with which it ought to be covered.[904]
But the next work of Voltaire showed that this was a mere personal feeling, and did not affect his general views as to the part which the acts of princes ought to occupy in history. Four years after the appearance of the Age of Louis XIV., he published his important treatise on the Morals, Manners, and Character of Nations.[905] This is not only one of the greatest books which appeared during the eighteenth century, but it still remains the best on the subject to which it refers. The mere reading it displays is immense;[906] what, however, is far more admirable, is the skill with which the author connects the various facts, and makes them illustrate each other, sometimes by a single remark, sometimes only by the order and position in which they are placed. Indeed, considered solely as a work of art, it would be difficult to praise it too highly; while, as a symptom of the times, it is important to observe, that it contains no traces of that adulation of royalty which characterized Voltaire in the period of his youth, and which is found in all the best writers during the power of Louis XIV. In the whole of this long and important work, the great historian takes little notice of the intrigues of courts, or of the changes of ministers, or of the fate of kings; but he endeavours to discover and develop the different epochs through which Man has successively passed. ‘I wish,’ he says, ‘to write a history, not of wars, but of society; and to ascertain how men lived in the interior of their families, and what were the arts which they commonly cultivated.’[907] For, he adds, ‘my object is the history of the human mind, and not a mere detail of petty facts; nor am I concerned with the history of great lords, who made war upon French kings; but I want to know what were the steps by which men passed from barbarism to civilization.’[908]
It was in this way that Voltaire taught historians to concentrate their attention on matters of real importance, and to neglect those idle details with which history had formerly been filled. But what proves this to be a movement arising as much from the spirit of the age as from the individual author, is, that we find precisely the same tendency in the works of Montesquieu and Turgot, who were certainly the two most eminent of the contemporaries of Voltaire; and both of whom followed a method similar to his, in so far as, omitting descriptions of kings, courts, and battles, they confined themselves to points which illustrate the character of mankind, and the general march of civilization. And such was the popularity of this change in the old routine, that its influence was felt by other historians of inferior, but still of considerable, ability. In 1755, Mallet[909] published his interesting, and, at the time it was written, most valuable work, on the history of Denmark;[910] in which he professes himself a pupil of the new school. ‘For why,’ he says, ‘should history be only a recital of battles, sieges, intrigues, and negotiations? And why should it contain merely a heap of petty facts and dates, rather than a great picture of the opinions, customs, and even inclinations of a people?’[911] Thus too, in 1765, Mably published the first part of his celebrated work on the history of France;[912] in the preface to which, he complains that historians ‘have neglected the origin of laws and customs, in favour of sieges and battles.’[913] In the same spirit, Velly and Villaret, in their voluminous history of France, express regret that historians should usually relate what happens to the sovereign, in preference to what happens to the people, and should omit the manners and characteristics of a nation, in order to study the acts of a single man.[914] Duclos, again, announces that his history is not of war, nor of politics, but of men and manners:[915] while, strange to say, even the courtly Hénault declares that his object was to describe laws and manners, which he calls the soul of history, or rather history itself.[916]
Thus it was, that historians began to shift, as it were, the scene of their labours, and to study subjects connected with those popular interests, on which the great writers under Louis XIV. disdained to waste a thought. I need hardly observe, how agreeable such views were to the general spirit of the eighteenth century, and how well they harmonized with the temper of men who were striving to lay aside their former prejudices, and despise what had once been universally admired. All this was but part of that vast movement, which prepared the way for the Revolution, by unsettling ancient opinions, by encouraging a certain mobility and restlessness of mind, and, above all, by the disrespect it showed for those powerful individuals, hitherto regarded as gods rather than as men, but who now, for the first time, were neglected by the greatest and most popular historians, who passed over even their prominent actions, in order to dwell upon the welfare of nations, and the interests of the people at large.
To return, however, to what was actually effected by Voltaire, there is no doubt that, in his case, this tendency of the time was strengthened by a natural comprehensiveness of mind, which predisposed him to large views, and made him dissatisfied with that narrow range to which history had been hitherto confined.[917] Whatever may be thought of the other qualities of Voltaire, it must be allowed that, in his intellect, everything was on a great scale.[918] Always prepared for thought, and always ready to generalize, he was averse to the study of individual actions, unless they could be made available for the establishment of some broad and permanent principle. Hence his habit of looking at history with a view to the stages through which the country had passed, rather than with a view to the character of the men by whom the country had been governed. The same tendency appears in his lighter works; and it has been well observed,[919] that, even in his dramas, he endeavours to portray, not so much the passions of individuals, as the spirit of epochs. In Mahomet, his subject is a great religion; in Alzire, the conquest of America; in Brutus, the formation of the Roman power; in the Death of Cæsar, the rise of the empire upon the ruins of that power.[920]
By this determination to look upon the course of events as a great and connected whole, Voltaire was led to several results, which have been complacently adopted by many authors, who, even while using them, revile him from whom they were taken. He was the first historian who, rejecting the ordinary method of investigation, endeavoured, by large general views, to explain the origin of feudality; and, by indicating some of the causes of its decline in the fourteenth century,[921] he laid the foundation for a philosophic estimate of that important institution.[922] He was the author of a profound remark, afterwards adopted by Constant, to the effect, that licentious religious ceremonies have no connexion with licentious national morals.[923] Another observation of his, which has been only partly used by writers on ecclesiastical history, is pregnant with instruction. He says, that one of the reasons why the bishops of Rome acquired an authority so superior to that of the eastern patriarchs, was the greater subtlety of the Greek mind. Nearly all the heresies proceeded from the east; and, with the exception of Honorius I., not a single pope adopted a system condemned by the church. This gave to the papal power an unity and consolidation, which the patriarchal power was unable to reach; and thus the Holy See owes part of its authority to the early dulness of the European fancy.[924]