[489] On the method of Tournefort, which was that of a corrollist, compare Richard, Eléments de Botanique, p. 547; Jussieu's Botany, edit. Wilson, 1849, p. 516; Ray's Correspond. pp. 381, 382; Lankester's Mem. of Ray, p. 49; Winckler, Gesch. der Botanik, p. 142. Cuvier (Hist. des Sciences, part ii. p. 496), with quiet irony, says of it, ‘vous voyez, messieurs, que cette méthode a le mérite d'une grande clarté; qu'elle est fondée sur la forme de la fleur, et par conséquent sur des considérations agréables à saisir…. Ce qui en fit le succès, c'est que Tournefort joignit à son ouvrage une figure de fleur et de fruit appartenant à chacun de ses genres.’ Even in this, he appears to have been careless, and is said to have described ‘a great many plants he never examined nor saw.’ Letter from Dr. Sherard, in Nichols's Illustrations of the Eighteenth Century, vol. i. p. 356.
[490] Biog. Univ. vol. v. pp. 236, 358.
[491] Ibid. xxvii. p. 351.
[492] Ibid. xv. p. 35.
[493] Ibid. xxiii. p. 496.
[494] Ibid. xxix. p. 17.
[495] Ibid. xxix. p. 19.
[496] ‘His best pictures were painted from about 1640 to 1660; he died in 1682.’ Wornum's Epochs of Painting, Lond. 1847. p. 399. Voltaire (Siècle de Louis XIV, in Œuvres, vol. xix. p. 205) says that he died in 1678.
[497] Biog. Univ. vol. xxiv. p. 327; Works of Sir Joshua Reynolds, vol. ii. pp. 454, 455.
[498] Biog. Univ. vol. xxxv. p. 579. Poussin was Barry's ‘favourite’ painter. Letter from Barry, in Burke's Correspond. vol. i. p. 88. Compare Otter's Life of Clarke, vol. ii. p. 55. Sir Joshua Reynolds (Works, vol. i. pp. 97, 351, 376) appears to have preferred him to any of the French school; and in the report presented to Napoleon by the Institute, he is the only French painter mentioned by the side of the Greek and Italian artists. Dacier, Rapport Historique, p. 23.