It will probably be allowed that I have collected sufficient evidence to substantiate my assertion respecting the persecutions directed against every description of literature; but the carelessness with which the antecedents of the French Revolution have been studied, has given rise to such erroneous opinions on this subject, that I am anxious to add a few more instances, so as to put beyond the possibility of doubt the nature of the provocations habitually received by the most eminent Frenchmen of the eighteenth century.
Among the many celebrated authors who, though, inferior to Voltaire, Montesquieu, Buffon, and Rousseau, were second only to them, three of the most remarkable were Diderot, Marmontel, and Morellet. The first two are known to every reader; while Morellet, though comparatively forgotten, had in his own time considerable influence, and had, moreover, the distinguished merit of being the first who popularized in France those great truths which had been recently discovered in political economy by Adam Smith, and in jurisprudence by Beccaria.
A certain M. Cury wrote a satire upon the Duke d'Aumont, which he showed to his friend Marmontel, who, struck by its power, repeated it to a small circle of his acquaintance. The duke, hearing of this, was full of indignation, and insisted upon the name of the author being given up. This, of course, was impossible without a gross breach of confidence; but Marmontel, to do everything in his power, wrote to the duke, stating, what was really the fact, that the lines in question had not been printed, that there was no intention of making them public, and that they had only been communicated to a few of his own particular friends. It might have been supposed that this would have satisfied even a French noble; but Marmontel, still doubting the result, sought an audience of the minister, in the hope of procuring the protection of the crown. All, however, was in vain. It will hardly be believed, that Marmontel, who was then at the height of his reputation, was seized in the middle of Paris, and because he refused to betray his friend, was thrown into the Bastille. Nay, so implacable were his persecutors, that after his liberation from prison they, in the hope of reducing him to beggary, deprived him of the right of publishing the Mercure, upon which nearly the whole of his income depended.[781]
To the Abbé Morellet a somewhat similar circumstance occurred. A miserable scribbler, named Palissot, had written a comedy ridiculing some of the ablest Frenchmen then living. To this Morellet replied by a pleasant little satire, in which he made a very harmless allusion to the Princess de Robeck, one of Palissot's patrons. She, amazed at such presumption, complained to the minister, who immediately ordered the abbé to be confined in the Bastille, where he remained for some months, although he had not only been guilty of no scandal, but had not even mentioned the name of the princess.[782]
The treatment of Diderot was still more severe. This remarkable man owed his influence chiefly to his immense correspondence, and to the brilliancy of a conversation for which, even in Paris, he was unrivalled, and which he used to display with considerable effect at those celebrated dinners where, during a quarter of a century, Holbach assembled the most illustrious thinkers in France.[783] Besides this, he is the author of several works of interest, most of which are well known to the students of French literature.[784] His independent spirit, and the reputation he obtained, earned for him a share in the general persecution. The first work he wrote was ordered to be publicly burned by the common hangman.[785] This, indeed, was the fate of nearly all the best literary productions of that time; and Diderot might esteem himself fortunate in merely losing his property, provided he saved himself from imprisonment. But, a few years later, he wrote another work, in which he said that people who are born blind have some ideas different from those who are possessed of their eyesight. This assertion is by no means improbable,[786] and it contains nothing by which any one need be startled. The men, however, who then governed France discovered in it some hidden danger. Whether they suspected that the mention of blindness was an allusion to themselves, or whether they were merely instigated by the perversity of their temper, is uncertain; at all events, the unfortunate Diderot, for having hazarded this opinion, was arrested, and without even the form of a trial, was confined in the dungeon of Vincennes.[787] The natural results followed. The works of Diderot rose in popularity;[788] and he, burning with hatred against his persecutors, redoubled his efforts to overthrow those institutions, under shelter of which such monstrous tyranny could be safely practised.
It seems hardly necessary to say more respecting the incredible folly with which the rulers of France, by turning every able man into a personal enemy,[789] at length arrayed against the government all the intellect of the country, and made the Revolution a matter not of choice but of necessity. I will, however, as a fitting sequel to the preceding facts, give one instance of the way in which, to gratify the caprice of the higher classes, even the most private affections of domestic life, could be publicly outraged. In the middle of the eighteenth century, there was an actress on the French stage of the name of Chantilly. She, though beloved by Maurice de Saxe, preferred a more honourable attachment, and married Favart, the well-known writer of songs and of comic operas. Maurice, amazed at her boldness, applied for aid to the French crown. That he should have made such an application is sufficiently strange; but the result of it is hardly to be paralleled except in some Eastern despotism. The government of France, on hearing the circumstance, had the inconceivable baseness to issue an order directing Favart to abandon his wife, and intrust her to the charge of Maurice, to whose embraces she was compelled to submit.[790]
These are among the insufferable provocations, by which the blood of men is made to boil in their veins. Who can wonder that the greatest and noblest minds in France were filled with loathing at the government by whom such things were done? If we, notwithstanding the distance of time and country, are moved to indignation by the mere mention of them, what must have been felt by those before whose eyes they actually occurred? And when, to the horror they naturally inspired, there was added that apprehension of being the next victim which every one might personally feel; when, moreover, we remember that the authors of these persecutions had none of the abilities by which even vice itself is sometimes ennobled;—when we thus contrast the poverty of their understandings with the greatness of their crimes, we, instead of being astonished that there was a revolution, by which all the machinery of the state was swept away, should rather be amazed at that unexampled patience by which alone the revolution was so long deferred.
To me, indeed, it has always appeared, that the delay of the Revolution is one of the most striking proofs history affords of the force of established habits, and of the tenacity with which the human mind clings to old associations. For, if ever there existed a government inherently and radically bad, it was the government of France in the eighteenth century. If ever there existed a state of society likely, by its crying and accumulated evils, to madden men to desperation, France was in that state. The people, despised and enslaved, were sunk in abject poverty, and were curbed by laws of stringent cruelty, enforced with merciless barbarism. A supreme and irresponsible control was exercised over the whole country by the clergy, the nobles, and the crown. The intellect of France was placed under the ban of a ruthless proscription, its literature prohibited and burned, its authors plundered and imprisoned. Nor was there the least symptom that these evils were likely to be remedied. The upper classes, whose arrogance was increased by the long tenure of their power, only thought of present enjoyment: they took no heed of the future: they saw not that day of reckoning, the bitterness of which they were soon to experience. The people remained in slavery until the Revolution actually occurred; while as to the literature, nearly every year witnessed some new effort to deprive it of that share of liberty which it still retained. Having, in 1764, issued a decree forbidding any work to be published in which questions of government were discussed;[791] having, in 1767, made it a capital offence to write a book likely to excite the public mind;[792] and having, moreover, denounced the same penalty of death against any one who attacked religion,[793] as also against any one who spoke of matters of finance;[794]—having taken these steps, the rulers of France, very shortly before their final fall, contemplated another measure still more comprehensive. It is, indeed, a singular fact, that only nine years before the Revolution, and when no power on earth could have saved the institutions of the country, the government was so ignorant of the real state of affairs, and so confident that it could quell the spirit which its own despotism had raised, that a proposal was made by an officer of the crown to do away with all the publishers, and not allow any books to be printed except those which were issued from a press paid, appointed, and controlled by the executive magistrate.[795] This monstrous proposition, if carried into effect, would of course have invested the king with all the influence which literature can command; it would have been as fatal to the national intellect as the other measures were to national liberty; and it would have consummated the ruin of France, either by reducing its greatest men to complete silence, or else by degrading them into mere advocates of those opinions which the government might wish to propagate.
For these are by no means to be considered as trifling matters, merely interesting to men of letters. In France, in the eighteenth century, literature was the last resource of liberty. In England, if our great authors should prostitute their abilities by inculcating servile opinions, the danger would no doubt be considerable, because other parts of society might find it difficult to escape the contagion. Still, before the corruption had spread, there would be time to stop its course, so long as we possessed those free political institutions, by the mere mention of which the generous imagination of a bold people is easily fired. And although such institutions are the consequence, not the cause, of liberty, they do unquestionably react upon it, and from the force of habit they could for a while survive that from which they originally sprung. So long as a country retains its political freedom, there will always remain associations by which, even in the midst of mental degradation, and out of the depths of the lowest superstition, the minds of men may be recalled to better things. But in France such associations had no existence. In France everything was for the governors and nothing for the governed. There was neither free press, nor free parliament, nor free debates. There were no public meetings; there was no popular suffrage; there was no discussion on the hustings; there was no habeas-corpus act; there was no trial by jury. The voice of liberty, thus silenced in every department of the state, could only be heard in the appeals of those great men, who, by their writings, inspirited the people to resistance. This is the point of view from which we ought to estimate the character of those who are often accused of having wantonly disturbed the ancient fabric.[796] They, as well as the people at large, were cruelly oppressed by the crown, the nobles, and the church; and they used their abilities to retaliate the injury. There can be no doubt that this was the best course open to them. There can be no doubt that rebellion is the last remedy against tyranny, and that a despotic system should be encountered by a revolutionary literature. The upper classes were to blame, because they struck the first blow; but we must by no means censure those great men, who, having defended themselves from aggression, eventually succeeded in smiting the government by whom the aggression was originally made.
Without, however, stopping to vindicate their conduct, we have now to consider what is much more important, namely, the origin of that crusade against Christianity, in which, unhappily for France, they were compelled to embark, and the occurrence of which forms the third great antecedent of the French Revolution. A knowledge of the causes of this hostility against Christianity is essential to a right understanding of the philosophy of the eighteenth century, and it will throw some light on the general theory of ecclesiastical power.