Days Off, and Other Digressions

by Henry Van Dyke

But more lovely than any of the shrubs along the river was that small tree known as the sweet bay or the swamp laurel. Of course it is not a laurel at all, but a magnolia (Magnolia glauca), and its glistening leaves, dark green above, silvery beneath, are set around the large, solitary flowers at the ends of the branches, like backgrounds of malachite, to bring out the perfection of a blossom carved in fresh ivory. What creamy petals are these, so thick, so tenderly curved around the cone-like heart of the flower's fertility! They are warm within, so that your finger can feel the soft glow in the centre of the blossoms. But it is not for you to penetrate into the secret of their love mystery. Leave that to the downy bee, the soft-winged moth, the flying beetle, who, seeking their own pleasure, carry the life-bestowing pollen from flower to flower. Your heavy hand would bruise the soft flesh and discolor its purity. Be content to feast your eyes upon its beauty, and breathe its wonderful fragrance, floating on the air like the breath of love in the south and wild summer.

About the middle of the afternoon, after passing through miles of enchanted forest, unbroken by sign of human habitation, we

"Came unto a land

In which it seemed always afternoon."

Low-rolling ridges of gravel, clothed with pine and oak, came down along the river. The bank on the right rose higher, and, at a sharp angle in the stream, lifted itself into a bluff-like point. Opposite was the serpentine course of the Dead River, coiling through an open marsh-meadow. Below the junction of the two streams our own river flowed swiftly, through a straight reach, to the mouth of the still lagoon where Mare Run came in.

Here we made our second camp, on the point, among the pines and the hollies. For here, at last, we were in the heart of the region of laurels, which we had come to see. All along the river we had found some of them, just beginning to open their flowers, here and there. But above and below the mouth of the Dead River the banks and ridges, under the high shadow of the pines, were crowded with shining clumps of the Kalmia latifolia, and something in the soil and exposure, or perhaps even the single day of warm sunshine that had passed since we began our voyage, had brought them already into the young flood of bloom.

I have seen the flame azaleas at their bright hour of consummation in the hill country of central Georgia—lakes of tranquil and splendid fire spreading far away through the rough-barked colonnades of the pineries. I have seen the thickets of great rhododendrons on the mountains of Pennsylvania in coronation week, when the magic of June covered their rich robes of darkest green with countless sceptres, crowns, and globes of white bloom divinely tinged with rose: superb, opulent, imperial flowers. I have seen the Magnolia Gardens near Charleston when their Arabian Nights' dream of colour was unfolding beneath the dark cypresses and moss-bannered live-oaks. I have seen the tulip and hyacinth beds of Holland rolled like a gorgeous carpet on the meadows beneath the feet of Spring; and the royal gardens of Kew in the month when the rose is queen of all the flowers; but never have I seen an efflorescence more lovely, more satisfying to the eye, than that of the high laurel along the shores of the unknown little river in South Jersey.

Cool, pure, and virginal in their beauty, the innumerable clusters of pink and white blossoms thronged the avenues of the pine woods, and ranged themselves along the hillsides and sloping banks, and trooped down by cape and promontory to reflect their young loveliness in the flowing stream. It was as if some quiet and shadowy region of solitude had been suddenly invaded by companies of maidens attired for a holiday and joyously confident of their simple charms. The dim woodland was illumined with the blush of conscious pleasure.

Seen at a distance the flower clusters look like big hemispheres of flushed snow. But examine them closely and you see that each of the rounded umbels is compounded of many separate blossoms—shallow, half-translucent cups poised on slender stems of pale green. The cup is white, tinted more or less deeply with rose-pink, the colour brightest along the rim and on the outside. The edge is scalloped into five points, and on the outer surface there are ten tiny projections around the middle of the cup. Looking within, you find that each of these is a little red hollow made to receive the crimson tip of a curving anther, cunningly bent like a spring, so that the least touch may loosen it and scatter the pollen. There is no flower in the world more exquisitely fashioned than this. It is the emblem of a rustic maid in the sweet prime of her morning.

We were well content with our day's voyage and our parting camp on the river. We had done no harm; no accident had befallen us; we had seen many lovely things and heard music from warbler and vireo, thrush and wren, all day long. Even now a wood thrush closed his last descant in flute-like notes across the river. Night began silently to weave her dusky veil upon the vast loom of the forest. The pink glow had gone from the flower-masses around us; whitely they glimmered through the deepening shadows, and stood like gentle ghosts against the dark. To-morrow we must paddle down to the village where the railroad crosses the river, and hurry back to civilization and work. But to-night we were still very far off; and we should sleep at the foot of a pine-tree, beneath the stars, among the virgin laurels.