There was a church in Brooklyn which was once covered with a great and spreading vine, in which the sparrows built innumerable nests. These ungodly little birds kept up such a din that it was impossible to hear the service of the sanctuary. The faithful clergy strained their voices to the verge of ministerial sore throat, but the people had no peace in their devotions until the vine was cut down, and the Anglican intruders were evicted.
A talkative person is like an English sparrow,—a bird that cannot sing, and will sing, and ought to be persuaded not to try to sing. But a talkable person has the gift that belongs to the wood thrush and the veery and the wren, the oriole and the white-throat and the rose-breasted grosbeak, the mockingbird and the robin (sometimes); and the brown thrush; yes, the brown thrush has it to perfection, if you can catch him alone,—the gift of being interesting, charming, delightful, in the most off-hand and various modes of utterance.
Talkability is not at all the same thing as eloquence. The eloquent man surprises, overwhelms, and sometimes paralyzes us by the display of his power. Great orators are seldom good talkers. Oratory in exercise is masterful and jealous, and intolerant of all interruptions. Oratory in preparation is silent, self-centred, uncommunicative. The painful truth of this remark may be seen in the row of countenances along the president's table at a public banquet about nine o'clock in the evening. The bicycle-face seems unconstrained and merry by comparison with the after-dinner-speech-face. The flow of table-talk is corked by the anxious conception of post-prandial oratory.
Thackeray, in one of his ROUNDABOUT PAPERS, speaks of "the sin of tall-talking," which, he says, "is the sin of schoolmasters, governesses, critics, sermoners, and instructors of young or old people." But this is not in accord with my observation. I should say it was rather the sin of dilettanti who are ambitious of that high-stepping accomplishment which is called "conversational ability."
This has usually, to my mind, something set and artificial about it, although in its most perfect form the art almost succeeds in concealing itself. But, at all events, ''conversation'' is talk in evening dress, with perhaps a little powder and a touch of rouge. 'T is like one of those wise virgins who are said to look their best by lamplight. And doubtless this is an excellent thing, and not without its advantages. But for my part, commend me to one who loses nothing by the early morning illumination,—one who brings all her attractions with her when she comes down to breakfast,—she is a very pleasant maid.
Talk is that form of human speech which is exempt from all duties, foreign and domestic. It is the nearest thing in the world to thinking and feeling aloud. It is necessarily not for publication,—solely an evidence of good faith and mutual kindness. You tell me what you have seen and what you are thinking about, because you take it for granted that it will interest and entertain me; and you listen to my replies and the recital of my adventures and opinions, because you know I like to tell them, and because you find something in them, of one kind or another, that you care to hear. It is a nice game, with easy, simple rules, and endless possibilities of variation. And if we go into it with the right spirit, and play it for love, without heavy stakes, the chances are that if we happen to be fairly talkable people we shall have one of the best things in the world,—a mighty good talk.
What is there in this anxious, hide-bound, tiresome existence of ours, more restful and remunerative? Montaigne says, "The use of it is more sweet than of any other action of life; and for that reason it is that, if I were compelled to choose, I should sooner, I think, consent to lose my sight than my hearing and speech." The very aimlessness with which it proceeds, the serene disregard of all considerations of profit and propriety with which it follows its wandering course, and brings up anywhere or nowhere, to camp for the night, is one of its attractions. It is like a day's fishing, not valuable chiefly for the fish you bring home, but for the pleasant country through which it leads you, and the state of personal well-being and health in which it leaves you, warmed, and cheered, and content with life and friendship.
The order in which you set out upon a talk, the path which you pursue, the rules which you observe or disregard, make but little difference in the end. You may follow the advice of Immanuel Kant if you like, and begin with the weather and the roads, and go on to current events, and wind up with history, art, and philosophy. Or you may reverse the order if you prefer, like that admirable talker Clarence King, who usually set sail on some highly abstract paradox, such as "Civilization is a nervous disease," and landed in a tale of adventure in Mexico or the Rocky Mountains. Or you may follow the example of Edward Eggleston, who started in at the middle and worked out at either end, and sometimes at both. It makes no difference. If the thing is in you at all, you will find good matter for talk anywhere along the route. Hear what Montaigne says again: "In our discourse all subjects are alike to me; let there be neither weight nor depth, 't is all one; there is yet grace and pertinence; all there is tented with a mature and constant judgment, and mixed with goodness, freedom, gayety, and friendship."
How close to the mark the old essayist sends his arrow! He is right about the essential qualities of good talk. They are not merely intellectual. They are moral. Goodness of heart, freedom of spirit, gayety of temper, and friendliness of disposition,—these are four fine things, and doubtless as acceptable to God as they are agreeable to men. The talkability which springs out of these qualities has its roots in a good soil. On such a plant one need not look for the poison berries of malign discourse, nor for the Dead Sea apples of frivolous mockery. But fair fruit will be there, pleasant to the sight and good for food, brought forth abundantly according to the season.