in a few hours, that we had never really read the Old Testament as it ought to be read,—as a book written in an Oriental atmosphere, filled with the glamour, the imagery, the magniloquence of the East. Unconsciously we had been reading it as if it were a collection of documents produced in Heidelberg, Germany, or in Boston, Massachusetts: precise, literal, scientific.
We had been imagining the Philistines as a mighty nation, and their land as a vast territory filled with splendid cities and ruled by powerful monarchs. We had been trying to understand and interpret the stories of their conflict with Israel as if they had been written by a Western war-correspondent, careful to verify all his statistics and meticulous in the exact description of all his events. This view of things melted from us with a gradual surprise as we realised that the more deeply we entered into the poetry, the closer we should come to the truth, of the narrative. Its moral and religious meaning is firm and steadfast as the mountains round about Jerusalem; but even as those mountains rose before us glorified, uplifted, and bejewelled
by the vague splendours of the sunset, so the form of the history was enlarged and its colours irradiated by the figurative spirit of the East.
There at our feet, bathed in the beauty of the evening air, lay the Valley of Aijalon, where Joshua fought with the "five kings of the Amorites," and broke them and chased them. The "kings" were head-men of scattered villages, chiefs of fierce and ragged tribes. But the fighting was hard, and as Joshua led his wild clansmen down upon them from the ascent of Beth-horon, he feared the day might be too short to win the victory. So he cheered the hearts of his men with an old war-song from the Book of Jasher.
"Sun, stand thou still upon Gibeon;
And thou, moon, in the Valley of Aijalon.
And the sun stood still, and the moon stayed,
Until the nation had avenged themselves of their enemies."
Does any one suppose that this is intended to teach us that the sun moves and that on this day his course was arrested? Must we believe that the whole solar system was dislocated for the sake of this battle? To understand the story thus is to misunderstand its vital spirit. It is poetry, imagination, heroism. By
the new courage that came into the hearts of Israel with their leader's song, the Lord shortened the conflict to fit the day, and the sunset and the moonrise saw the Valley of Aijalon swept clean of Israel's foes.
As we passed through the wretched, mud-built village of Latrûn (said to be the birthplace of the Penitent Thief), a dozen long-robed Arabs were earnestly discussing some question of municipal interest in the grassy market-place. They were as grave as the storks, in their solemn plumage of black and white, which were parading philosophically along the edge of a marsh to our right. A couple of jackals slunk furtively across the road ahead of us in the dusk. A kafila of long-necked camels undulated over the plain. The shadows fell more heavily over cactus-hedge and olive-orchard as we turned down the hill.
In the valley night had come. The large, trembling stars were strewn through the vault above us, and rested on the dim ridges of the mountains, and shone reflected in the puddles of the long road like fallen jewels. The lights of Latrûn, if it had any, were already out of sight behind us. Our horses were weary and began to stumble. Where was the camp?
Look, there is a light, bobbing along the road toward us. It is Youssouf, our faithful major-domo, come out with a lantern to meet us. A few rods farther through the mud, and we turn a corner beside an acacia hedge and the ruined arch of an ancient well. There, in a little field of flowers, close to the tiniest of brooks, our tents are waiting for us with open doors. The candles are burning on the table. The rugs are spread and the beds are made. The dinner-table is laid for four, and there is a bright