One of these peaks, the Quarantana, is supposed to be the "high mountain" from which the Tempter showed Jesus the "kingdoms of the world." In the foreground of that view, sweeping from the snowy summits of Hermon in the north, past the Greek cities of Pella and Scythopolis, down the vast valley with its wealth of palms and balsams, must have stood the Roman city of Jericho, with its imperial farms and the palaces, baths and theatres of Herod the Great,—a visible image of what Christ might have won for Himself if He had yielded to the temptation and turned from the pathway of spiritual light to follow the shadows of earthly power and glory.

Herod's Jericho has vanished; there is nothing left of it but the outline of one of the great pools which he built to irrigate his gardens. The modern Jericho is an unhappy little adobe village, lying a

mile or so farther to the east. A mile to the north, near a copious fountain of pure water, called the Sultan's Spring, is the site of the oldest Jericho, which Joshua conquered and Hiel rebuilt. The spring, which is probably the same that Elisha cleansed with salt (II Kings ii: 19-22), sends forth a merry stream to turn a mill and irrigate a group of gardens full of oranges, figs, bananas, grapes, feathery bamboos and rosy oleanders. But the ancient city is buried under a great mound of earth, which the German Palästina-Verein is now excavating.

As we come up to the mound I pull out my little camera and prepare to take a picture of the hundred or so dusty Arabs—men, women and children—who are at work in the trenches. A German gelehrter in a very excited state rushes up to me and calls upon me to halt, in the name of the Emperor. The taking of pictures by persons not imperially authorised is streng verboten. He is evidently prepared to be abusive, if not actually violent, until I assure him, in the best German that I can command, that I have no political or archæological intentions, and that if the photographing of his picturesque work-people to him

displeasing is, I will my camera immediately in its pocket put. This mollifies him, and he politely shows us what he is doing.

A number of ruined houses, and a sort of central temple, with a rude flight of steps leading up to it, have been discovered. A portion of what seems to be the city-wall has just been laid bare. If there are any inscriptions or relics of any value they are kept secret; but there is plenty of broken pottery of a common kind. It is all very poor and beggarly looking; no carving nor even any hewn stones. The buildings seem to be of rubble, and "the walls of Jericho" are little better than the stone fences on a Connecticut farm. No wonder they fell down at the blast of Joshua's rams' horns and the rush of his fierce tribesmen.

We ride past the gardens and through the shady lanes to our camp, on the outskirts of the modern village. The air is heavy and languid, full of relaxing influence, an air of sloth and luxury, seeming to belong to some strange region below the level of human duty and effort as far as it is below the level of the sea. The fragrance of the orange-blossoms, like a subtle

incense of indulgence, floats on the evening breeze. Veiled figures pass us in the lanes, showing lustrous eyes. A sound of Oriental music and laughter and clapping hands comes from one of the houses in an inclosure hedged with acacia-trees. We sit in the door of our tent at sundown and dream of the vanished palm-groves, the gardens of Cleopatra, the palaces of Herod, the soft, ignoble history of that region of fertility and indolence, rich in harvests, poor in manhood.

Then it seems as if some one were saying, "I will lift up mine eyes unto the hills, from whence cometh my help." There they stand, all about us: eastward, the great purple ranges of Gad and Reuben, from which Elijah the Tishbite descended to rebuke and warn Israel; westward, against the saffron sky, the ridges and peaks of Judea, among which Amos and Jeremiah saw their lofty visions; northward, the clear-cut pinnacle of Sartoba, and far away beyond it the dim outlines of the Galilean hills from which Jesus of Nazareth came down to open blind eyes and to shepherd wandering souls. With the fading of the sunset glow a deep blue comes upon all the mountains,

a blue which strangely seems to grow paler as the sky above them darkens, sinking down upon them through infinite gradations of azure into something mysterious and indescribable, not a color, not a shadow, not a light, but a secret hyaline illumination which transforms them into aerial battlements and ramparts, on whose edge the great stars rest and flame, the watch-fires of the Eternal.