shapes, furrowed and scarred and scabbed with mineral refuse. The gullies are steep and narrow: the heat settles on them like a curse.
Through this battered and crippled region, the centre of the Jordan Valley, runs the Jordan Bed, twisting like a big green serpent. A dense half-tropical jungle, haunted by wild beasts and poisonous reptiles and insects, conceals, almost at every point, the down-rushing, swirling, yellow flood.
It has torn and desolated its own shores with sudden spates. The feet of the pilgrims who bathe in it sink into the mud as they wade out waist-deep, and if they venture beyond the shelter of the bank the whirling eddies threaten to sweep them away. The fords are treacherous, with shifting bottom and changing currents. The poets and prophets of the Old Testament give us a true idea of this uninhabitable and unlovable river-bed when they speak of "the pride of Jordan," "the swellings of Jordan," where the lion hides among the reeds in his secret lair, a "refuge of lies," which the "overflowing scourge" shall sweep away.
No, it was not because the Jordan was beautiful
that John the Baptist chose it as the scene of his preaching and ministry, but because it was wild and rude, an emblem of violent and sudden change, of irrevocable parting, of death itself, and because in its one gift of copious and unfailing water, he found the necessary element for his deep baptism of repentance, in which the sinful past of the crowd who followed him was to be symbolically immersed and buried and washed away.
At the place where we reach the water there is an open bit of ground; a miserable hovel gives shelter to two or three Turkish soldiers; an ungainly latticed bridge, stilted on piles of wood, straddles the river with a single span. The toll is three piastres, (about twelve cents,) for a man and horse.
The only place from which I can take a photograph of the river is the bridge itself, so I thrust the camera through one of the diamond-shaped openings on the lattice-work and try to make a truthful record of the lower Jordan at its best. Imagine the dull green of the tangled thickets, the ragged clumps of reeds and water-grasses, the sombre and silent flow of the fulvous water sliding and curling down
out of the jungle, and the implacable fervour of the pallid, searching sunlight heightening every touch of ugliness and desolation, and you will understand why the Hebrew poets sang no praise of the Jordan, and why Naaman the Syrian thought scorn of it when he remembered the lovely and fruitful rivers of Damascus.