did when Macgregor in his Rob Roy canoe attempted to explore this impenetrable morass forty years ago. Along the higher ground are lines of black Bedouin tents, arranged in transitory villages.
These flitting habitations of the nomads, who come down from the hills and lofty deserts to fatten their flocks and herds among unfailing pasturage, are all of one pattern. The low, flat roof of black goats' hair is lifted by the sticks which support it, into half a dozen little peaks, perhaps five or six feet from the ground. Between these peaks the cloth sags down, and is made fast along the edges by intricate and confusing guy-ropes. The tent is shallow, not more than six feet deep, and from twelve to thirty feet long, according to the wealth of the owner and the size of his family,—two things which usually correspond. The sides and the partitions are sometimes made of woven reeds, like coarse matting. Within there is an apartment (if you can call it so) for the family, a pen for the chickens, and room for dogs, cats, calves and other creatures to find shelter. The fireplace of flat stones is in the centre, and the smoke oozes out through the roof and sides.
The Bedouin men, in flowing burnous and keffiyeh, with the 'agâl of dark twisted camel's hair like a crown upon their heads, are almost all handsome: clean-cut, haughty faces, bold in youth and dignified in old age. The women look weatherbeaten and withered beside them. Even when you see a fine face in the dark blue mantle or under the white head-dress, it is almost always disfigured by purplish tattooing around the lips and chin. Some of the younger girls are beautiful, and most of the children are entrancing.
They play games in a ring, with songs and clapping hands; the boys charge up and down among the tents with wild shouts, driving a round bone or a donkey's hoof with their shinny-sticks; the girls chase one another and hide among the bushes in some primeval form of "tag" or "hide-and-seek."
A merry little mob pursues us as we ride through each encampment, with outstretched hands and half-jesting, half-plaintive cries of "Bakhshîsh! bakhshîsh!" They do not really expect anything. It is only a part of the game. And when the Lady holds out her open hand to them and smiles as she
repeats, "Bakhshîsh! bakhshîsh!" they take the joke quickly, and run away, laughing, to their sports.
At one village, in the dusk, there is an open-air wedding: a row of men dancing; a ring of women and girls looking on; musicians playing the shepherd's pipe and the drum; maidens running beside us to beg a present for the invisible bride: a rude charcoal sketch of human society, primitive, irrepressible, confident, encamped for a moment on the shadowy border of the fecund and unconquerable marsh.
Thus we traverse the strange country of Bedouinia, travelling all day in the presence of the Great Sheikh of Mountains, and sleep at night on the edge of a little village whose name we shall never know. A dozen times we ask George for the real name of that place, and a dozen times he repeats it for us with painstaking courtesy; it sounds like a compromise between a cough and a sneeze.