Many days it passed in sullen discontent. Then it was filled with earth, and something—it knew not what—but something rough and brown and dead-looking, was thrust into the middle of the earth and covered over. The clay rebelled at this new disgrace. “This is the worst of all that has happened to me, to be filled with dirt and rubbish. Surely I am a failure.”
But presently it was set in a greenhouse, where the sunlight fell warm upon it, and water was sprinkled over it, and day by day as it waited, a change began to come to it. Something was stirring within it—a new hope. Still it was ignorant, and knew not what the new hope meant.
One day the clay was lifted again from its place, and carried into a great church. Its dream was coming true after all. It had a fine part to play in the world. Glorious music flowed over it. It was surrounded with flowers. Still it could not understand. So it whispered to another vessel of clay, like itself, close beside it, “Why have they set me here? Why do all the people look toward us?” And the other vessel answered, “Do you not know? You are carrying a royal sceptre of lilies. Their petals are white as snow, and the heart of them is like pure gold. The people look this way because the flower is the most wonderful in the world. And the root of it is in your heart.”
Then the clay was content, and silently thanked its maker, because, though an earthen vessel, it held so great a treasure.
THE LOST WORD
“Come down, Hermas, come down! The night is past. It is time to be
stirring. Christ is born today. Peace be with you in His name. Make
haste and come down!”
A little group of young men were standing in a street of
Antioch, in the dusk of early morning, fifteen hundred years ago—a
class of candidates who had nearly finished their years of training for
the Christian church. They had come to call their fellow-student Hermas
from his lodging.
Their voices rang out cheerily through the cool air. They were full of that glad sense of life which the young feel when they have risen early and come to rouse one who is still sleeping. There was a note of friendly triumph in their call, as if they were exulting unconsciously in having begun the adventure of the new day before their comrade.
But Hermas was not asleep. He had been waking for hours, and the walls of his narrow lodging had been a prison to his heart. A nameless sorrow and discontent had fallen upon him, and he could find no escape from the heaviness of his own thoughts.
There is a sadness of youth into which the old cannot enter. It seems unreal and causeless. But it is even more bitter and burdensome than the sadness of age. There is a sting of resentment in it, a fever of angry surprise that the world should so soon be a disappointment, and life so early take on the look of a failure. It has little reason in it, perhaps, but it has all the more weariness and gloom, because the man who is oppressed by it feels dimly that it is an unnatural thing that he should be tired of living before he has fairly begun to live.