THE CELLARS OF M. LOUIS DUVAU AÎNÉ AT THE CHÂTEAU OF VARRAINS.
Another considerable manufacturer of sparkling saumur is M. Louis Duvau aîné, owner of the château of Varrains, in the village of the same name, at no great distance from the Coteau de Saumur. His cellars adjoin the château, a picturesque but somewhat neglected structure of the last century, with sculptured medallions in high relief above the lower windows, and florid vases surmounting the mansards in the roof. In front is a large rambling court shaded with acacia and lime trees, and surrounded by outbuildings, prominent among which is a picturesque
dovecote, massive at the base as a martello tower, and having an elegant open stone lantern springing from its bell-shaped roof. The cellars are entered down a steep incline under a low stone arch, the masonry above which is overgrown with ivy in large clusters and straggling creeping plants. We soon come upon a deep recess to the right, wherein stands a unique cumbersome screw-press, needing ten or a dozen men to work the unwieldy capstan which sets the juice flowing from the crushed grapes into the adjacent shallow trough. On our left hand are a couple of ancient reservoirs, formed out of huge blocks of stone, with the entrance to a long vaulted cellar filled with wine in cask. We advance slowly in the uncertain light along a succession of gloomy galleries with moisture oozing from their blackened walls and roofs, picking our way between bottles of wine stacked in huge square piles and rows of casks ranged in tiers. Suddenly a broad flood of light shooting down a lofty shaft throws a Rembrandtish effect across a spacious and most melodramatic-looking cave, roughly hewn out of the rock, and
towards which seven dimly-lighted galleries converge. On all sides a scene of bustling animation presents itself. From one gallery men keep arriving with baskets of wine ready for the disgorger; while along another bottles of wine duly dosed with syrup are being borne off to be decorated with metal foil and their distinctive labels. Groups of workmen are busily engaged disgorging, dosing, and re-corking the newly-arrived bottles of wine; corks fly out with a succession of loud reports suggestive of the irregular fire of a party of skirmishers; a fizzing, spurting, and spluttering of the wine next ensues, and is followed by the incessant clicking of the various apparatus employed in the corking and wiring of the bottles.
Gradual inclines conduct to the two lower tiers of galleries, for the cellars of M. Duvau consist of as many as three stories. Down below there is naturally less light, and the temperature, too, is sensibly colder. Advantage is taken of this latter circumstance to remove the newly-bottled wine to these lower vaults whenever an excessive development of carbonic acid threatens the bursting of an undue proportion of bottles, a casualty which among the Saumur sparkling wine manufacturers ranges far higher than with the manufacturers of champagne. For the economy of time and labour a lift, raised and lowered by means of a capstan worked by horses, is employed to transfer the bottles of wine from one tier of cellars to another.
The demand for sparkling saumur is evidently on the increase, for M. Duvau, at the time of our visit, was excavating extensive additional cellarage. The subsoil at Varrains being largely composed of marl, which is much softer than the tufa of the Saint-Florent coteau, necessitated the roofs of the new galleries being worked in a particular form in order to avoid having recourse to either brickwork or masonry. Tons of this excavated marl were being spread over the soil of M. Duvau’s vineyard in the rear of the château, greatly, it was said, to the benefit of the vines, whose grapes were all of the black variety; indeed, scarcely any wine is vintaged from white grapes in the commune of Varrains.
At M. Duvau’s we went through a complete scale of sparkling saumurs, commencing with the younger and less matured samples, and ascending step by step to wines a dozen and more years old. Every year seemed to produce an improvement in the wine, the older varieties gaining greatly in delicacy and softening very perceptibly in flavour.
Another sparkling saumur manufacturer of note is M. Alfred Rousteaux, to-day the sole proprietor of the well-known brand of Morlet and Rousteaux, a firm established for many years at Saint-Florent. M. Rousteaux’s cellars here are excavated in the tufa cliff which rises behind the little suburban village, and are all on one level. The galleries, though somewhat winding and irregular, are broad and roomy, and in them about 400,000 bottles of wine undergoing the necessary treatment are piled up in stacks or placed sur pointe. The original firm had only been in existence a few years when they found that their Saint-Florent establishment was inadequate to the requirements of a largely-increasing business, and they started the branch establishment of La Perrière at Saint-Cyr, near Tours, but on the opposite bank of the Loire. Here are a handsome residence and gardens, a spacious court, and convenient celliers where the bottling of the wine is effected, together with extensive and well-constructed cellars in which a like quantity of wine to that contained in the cellars at Saint-Florent is stored. With his finer sparkling wines M. Rousteaux mixes a certain proportion of wine from the Champagne district, and thus secures a degree of lightness unattainable when the cuvée is exclusively composed of Saumur vintages. At La Perrière M. Rousteaux has a vineyard of upwards of sixty acres, yielding the best wine of the district, which is noted, by the way, for its excellent growths. Hereabouts a succession of vineyard slopes stretch from one to another of the many historic châteaux along this portion of the Loire, the romantic associations of which render the Touraine one of the most interesting provinces of France. Near Tours besides the vineyards of Saint-Cyr are those of Joué and Saint-Avertin; the two last situate on the opposite
bank of the Cher, where the little town of Joué, perched on the summit of a hill in the midst of vineyards, looks over a vast plain known by the country people as the Landes de Charlemagne, the scene, according to local tradition, of Charles Martel’s great victory over the Saracens. The Saint-Avertin vineyards extend towards the east, stretching almost to the forest of Larçay, on the borders of the Cher, where Paul Louis Courier, the famous vigneron pamphleteer of the Restoration, noted alike for his raillery, wit, and satire, fell beneath the balls of an assassin. A noticeable crû in the neighbourhood of Tours is that of Cinq Mars, the ruined château of which survives as a memorial of the vengeance of Cardinal Richelieu, who, after having sent its owner to the scaffold, commanded its massive walls and towers to be razed “à hauteur d’infamie” as we see them now.