In the time of George I. there were few innovations in fashion set by the Court.
In the reign of George II. the ladies still laced as tightly, and their hoops were as ugly and inconvenient as ever; but generally speaking, every lady dressed only as pleased herself, so that there was an enormous variety of costumes worn at all public assemblies. At the close of this reign there was a great rage for pastoral plays and Court masques, in which the ladies of the Court and the noblemen appeared as country-folk, shepherds, shepherdesses, milkmaids, &c.
Their garments were cut in a simple style after the characters whom they represented, but they were of very costly materials, with diamonds and other precious stones as ornaments. Ladies often wore white muslin aprons similar to that of a modern waitress, and it is said that Beau Nash, the Master of the Ceremonies, and “King of Bath,” disliked them so much at social gatherings, that he took one off a Duchess at one of the assemblies, and threw it among the waiting women.
The fashions in dress changed so rapidly, however, and were so numerous, that it is impossible to record all the variations of the times. Their diversity and variety will be seen by looking at any of the prints recording social events, which are found in our public collections and are reproduced in the magazines.
PLATE 52.
(Fig. 1): A lady with a very tightly laced bodice and hoop petticoat, in fashion about 1718. (Fig. 2): A lady in the fashion of 1755, showing a later development of the hoop petticoat, when, owing to the torrent of invectives levelled at it, it became more constricted in its dimensions. In this form it much resembles the farthingale of Elizabeth’s time. (Fig. 3): Hooded head-dress worn in 1727; a complete envelope for the head, commonly used in riding and travelling, as well as when walking in the parks. It was called a Nithisdale, because when Lord Nithisdale escaped from the Tower dressed as a woman, by the assistance of his devoted wife, his features were concealed in a hood like this. (Fig. 4): Hat of the milk-maid type, such as was affected by ladies in 1727 (from the “Musical Entertainer”). (Fig. 5): High-heeled and small-pointed shoe of embroidered silk, with a thin sole of leather such as was worn by the lady in Fig. 7. (Fig. 6): The clog for the shoe seen in Fig. 5 is made of leather, ornamented by coloured silk threads worked with a needle. Figs. 5 and 6 are from Hone’s “Everyday Book.” (Fig. 7): A good specimen of the fashion in the hoop petticoat, from a curious print called the “Review,” published about 1740. 165-166 The hoop, which was formed of whalebone, stretches the dress on all sides, so that it rises from the ground, and allows the small-pointed, high-heeled shoes to be seen. The wearer had to double the hoop round in front, or lifted it up on each side when she entered a door or carriage, and, when seated, she occupied the space usually allotted for half a dozen of the male sex. (All the above are from contemporary engravings.)