PLATE 4.
(Fig. 1): A wall tablet, sculptured in relief, with the figure of a boar, the badge of the 20th Legion. The tablet is 20 in. in length, and was found at Vindolana (Chesterholm). (Fig. 2): Another tablet, inscribed with a record of the building of a portion of the Wall, 24 paces long, by the Thruponian Centuria; from the Wall at Procolitia. (Fig. 3): An altar, dedicated to the god Mihr, or Mithras, by Litorius Pacatianus, a consular beneficiary, on behalf of himself and his family; found in the temple of Mithras, at Borcovicus. (Mihr was a form of the Sun-god, who was worshipped in Persia in very early times, and about 100 B.C. the worship of this deity was adopted by the Romans.) (Fig. 4): Small plan of Procolitia (Carranburgh), probably the seventh Station on the Wall, from east to west. The northern rampart is formed by the Roman Wall. Procolitia was about 143 yards long and 118 yards wide, measuring about 3½ acres, and was garrisoned by the 1st Batavian Cohort (Dutch). (Fig. 5): Plan of Cilurnum (Chesters), the sixth Station on the Wall from the east. It was 186 yards by 137 yards, and measured about 5½ acres. The Roman Wall does not, in this instance, coincide with the northern wall of the Station. The walls, surrounded by a ditch, are about five feet thick, and the corners are rounded off. It was garrisoned by the 2nd Ala of the Asturians (Spanish), a famous cavalry regiment. The Stations had usually four gates, but Cilurnum has six.
ROMAN POTTERY, Etc.
(In the Guildhall Museum, London.)
“After the Roman occupation of Britain, glass and pottery were made here in large quantities, so that the importation of glass, which was carried on at first, ceased to be necessary.”
Samian ware, which was a red glazed ware, was used ordinarily throughout the western half of the Roman Empire. It was manufactured first in Etruria, but afterwards its manufacture was imitated in Gaul. Very little of the genuine Samian ware from Etruria found its way into Britain, but the Gaulish Samian ware was imported in large quantities, and was used throughout the province.
The finer specimens are decorated with design in low relief, of a pictorial character, and the ware was of very good quality, for, 1,500 years after its manufacture, it preserves its colours and its lustre perfectly.
Castor ware, a native product, was made at Castor (Durobrivae), near the River Nen, and includes small vases of rusty copper or slate colour, with white ornament in low relief. “Castor ware is not Roman in character, but rather a local survival of late Celtic art.”