Dotted with formidable fortifications such as these, Confederate works stretched for ten miles around Petersburg. Fort Mahone was situated opposite the Federal Fort Sedgwick at the point where the hostile lines converged most closely after the battle of the Crater. Owing to the constant cannonade which it kept up, the Federals named it Fort Damnation, while Fort Sedgwick, which was no less active in reply, was known to the Confederates as Fort Hell. Gracie’s salient, further north on the Confederate line, is notable as the point in front of which General John B. Gordon’s gallant troops moved to the attack on Fort Stedman, the last desperate effort of the Confederates to break through the Federal cordon. The views of Gracie’s salient show the French form of chevaux-de-frise, a favorite protection against attack much employed by the Confederates.
COPYRIGHT, 1911, PATRIOT PUB. CO.
AN AFTERNOON CONCERT AT THE OFFICERS’ QUARTERS, HAREWOOD HOSPITAL, NEAR WASHINGTON
Hospital life for those well enough to enjoy it was far from dull. Witness the white-clad nurse with her prim apron and hoopskirt on the right of the photograph, and the band on the left. Most hospitals had excellent libraries and a full supply of current newspapers and periodicals, usually presented gratuitously. Many of the larger ones organized and maintained bands for the amusement of the patients; they also provided lectures, concerts, and theatrical and other entertainments. A hospital near the front receiving cases of the most severe character might have a death-rate as high as twelve per cent., while those farther in the rear might have a very much lower death-rate of but six, four, or even two per cent. The portrait accompanying shows Louisa M. Alcott, the author of “Little Men,” “Little Women,” “An Old Fashioned Girl,” and the other books that have endeared her to millions of readers. Her diary of 1862 contains this characteristic note: “November. Thirty years old. Decided to go to Washington as a nurse if I could find a place. Help needed, and I love nursing and must let out my pent-up energy in some new way.” She had not yet attained fame as a writer, but it was during this time that she wrote for a newspaper the letters afterwards collected as “Hospital Sketches.” It is due to the courtesy of Messrs. Little, Brown & Company of Boston that the war-time portrait is here reproduced.
LOUISA M. ALCOTT, THE AUTHOR OF “LITTLE WOMEN,” AS A NURSE IN 1862