`Our life was but a battle and a march;
And, like the wind's blast, never-resting, homeless,
We stormed across the war convulsed earth.'
Of such examples history has recorded many; Dante, Cervantes, Byron, and others; men of iron; men who have dared to breast the strong breath of public opinion, and, like spectre-ships, come sailing right against the wind. Others have been puffed out by the first adverse wind that blew; disgraced and sorrowful, because they could not please others. Truly `the tears live in an onion, that should water such a sorrow.' Had they been men, they would have made these disappointments their best friends, and learned from them the needful lesson of self-reliance."
"To confess the truth," added the Baron, "the lives of literary men, with their hopes and disappointments, and quarrels and calamities, present a melancholy picture of man's strength and weakness. On that very account the scholar can make them profitable for encouragement,--consolation,--warning."
"And after all," continued Flemming, "perhaps the greatest lesson, which the lives of literary men teach us, is told in a single word; Wait!--Every man must patiently bide his time. He must wait. More particularly in lands, like my native land, where the pulse of life beats with such feverish and impatient throbs, is the lesson needful. Our national character wants the dignity of repose. We seem to live in the midst of a battle,--there is such a din,--such a hurrying to and fro. In the streets of a crowded city it is difficult to walk slowly. You feel the rushing of the crowd, and rush with it onward. In the press of our life it is difficult to be calm. In this stress of wind and tide, all professions seem to drag their anchors, and are swept out into the main. The voices of the Present say, Come! But the voices of the Past say, Wait! With calm and solemn footsteps the rising tide bears against the rushing torrent up stream, and pushes back the hurrying waters. With no less calm and solemn footsteps, nor less certainly, does a great mind bear up against public opinion, and push back its hurrying stream. Therefore should every man wait;--should bide his time. Not in listless idleness,--not in uselesspastime,--not in querulous dejection; but in constant, steady, cheerful endeavours, always willing and fulfilling, and accomplishing his task, that, when the occasion comes, he may be equal to the occasion. And if it never comes, what matters it? What matters it to the world whether I, or you, or another man did such a deed, or wrote such a book, sobeit the deed and book were well done! It is the part of an indiscreet and troublesome ambition, to care too much about fame,--about what the world says of us. To be always looking into the faces of others for approval;--to be always anxious for the effect of what we do and say; to be always shouting to hear the echo of our own voices! If you look about you, you will see men, who are wearing life away in feverish anxiety of fame, and the last we shall ever hear of them will be the funeral bell, that tolls them to their early graves! Unhappy men, and unsuccessful! because their purpose is, not to accomplish well their task, but to clutch the `trick and fantasy of fame'; and they go to their graveswith purposes unaccomplished and wishes unfulfilled. Better for them, and for the world in their example, had they known how to wait! Believe me, the talent of success is nothing more than doing what you can do well; and doing well whatever you do,--without a thought of fame. If it come at all, it will come because it is deserved, not because it is sought after. And, moreover, there will be no misgivings,--no disappointment,--no hasty, feverish, exhausting excitement."
Thus endeth the First Book of Hyperion. I make no record of the winter. Paul Flemming buried himself in books; in old, dusty books. He studied diligently the ancient poetic lore of Germany, from Frankish Legends of Saint George, and Saxon Rhyme-Chronicles, down through Nibelungen Lieds, and Helden-Buchs, and Songs of the Minnesingers and Mastersingers, and Ships of Fools, and Reinecke Foxes, and Death-Dancesand Lamentations of Damned Souls, into the bright, sunny land of harvests, where, amid the golden grain and the blue corn-flowers, walk the modern bards, and sing.
[BOOK II.]
[Epigraph]
"Something the heart must have to cherish,