(From the PUBLISHER’S NOTE: “The present Household Edition of Mr. Longfellow’s Poetical Writings . . . contains all his original verse that he wished to preserve, and all his translations except the Divina Commedia. The poems are printed as nearly as possible in chronological order . . . Boston, Autumn, 1902.” Houghton Mifflin Company.)
| [VOICES OF THE NIGHT.] |
| [Prelude] |
| [Hymn to the Night] |
| [A Psalm of Life] |
| [The Reaper and the Flowers] |
| [The Light of Stars] |
| [Footsteps of Angels] |
| [Flowers] |
| [The Beleaguered City] |
[Midnight Mass for the Dying Year]
|
| [EARLIER POEMS.] |
| [An April Day] |
| [Autumn] |
| [Woods in Winter] |
| [Hymn of the Moravian Nuns of Bethlehem] |
| [Sunrise on the Hills] |
| [The Spirit of Poetry] |
| [Burial of the Minnisink] |
[L’Envoi]
|
| [BALLADS AND OTHER POEMS.] |
| [The Skeleton in Armor] |
| [The Wreck of the Hesperus] |
| [The Village Blacksmith] |
| [Endymion] |
| [It is not Always May] |
| [The Rainy Day] |
| [God’s-Acre] |
| [To the River Charles] |
| [Blind Bartimeus] |
| [The Goblet of Life] |
| [Maidenhood] |
[Excelsior]
|
| [POEMS ON SLAVERY.] |
| [To William E. Channing] |
| [The Slave’s Dream] |
| [The Good Part, that shall not be taken away] |
| [The Slave in the Dismal Swamp] |
| [The Slave singing at Midnight] |
| [The Witnesses] |
| [The Quadroon Girl] |
[The Warning]
|
[THE SPANISH STUDENT.]
|
| [THE BELFRY OF BRUGES AND OTHER POEMS.] |
| [Carillon] |
| [The Belfry of Bruges] |
| [A Gleam of Sunshine] |
| [The Arsenal at Springfield] |
| [Nuremberg] |
| [The Norman Baron] |
| [Rain In Summer] |
| [To a Child] |
| [The Occultation of Orion] |
| [The Bridge] |
| [To the Driving Cloud] |
| [SONGS] |
| [The Day Is done] |
| [Afternoon in February] |
| [To an Old Danish Song-Book] |
| [Walter von der Vogelweid] |
| [Drinking Song] |
| [The Old Clock on the Stairs] |
| [The Arrow and the Song] |
| [SONNETS] |
| [Mezzo Cammin] |
| [The Evening Star] |
| [Autumn] |
| [Dante] |
[Curfew]
|
[EVANGELINE: A TALE OF ACADIE.]
|
| [THE SEASIDE AND THE FIRESIDE.] |
| [Dedication] |
| [BY THE SEASIDE.] |
| [The Building of the Ship] |
| [Seaweed] |
| [Chrysaor] |
| [The Secret of the Sea] |
| [Twilight] |
| [Sir Humphrey Gilbert] |
| [The Lighthouse] |
| [The Fire of Drift-Wood] |
| [BY THE FIRESIDE.] |
| [Resignation] |
| [The Builders] |
| [Sand of the Desert In an Hour-Glass] |
| [The Open Window] |
| [King Witlaf’s Drinking-Horn] |
| [Gaspar Becerra] |
| [Pegasus in Pound] |
| [Tegnér’s Drapa] |
| [Sonnet on Mrs. Kemble’s Reading from Shakespeare] |
| [The Singers] |
| [Suspiria] |
[Hymn for my Brother’s Ordination]
|
| [THE SONG OF HIAWATHA.] |
| [Introduction] |
| [I. The Peace-Pipe] |
| [II. The Four Winds] |
| [III. Hiawatha’s Childhood] |
| [IV. Hiawatha and Mudjekeewis] |
| [V. Hiawatha’s Fasting] |
| [VI. Hiawatha’s Friends] |
| [VII. Hiawatha’s Sailing] |
| [VIII. Hiawatha’s Fishing] |
| [IX. Hiawatha and the Pearl-Feather] |
| [X. Hiawatha’s Wooing] |
| [XI. Hiawatha’s Wedding-Feast] |
| [XII. The Son of the Evening Star] |
| [XIII. Blessing the Cornfields] |
| [XIV. Picture-Writing] |
| [XV. Hiawatha’s Lamentation] |
| [XVI. Pau-Puk-Keewis] |
| [XVII. The Hunting of Pau-Puk-Keewis] |
| [XVIII. The Death of Kwasind] |
| [XIX. The Ghosts] |
| [XX. The Famine] |
| [XXI. The White Man’s Foot] |
| [XXII. Hiawatha’s Departure] |
[NOTES]
|
| [THE COURTSHIP OF MILES STANDISH.] |
| [I. Miles Standish] |
| [II. Love and Friendship] |
| [III. The Lover’s Errand] |
| [IV. John Alden] |
| [V. The Sailing of the May flower] |
| [VI. Priscilla] |
| [VII. The March of Miles Standish] |
| [VIII. The Spinning-Wheel] |
[IX. The Wedding-Day]
|
| [BIRDS OF PASSAGE.] |
| [FLIGHT THE FIRST.] |
| [Birds of Passage] |
| [Prometheus, or the Poet’s Forethought] |
| [Epimetheus, or the Poet’s Afterthought] |
| [The Ladder of St. Augustine] |
| [The Phantom Ship] |
| [The Warden of the Cinque Ports] |
| [Haunted Houses] |
| [In the Churchyard at Cambridge] |
| [The Emperor’s Bird’s-Nest] |
| [The Two Angels] |
| [Daylight and Moonlight] |
| [The Jewish Cemetery at Newport] |
| [Oliver Basselin] |
| [Victor Galbraith] |
| [My Lost Youth] |
| [The Ropewalk] |
| [The Golden Mile-Stone] |
| [Catawba Wine] |
| [Santa Filomena] |
| [The Discoverer of the North Cape] |
| [Daybreak] |
| [The Fiftieth Birthday of Agassiz] |
| [Children] |
| [Sandalphon] |
| [FLIGHT THE SECOND.] |
| [The Children’s Hour] |
| [Enceladus] |
| [The Cumberland] |
| [Snow-Flakes] |
| [A Day of Sunshine] |
| [Something left Undone] |
[Weariness]
|
| [TALES OF A WAYSIDE INN.] |
| [Part First] |
| [Prelude] |
| [The Wayside Inn] |
| [The Landlord’s Tale: Paul Revere’s Ride] |
| [Interlude] |
| [The Student’s Tale: The Falcon of Ser Federigo] |
| [Interlude] |
| [The Spanish Jew’s Tale: The Legend of Rabbi Ben Levi] |
| [Interlude] |
| [The Sicilian’s Tale: King Robert of Sicily] |
| [Interlude] |
| [The Musician’s Tale: The Saga of King Olaf] |
| [I. The Challenge of Thor] |
| [II. King Olaf’s Return] |
| [III. Thora of Rimol] |
| [IV. Queen Sigrid the Haughty] |
| [V. The Skerry of Shrieks] |
| [VI. The Wraith of Odin] |
| [VII. Iron-Beard] |
| [VIII. Gudrun] |
| [IX. Thangbrand the Priest] |
| [X. Raud the Strong] |
| [XI. Bishop Sigurd at Salten Fiord] |
| [XII. King Olaf’s Christmas] |
| [XIII. The Building of the Long Serpent] |
| [XIV. The Crew of the Long Serpent] |
| [XV. A Little Bird in the Air] |
| [XVI. Queen Thyri and the Angelica Stalks] |
| [XVII. King Svend of the Forked Beard] |
| [XVIII. King Olaf and Earl Sigvald] |
| [XIX. King Olaf’s War-Horns] |
| [XX. Einar Tamberskelver] |
| [XXI. King Olaf’s Death-drink] |
| [XXII. The Nun of Nidaros] |
| [Interlude] |
| [The Theologian’s Tale: Torquemada] |
| [Interlude] |
| [The Poet’s Tale: The Birds of Killingworth] |
| [Finale] |
| [PART SECOND.] |
| [Prelude] |
| [The Sicilian’s Tale: The Bell of Atri] |
| [Interlude] |
| [The Spanish Jew’s Tale: Kambalu] |
| [Interlude] |
| [The Student’s Tale: The Cobbler of Hagenau] |
| [Interlude] |
| [The Musician’s Tale: The Ballad of Carmilhan] |
| [Interlude] |
| [The Poet’s Tale: Lady Wentworth] |
| [Interlude] |
| [The Theologian’s Tale: The Legend Beautiful] |
| [Interlude] |
| [The Student’s Second Tale: The Baron of St. Castine] |
| [Finale] |
| [PART THIRD.] |
| [Prelude] |
| [The Spanish Jew’s Tale: Azrael] |
| [Interlude] |
| [The Poet’s Tale: Charlemagne] |
| [Interlude] |
| [The Student’s Tale: Emma and Eginhard] |
| [Interlude] |
| [The Theologian’s Tale: Elizabeth] |
| [Interlude] |
| [The Sicilian’s Tale:The Monk of Casa-Maggiore] |
| [Interlude] |
| [The Spanish Jew’s Second Tale: Scanderbeg] |
| [Interlude] |
| [The Musician’s Tale: The Mother’s Ghost] |
| [Interlude] |
| [The Landlord’s Tale: The Rhyme of Sir Christopher] |
[Finale]
|
| [FLOWER-DE-LUCE.] |
| [Flower-de-Luce] |
| [Palingenesis] |
| [The Bridge of Cloud] |
| [Hawthorne] |
| [Christmas Bells] |
| [The Wind over the Chimney] |
| [The Bells of Lynn] |
| [Killed at the Ford] |
| [Giotto’s Tower] |
| [To-morrow] |
| [Divina Commedia] |
[Noël]
|
| [BIRDS OF PASSAGE] |
| [FLIGHT THE THIRD.] |
| [Fata Morgana] |
| [The Haunted Chamber] |
| [The Meeting] |
| [Vox Populi] |
| [The Castle-Builder] |
| [Changed] |
| [The Challenge] |
| [The Brook and the Wave] |
[Aftermath]
|
| [THE MASQUE OF PANDORA.] |
| [I. The Workshop of Hephæstus] |
| [II. Olympus] |
| [III. Tower of Prometheus on Mount Caucasus] |
| [IV. The Air] |
| [V. The House of Epimetheus] |
| [VI. In the Garden] |
| [VII. The House of Epimetheus] |
[VIII. In the Garden]
|
[THE HANGING OF THE CRANE]
|
[MORITURI SALUTAMUS]
|
| [A BOOK OF SONNETS.] |
| [Three Friends of Mine] |
| [Chaucer] |
| [Shakespeare] |
| [Milton] |
| [Keats] |
| [The Galaxy] |
| [The Sound of the Sea] |
| [A Summer Day by the Sea] |
| [The Tides] |
| [A Shadow] |
| [A Nameless Grave] |
| [Sleep] |
| [The Old Bridge at Florence] |
| [Il Ponte Vecchio di Firenze] |
| [Nature] |
| [In the Churchyard at Tarrytown] |
| [Eliot’s Oak] |
| [The Descent of the Muses] |
| [Venice] |
| [The Poets] |
| [Parker Cleaveland] |
| [The Harvest Moon] |
| [To the River Rhone] |
| [The Three Silences of Molinos] |
| [The Two Rivers] |
| [Boston] |
| [St. John’s, Cambridge] |
| [Moods] |
| [Woodstock Park] |
| [The Four Princesses at Wilna] |
| [Holidays] |
| [Wapentake] |
| [The Broken Oar] |
[The Cross of Snow]
|
| [BIRDS OF PASSAGE] |
| [FLIGHT THE FOURTH.] |
| [Charles Sumner] |
| [Travels by the Fireside] |
| [Cadenabbia] |
| [Monte Cassino] |
| [Amalfi] |
| [The Sermon of St. Francis] |
| [Belisarius] |
[Songo River]
|
[KERAMOS]
|
| [BIRDS OF PASSAGE.] |
| [FLIGHT THE FIFTH.] |
| [The Herons of Elmwood] |
| [A Dutch Picture] |
| [Castles in Spain] |
| [Vittoria Colonna] |
| [The Revenge of Rain-in-the-Face] |
| [To the River Yvette] |
| [The Emperor’s Glove] |
| [A Ballad or the French Fleet] |
| [The Leap of Roushan Beg] |
| [Haroun Al Raschid.] |
| [King Trisanku] |
| [A Wraith in the Mist] |
| [The Three Kings] |
| [Song: “Stay, Stay at Home, my Heart, and Rest.”] |
| [The White Czar] |
[Delia]
|
| [ULTIMA THULE.] |
| [Dedication] |
| [Poems] |
| [Bayard Taylor] |
| [The Chamber over the Gate] |
| [From my Arm-Chair] |
| [Jugurtha] |
| [The Iron Pen] |
| [Robert Burns] |
| [Helen of Tyre] |
| [Elegiac] |
| [Old St. David’s at Radnor] |
| [FOLK-SONGS.] |
| [The Sifting of Peter] |
| [Maiden and Weathercock] |
| [The Windmill] |
| [The Tide Rises, the Tide Falls] |
| [SONNETS] |
| [My Cathedral] |
| [The Burial of the Poet] |
| [Night] |
[L’ENVOI: The Poet and his Songs]
|
| [IN THE HARBOR.] |
| [Becalmed] |
| [The Poet’s Calendar] |
| [Autumn Within] |
| [The Four Lakes of Madison] |
| [Victor and Vanquished] |
| [Moonlight] |
| [The Children’s Crusade] |
| [Sundown] |
| [Chimes] |
| [Four by the Clock] |
| [Auf Wiedersehen] |
| [Elegiac Verse] |
| [The City and the Sea] |
| [Memories] |
| [Hermes Trismegistus] |
| [To the Avon] |
| [President Garfield] |
| [My Books] |
| [Mad River] |
| [Possibilities] |
| [Decoration Day] |
| [A Fragment] |
| [Loss and Gain] |
| [Inscription on the Shanklin Fountain] |
[The Bells of San Blas]
|
| [FRAGMENTS.] |
| [“Neglected record of a mind neglected”] |
| [“O Faithful, indefatigable tides”] |
| [“Soft through the silent air”] |
[“So from the bosom of darkness”]
|
| [CHRISTUS: A MYSTERY.] |
[Introitus]
|
| [PART I. THE DIVINE TRAGEDY.] |
| [The First Passover] |
| [I. Vox Clamantis] |
| [II. Mount Quarantania] |
| [III. The Marriage in Cana] |
| [IV. In the Cornfields] |
| [V. Nazareth] |
| [VI. The Sea of Galilee] |
| [VII. The Demoniac of Gadara] |
| [VIII. Talitha Cumi] |
| [IX. The Tower of Magdala] |
| [X. The House of Simon the Pharisee] |
| [The Second Passover] |
| [I. Before the Gates of Machaerus] |
| [II. Herod’s Banquet-Hall] |
| [III. Under the Wall of Machaerus] |
| [IV. Nicodemus at Night] |
| [V. Blind Bartimeus] |
| [VI. Jacob’s Well] |
| [VII. The Coasts of Caesarea Philippi] |
| [VIII. The Young Ruler] |
| [IX. At Bethany] |
| [X. Born Blind] |
| [XI. Simon Magus and Helen of Tyre] |
| [The Third Passover] |
| [I. The Entry into Jerusalem] |
| [II. Solomon’s Porch] |
| [III. Lord, is it I?] |
| [IV. The Garden of Gethsemane] |
| [V. The Palace of Caiaphas] |
| [VI. Pontius Pilate] |
| [VII. Barabbas in Prison] |
| [VIII. Ecce Homo] |
| [IX. Aceldama] |
| [X. The Three Crosses] |
| [XI. The Two Maries] |
| [XII. The Sea of Galilee] |
| [Epilogue. Symbolum Apostolorum] |
[First Interlude. The Abbot Joachim]
|
| [PART II. THE GOLDEN LEGEND.] |
| [Prologue: The Spire of Strasburg Cathedral] |
| [I. The Castle of Vautsberg on the Rhine] |
| [Courtyard of the Castle] |
| [II. A Farm in the Odenwald] |
| [A Room in the Farmhouse] |
| [Elsie’s Chamber] |
| [The Chamber of Gottlieb and Ursula] |
| [A Village Church] |
| [A Room in the Farmhouse] |
| [In the Garden] |
| [III. A Street in Strasburg] |
| [Square in Front of the Cathedral] |
| [In the Cathedral] |
| [The Nativity: A Miracle-Play] |
| [Introitus] |
| [I. Heaven] |
| [II. Mary at the Well] |
| [III. The Angels of the Seven Planets] |
| [IV. The Wise Men of the East] |
| [V. The Flight into Egypt] |
| [VI. The Slaughter of the Innocents] |
| [VII. Jesus at Play with his Schoolmates] |
| [VIII. The Village School] |
| [IX. Crowned with Flowers] |
| [Epilogue] |
| [IV. The Road to Hirschau] |
| [The Convent of Hirschau in the Black Forest] |
| [The Scriptorium] |
| [The Cloisters] |
| [The Chapel] |
| [The Refectory] |
| [The Neighboring Nunnery] |
| [V. A Covered Bridge at Lucerne] |
| [The Devil’s Bridge] |
| [The St. Gothard Pass] |
| [At the Foot of the Alps] |
| [The Inn at Genoa] |
| [At Sea] |
| [VI. The School of Salerno] |
| [The Farm-house in the Odenwald] |
| [The Castle of Vautsberg on the Rhine] |
| [Epilogue. The Two Recording Angels Ascending] |
[Second Interlude. Martin Luther]
|
| [PART III. THE NEW ENGLAND TRAGEDIES.] |
| [John Endicott] |
| [Prologue] |
| [Act I.] |
| [Act II.] |
| [Act III.] |
| [Act IV.] |
| [Act V.] |
| [Giles Corey of the Salem Farms] |
| [Prologue] |
| [Act I.] |
| [Act II.] |
| [Act III.] |
| [Act IV.] |
| [Act V.] |
[Finale. St. John]
|
| [JUDAS MACCABAEUS] |
| [Act I. The Citadel of Antiochus at Jerusalem] |
| [Act II. The Dungeons in the Citadel] |
| [Act III. The Battle-field of Beth-Horon] |
| [Act IV. The Outer Courts of the Temple at Jerusalem] |
[Act V. The Mountains of Ecbatana]
|
| [MICHAEL ANGELO] |
| [Dedication] |
| [PART FIRST] |
| [I. Prologue at Ischia] |
| [Monologue : The Last Judgment] |
| [II. San Silvestro] |
| [III. Cardinal Ippolito] |
| [IV. Borgo delle Vergine at Naples] |
| [V. Vittoria Colonna] |
| [PART SECOND.] |
| [I. Monologue] |
| [II. Viterbo] |
| [III. Michael Angelo and Benvenuto Cellini] |
| [IV. Fra Sebastiano del Piombo] |
| [V. Palazzo Belvedere] |
| [VI. Palazzo Cesarini] |
| [PART THIRD.] |
| [I. Monologue] |
| [II. Vigna di Papa Giulio] |
| [III. Bindo Altoviti] |
| [IV. In the Coliseum] |
| [V. Macello de’ Corvi] |
| [VI. Michael Angelo’s Studio] |
| [VII. The Oaks of Monte Luca] |
[VIII. The Dead Christ]
|
| [TRANSLATIONS.] |
| [Prelude] |
| [From the Spanish: Coplas de Manrique] |
| [Sonnets.] |
| [I. The Good Shepherd] |
| [II. To-morrow] |
| [III. The Native Land] |
| [IV. The Image of God] |
| [V. The Brook] |
| [Ancient Spanish Ballads.] |
| [I. Rio Verde, Rio Verde] |
| [II. Don Nuno, Count of Lara] |
| [III. The peasant leaves his plough afield] |
| [Vida de San Millan] |
| [San Miguel, the Convent] |
| [Song: “She is a maid of artless grace”] |
| [Santa Teresa’s Book-Mark] |
| [From the Cancioneros] |
| [I. Eyes so tristful, eyes so tristful] |
| [II. Some day, some day] |
| [III. Come, O death, so silent flying] |
| [IV. Glove of black in white hand bare] |
| [From the Swedish and Danish.] |
| [Passages from Frithiof’s Saga] |
| [I. Frithiof’s Homestead] |
| [II. A Sledge-Ride on the Ice] |
| [III. Frithiof’s Temptation] |
| [IV. Frithiof’s Farewell] |
| [The Children of the Lord’s Supper] |
| [King Christian] |
| [The Elected Knight] |
| [Childhood] |
| [From the German.] |
| [The Happiest Land] |
| [The Wave] |
| [The Dead] |
| [The Bird and the Ship] |
| [Whither?] |
| [Beware!] |
| [Song of the Bell] |
| [The Castle by the Sea] |
| [The Black Knight] |
| [Song of the Silent Land] |
| [The Luck of Edenhall] |
| [The Two Locks of Hair] |
| [The Hemlock Tree] |
| [Annie of Tharaw] |
| [The Statue over the Cathedral Door] |
| [The Legend of the Crossbill] |
| [The Sea hath its Pearls] |
| [Poetic Aphorisms] |
| [Silent Love] |
| [Blessed are the Dead] |
| [Wanderer’s Night-Songs] |
| [Remorse] |
| [Forsaken] |
| [Allah] |
| [From the Anglo-Saxon.] |
| [The Grave] |
| [Beowulf’s Expedition to Heort] |
| [The Soul’s Complaint against the Body] |
| [From the French] |
| [Song: Hark! Hark!] |
| [Song: “And whither goest thou, gentle sigh”] |
| [The Return of Spring] |
| [Spring] |
| [The Child Asleep] |
| [Death of Archbishop Turpin] |
| [The Blind Girl of Castel-Cuille] |
| [A Christmas Carol] |
| [Consolation] |
| [To Cardinal Richelieu] |
| [The Angel and the Child] |
| [On the Terrace of the Aigalades] |
| [To my Brooklet] |
| [Barréges] |
| [Will ever the dear days come back again?] |
| [At La Chaudeau] |
| [A Quiet Life] |
| [The Wine of Jurançon] |
| [Friar Lubin] |
| [Rondel] |
| [My Secret] |
| [From the Italian.] |
| [The Celestial Pilot] |
| [The Terrestrial Paradise] |
| [Beatrice] |
| [To Italy] |
| [Seven Sonnets and a Canzone] |
| [I. The Artist] |
| [II. Fire.] |
| [III. Youth and Age] |
| [IV. Old Age] |
| [V. To Vittoria Colonna] |
| [VI. To Vittoria Colonna] |
| [VII. Dante] |
| [VIII. Canzone] |
| [The Nature of Love] |
| [From the Portuguese.] |
| [Song: If thou art sleeping, maiden] |
| [From Eastern sources.] |
| [The Fugitive] |
| [The Siege of Kazan] |
| [The Boy and the Brook] |
| [To the Stork] |
| [From the Latin.] |
| [Virgils First Eclogue] |
| [Ovid in Exile] |
EURIPIDES.