Pleasant Talk About Fruits, Flowers and Farming

by Henry Ward Beecher

But where are the finer traits? God made blossom bulbs in every nature, and if men do not blossom they are deficient in the higher elements.

To disregard qualities of beauty, in form, color, motion, and song, is so far to indicate a deformity of one’s own nature. We never think one to be more manly who cares nothing for the unmarketable graces of the natural world, than he who makes them a part of his daily enjoyment.

The argument is conclusive to a fine nature, when one says, “Birds are too beautiful to be killed.” It may be replied that noxious insects and animals are beautiful, too, and yet are destroyed by the humane and refined, because they are mischievous. We admit the statement, and are willing

to apply it to birds. When they are really destructive to crops, or when they are, at proper seasons, needful for food, it is no inhumanity to take their lives. They must take their part and lot with the whole creation, which everywhere eats and is eaten.

But to return to our robin. There is no season of the year when the robin does not prevent more mischief than he accomplishes. He is an enormous eater, and, for the most part, he prefers a meat diet. No one who has not taken pains to observe and estimate can form any conception of the insects and worms devoured by the robin between March and August—that is, during the whole nesting period. One robin eats, in a single season, what, if built into a solid form, would be more than a whole ox. Fruit is but a small part of his diet; cherries, strawberries, and grapes, for a while, suffer from his depredations. Yet, if there were no birds these very things would suffer far more. Insects are more to be dreaded than birds. They elude our vigilance, they work secretly, they swarm in such numbers as to defy man’s power. But birds keep them down. They destroy myriads of eggs, of grubs, of tender worms, and of fruit-loving insects. To destroy birds for the sake of saving fruit is like throwing down the fence about one’s garden to keep the pigs out! Even admit, as some do and we do not, that blackbirds and crows deserve to be shot for destroying the planter’s seed. We claim that the robin does not belong to their company. He preserves a hundred-fold more than he destroys.

On every ground, then, of humanity, of good taste, and of thrift, robins should be spared. They are our best friends. They are, beyond all question, the finest song-bird of the temperate zone. They are a watch and guard against insect depredations in orchard and garden, and, with other birds, they make possible the raising of fruit, which, without them, it is no exaggeration to say, would be utterly impossible. They are, next to the wren and sparrows, the

most companionable of birds, hovering about the dwellings of man, and following him, step by step, as he subdues the wilderness, and singing the song of triumph for the axe and the plow.

One word as to the robin’s song. Whoever has read Audubon’s description of the wood-thrush’s song, and the still more glowing account by a writer in the Atlantic Monthly of two or three years ago, will surely be disappointed on first hearing it. In any proper sense, it has no song, but only a few sweet sentences, which it utters in a sad and almost melancholy way, sitting solitary in some forest edge, or tree overhanging a brook. The bird is a recluse. So, one imagines a tender-hearted woman, disappointed in love, yet not embittered, might sing from the casement of a nunnery a hymn of mingled resignation and regret. But, to compare this monosyllabic song of the wood-thrush to the robin’s, is like comparing a ballad to an oratorio, or the tinkling of a guitar to the sweet tone of a piano-forte under the hands of some Perabo.

The robin is an out-door bird. He lives in the sunshine. He attracts no sympathy by delicate ways. He is altogether robust, and full of dashing life. When twenty or thirty robins between three and four o’clock in a June morning are at full voice, it would be no exaggeration to compare it to a rain of music. It is no dainty thrumming,—no parceling out of a sweet note or two, with more rests than notes. It is a musical rush, the exultation of a healthy, hearty bird, that sings by the half-hour, without pause, and is ever ready to sing again.

The evening song of the robin I most love to hear. Heard from the top of some orchard tree, or of some meadow maple, while his note has the fire and brilliancy of his morning song, there is in it a slight undertone of sadness. Indeed, this evening song seems to be a mate-call. For ten or fifteen minutes the bird will send out its mellow call over all the region, if peradventure the truant mother