“Only a few years ago a young American was credited with having risen from the tables $75,000 richer than when first he had sat down. It was his first visit to Monte Carlo and he had not come with any system to break the bank or with any ‘get-rich-quick’ idea. For the novelty of the thing he risked about $4,000, and lost it all in one fell swoop without turning a hair. Then he ‘plunged’ with double that amount, but the best part of that, too, went the same way. Nothing daunted, he next ventured $10,000. This time fickle fortune favored him. He played on with growing confidence and when his winnings amounted to the respectable sum of $75,000 he had the good sense to quit and to leave the place despite the temptation to continue.”
V
The “man who broke the bank at Monte Carlo,” and gave occasion for the song, was not named “Wells” and he was not an Englishman. He was an American. I knew him well and soon after the event had from his own lips the whole story.
He came to Monte Carlo with a good deal of money won at draw-poker in a club at Paris and went away richer by some 100,000 francs (about $20,000) than he came.
The catch-line of the song is misleading. There is no such thing as “breaking the bank at Monte Carlo.” This particular player won so fast upon two or three “spins” that the table at which he played had to suspend until it could be replenished by another “bank,” perhaps ten minutes in point of time. There used to be some twenty tables. Just how one man could play at more than one of them at one time a “foreign correspondent,” but only a “foreign correspondent,” might explain to the satisfaction of the horse-marines.
I very much doubt whether any player ever won more than 100,000 francs at a single sitting. To do even that he must plunge like a ship in a hurricane. There is, of course, a saving limit set by the Casino Company upon the play. It is to the interest of the Casino to cultivate the idea, and the letter writers are willing tools. Not only at Monte Carlo, but everywhere, in dearth of news, gambling stories come cheap and easy. And the cheaper the story the bigger the play. “The Jedge raised him two thousand dollars. The Colonel raised him back ten thousand more. Both of ’em stood pat. The Jedge bet him a hundred thousand. The Colonel called. ‘What you got?’ says he. ‘Ace high,’ says the Jedge; ‘what you got?’ ‘Pair o’ deuces,’ says the Colonel.”
Assuredly the “play” in the Casino is entirely fair. It could hardly be otherwise with such crowds of players at the tables, often covering the whole “layout.” But there is no such thing as “honest gambling.” The “house” must have “the best of it.” A famous American gambler, when I had referred to one of his guild, lately deceased, as “an honest gambler,” said to me: “What do you mean by ‘an honest gambler’?”
“A gambler who will not take unfair advantage!” I answered.
“Well,” said he, “the gambler must have his advantage, because gambling is his livelihood. He must fit himself for its profitable pursuit by learning all the tricks of trade like other artists and artificers. With him it is win or starve.”
Among the variegate crowds that thronged the highways and byways of Monte Carlo in those days there was no single figure more observed and striking than that of Leopold the Second, King of the Belgians. He had a bungalow overlooking the sea where he lived three months of the year like a country gentleman. Although I have made it a rule to avoid courts and courtiers, an event brought me into acquaintance with this best abused man in Europe, enabling me to form my own estimate of his very interesting personality.