He had become a contributor to Punch, a lucky rather than smart business stroke, for it was not of his own initiation. He did not continue his contributions after he began to appear before the public, and the discontinuance was made the occasion of some ill-natured remarks in certain American papers, which very much wounded him. They were largely circulated and credited at the time, the charge being that Messrs. Bradbury and Evans, the publishers of the English charivari, had broken with him because the English would not have him. The truth is that their original proposal was made to him, not by him to them, the price named being fifteen guineas a letter. He asked permission to duplicate the arrangement with some New York periodical, so as to secure an American copyright. This they refused. I read the correspondence at the time. "Our aim," they said, "in making the engagement, had reference to our own circulation in the United States, which exceeds twenty-seven thousand weekly."
I suggested to Artemus that he enter his book, "Artemus Ward in London," in advance, and he did write to Oakey Hall, his New York lawyer, to that effect. Before he received an answer from Hall he got Carleton's advertisement announcing the book. Considering this a piratical design on the part of Carleton, he addressed that enterprising publisher a savage letter, but the matter was ultimately cleared up to his satisfaction, for he said just before we parted: "It was all a mistake about Carleton. I did him an injustice and mean to ask his pardon. He has behaved very handsomely to me." Then the letters reappeared in Punch.
V
Whatever may be thought of them on this side of the Atlantic, their success in England was undeniable. They were more talked about than any current literary matter; never a club gathering or dinner party at which they were not discussed. There did seem something both audacious and grotesque in this ruthless Yankee poking in among the revered antiquities of Britain, so that the beef-eating British themselves could not restrain their laughter. They took his jokes in excellent part. The letters on the Tower and Chawsir were palpable hits, and it was generally agreed that Punch had contained nothing better since the days of Yellow-plush. This opinion was not confined to the man in the street. It was shared by the high-brows of the reviews and the appreciative of society, and gained Artemus the entrée wherever he cared to go.
Invitations pursued him and he was even elected to two or three fashionable clubs. But he had a preference for those which were less conventional. His admission to the Garrick, which had been at first "laid over," affords an example of London club fastidiousness. The gentleman who proposed him used his pseudonym, Artemus Ward, instead of his own name, Charles F. Browne. I had the pleasure of introducing him to Mr. Alexander Macmillan, the famous book publisher of Oxford and Cambridge, a leading member of the Garrick. We dined together at the Garrick clubhouse, when the matter was brought up and explained. The result was that Charles F. Browne was elected at the next meeting, where Artemus Ward, had been made to stand aside.
Before Christmas, Artemus received invitations from distinguished people, nobility and gentry as well as men of letters, to spend the week-end with them. But he declined them all. He needed his vacation, he said, for rest. He had neither the strength nor the spirit for the season.
Yet was he delighted with the English people and with English life. His was one of those receptive natures which enjoy whatever is wholesome and sunny. In spite of his bodily pain, he entertained a lively hope of coming out of it in the spring, and did not realize his true condition. He merely said, "I have overworked myself, and must lay by or I shall break down altogether." He meant to remain in London as long as his welcome lasted, and when he perceived a falling off in his audience, would close his season and go to the continent. His receipts averaged about three hundred dollars a night, whilst his expenses were not fifty dollars. "This, mind you," he used to say, "is in very hard cash, an article altogether superior to that of my friend Charles Reade."
Artemus Ward
His idea was to set aside out of his earnings enough to make him independent, and then to give up "this mountebank business," as he called it. He had a great respect for scholarly culture and personal respectability, and thought that if he could get time and health he might do something "in the genteel comedy line." He had a humorous novel in view, and a series of more aspiring comic essays than any he had attempted.