"Don't let that trouble you," said Tom; "you have the steak and onions and when you get your bill that will take your breath away!"

Under an unpromising exterior--a stocky build and fiery red head--there glowed a brave, generous and tender spirit. The man was a preux chevalier. He was a knight-errant. All women--especially all good and discerning women who knew him and who could intuitively read beneath that clumsy personality his fine sense of respect--even of adoration--loved Tom Ochiltree.

The equivocal celebrity he enjoyed was largely fostered by himself, his stories mostly at his own expense. His education had been but casual. But he had a great deal of it and a varied assortment. He knew everybody on both sides of the Atlantic, his friends ranging from the Prince of Wales, afterward Edward VII, Gladstone and Disraeli, Gambetta and Thiers, to the bucks of the jockey clubs. There were two of Tom--Tom the noisy on exhibition, and Tom the courtier in society.

How he lived when out of office was the subject of unflattering conjecture. Many thought him the stipendiary of Mr. Mackay, the multimillionaire, with whom he was intimate, who told me he could never induce Tom to take money except for service rendered. Among his familiars was Colonel North, the English money magnate, who said the same thing. He had a widowed sister in Texas to whom he regularly sent an income sufficient for herself and family. And when he died, to the surprise of every one, he left his sister quite an accumulation. He had never been wholly a spendthrift. Though he lived well at Chamberlin's in Washington and the Waldorf in New York he was careful of his credit and his money. I dare say he was not unfortunate in the stock market. He never married and when he died, still a youngish man as modern ages go, all sorts of stories were told of him, and the space writers, having a congenial subject, disported themselves voluminously. Inevitably most of their stories were apocryphal.

I wonder shall we ever get any real truth out of what is called history? There are so many sides to it and such a confusing din of voices. How much does old Sam Johnson owe of the fine figure he cuts to Boswell, and, minus Boswell, how much would be left of him? For nearly a century the Empress Josephine was pictured as the effigy of the faithful and suffering wife sacrificed upon the altar of unprincipled and selfish ambition--lovelorn, deserted, heartbroken. It was Napoleon, not Josephine, except in her pride, who suffered. Who shall tell us the truth, the whole truth, and nothing but the truth, about Hamilton; about Burr; about Cæsar, Caligula and Cleopatra? Did Washington, when he was angry, swear like a trooper? What was the matter with Nero?

IV

One evening Edward King and I were dining in the Champs Elysées when he said: "There is a new coon--a literary coon--come to town. He is a Scotchman and his name is Robert Louis Stevenson." Then he told me of Dr. Jekyll and Mr. Hyde. At that moment the subject of our talk was living in a kind of self-imposed penury not half a mile away. Had we known this we could have ended the poor fellow's struggle with his pride and ambition then and there; have put him in the way of sure work and plenty of it; perhaps have lengthened, certainly have sweetened, his days, unless it be true that he was one of the impossibles, as he may easily be conceived to have been from reading his wayward biography and voluminous correspondence.

To a young Kentuckian, one of "my boys," was given the opportunity to see the last of him and to bury him in far-away Samoa, whither he had taken himself for the final adventure and where he died, having attained some measure of the dreams he had cherished, and, let us hope, happy in the consciousness of the achievement.

I rather think Stevenson should be placed at the head of the latter-day fictionists. But fashions in literature as in dress are ever changing. Washington Irving was the first of our men of letters to obtain foreign recognition. While the fires of hate between Great Britain and America were still burning he wrote kindly and elegantly of England and the English, and was accepted on both sides of the ocean. Taking his style from Addison and Goldsmith, he emulated their charity and humor; he went to Spain and in the same deft way he pictured the then unknown byways of the land of dreams; and coming home again he peopled the region of the Hudson with the beings of legend and fancy which are dear to us.

He became our national man of letters. He stood quite at the head of our literature, giving the lie to the scornful query, "Who reads an American book?" As a pioneer he will always be considered; as a simple and vivid writer of things familiar and entertaining he will probably always be read; but as an originator literary history will hardly place him very high. There Bret Harte surely led him. The Tales of the Argonauts as works of creative fancy exceed the Sketches of Washington Irving alike in wealth of color and humor, in pathos and dramatic action.