In a recess, just above the fire, were great gilded, interlaced triangles, and over those the symbolic Winged Globe. These were surrounded with divine monograms, emblems of the powers of Nature. On the ceiling was a large design of the crux Ansata, the oldest known hieroglyph, also the Greek divine Logos representing inner illumination. The walls were covered with other mysterious characters,—the key of Hermes, the serpent in a circle, cabalistic names, a talisman of Pythagoras, monogram of Fire, or the generative principle, symbolisms of the divine Wreath, hieroglyph of Eros, monograms of the three Delphic mysteries and the re-born soul. Harps of Æolia which hung in the valves of the outer walls filled the air with sweet and plaintive melody in fitful measure.
Marcius and Leander waited for a full hour at the sacred fire for the numbers to be called which would give them their turn for an introduction to the inner [pg 65]Mysteria Sacra. A feeling of awe gradually crept through their souls—a sense of having left the world behind. Unseen influences were bearing down upon them. The hieroglyphs seemed alive and engaged in an ominous dance, frowning upon them and calling them to judgment. They grasped each other’s hands, and looked into each other’s eyes to reassure themselves.
At length the number of Marcius was called, and he was ushered into the adytum. The valve closed behind him; and as he passed forward, there hung, directly overhead, a great flaming symbol of the Mysteria Eleusinia. Its brightness slowly faded until, in a little time, it only cast a dim blue ghastly light in flashes, so that he could see but indistinctly. He was impelled still farther on, and soon a cool breeze swept gently up from cavernous depths below. The walls melted and retreated; and the courageous Roman, nearly overcome, pinched himself to find if he were still in the body. He involuntarily turned to retreat, but the valve had disappeared.
“Am I alive? or is this Hades?”
But see! a vapor ascends in the dim blue light from the cavernous realm below. It winds itself upward, and anon within it there are great forbidding and uncanny Shapes; and with bedeviled mien, leering faces, and ominous gestures they beckon to Marcius.
Soon a pungent aromatic odor diffused itself through the air, which mysteriously stilled his excited senses so that he regained his wonted composure.
The column of vapor rolled itself up, growing more dense, and anon something like a defined form slowly gathered itself together from it. For a little time the [pg 66]dim misty light only revealed indistinct outlines; but soon it grew clearer, and advanced a step toward Marcius, a part of the vaporous cloud forming a soft background. The transformation now became rapid, and anon there stood before him a beautiful young woman. With a flash of recognition the heart of the Roman leaped to his throat.
“Marcius!”
“Alethea!”
The light increased; and the form, in every detail, stood out with lifelike color and distinctness. She wore a long silvery white robe, the folds of which were lightly gathered by a girdle, and swept in easy lines to her feet. The bare neck, arms, and shoulders were of a pale rose-color or flesh-tint, and the bosom palpitated with emotion. The face was clear, calm, and natural, with an expression of sadness about the eyes; and the blond hair, thrown lightly behind the shoulders, reached below the waist. There was breath and life.