Meanwhile the short autumn twilight came on; the crosses grew still less distinct. The old professor and Pan Hvastovski conducted Pani Emilia to the cemetery gate without resistance on her part. Pan Stanislav repeated once more, “Till we meet, dear child!” and passed out.
Beyond the gate he thought: “It is fortunate that the mother is unconscious, for what a terrible thought to leave a child there alone. The dead forsake us, but we too forsake them.”
In fact, he saw from a distance the carriage in which Pani Emilia was riding away, and it seemed to him that such an order of things in the world has in it something revolting. Still when he had sat down alone in his droshky, he felt a moment of selfish relief, flowing from the feeling that a certain torturing and oppressive act had been ended, after which would come rest. On returning to his own dwelling, it appeared empty, without a ray of gladness, without consolation or hope; but when at tea, he stretched himself on the sofa, an animal delight in repose after labor took possession of him, with a feeling of solace, and even as it were of satisfaction, that the funeral was over and Litka was buried. He remembered then the opinion of a certain thinker: “I know no criminals; I know only honest people, and they are disgusting.” Pan Stanislav seemed to himself repulsive at that moment.
In the evening he remembered that it was needful to inquire about Pani Emilia, whom Marynia was to take for some weeks to her own house. While going out, he saw a photograph of Litka on the table, and kissed it. A quarter of an hour later he rang the bell at the Plavitskis’.
The servant told him that Plavitski had gone out, but that Professor Vaskovski and Father Hylak were there beside Pani Emilia. Marynia received him in the drawing-room; her hair was badly dressed, her eyes red; she was almost ugly. But her former way of meeting him had changed entirely, as if she had forgotten all offences in view of more unhappy subjects.
“Emilia is with me,” whispered she, “and is in a bad state; but it seems that at least she understands what is said. Professor Vaskovski is with her. He speaks with such feeling. Do you wish to see Emilia absolutely?”
“No. I have come merely to inquire how she feels, and shall go away directly.”
“I do not know—she might like to see you. Wait a moment; I will go and say that you are here. Litka loved you so; for that reason alone perhaps it would be pleasant for Emilia to see you.”
“Very well.”
Marynia went to the next chamber; but evidently did not begin conversation at once, for to Pan Stanislav there came from the door, not her voice, but that of Vaskovski, full of accents of deep conviction, and also, as it were, of effort, striving to break through the armor of insensibility and suffering.