But the lady had, as ever, her incomparable, sloping violet eyes, and thoughts, which, like birds of paradise, were playing in the air continually.
The Polanyetskis made new acquaintances at the Osnovskis,—namely, Pani Bronich and her sister’s daughter, Panna Castelli; these ladies had arrived for the “summer carnival” in Warsaw, and were living in the same villa, which the late Pan Bronich had sold to the Osnovskis, with the reservation of one pavilion for his wife. Pani Bronich was a widow after Pan Bronich, whom she mentioned as the last relative of the Princes Ostrogski, and as the last descendant of Rurik. She was known in the city also under the title of “Sweetness;” for this name she was indebted to the fact that, when talking, especially to persons whom she needed, she became so pleasing that it seemed as if she were speaking through a lump of sugar held in her mouth. Marvels were told of her lies. Panna Castelli was the daughter of Pani Bronich’s sister, who, in her day, to the great offence of her family and of society, married an Italian, a music-teacher, and died in labor, leaving a daughter. When, a year later, Pan Castelli was drowned at Venice, in the Lido, Pani Bronich took her niece, and reared her.
Panna Lineta was a beauty, with very regular features, blue eyes, golden hair, and a complexion too fair, for it was almost like porcelain. Her eyelids were rather heavy; this gave her a dreamy look, but that dreaminess might seem also concentration. It might be supposed that she was a person who led an immensely developed inner life, and hence bore herself indifferently toward all that surrounded her. If any man had not come on that idea unaided, he might be sure that Pani Bronich would help him. Pani Osnovski, who had passed through the grades of enchantment over her cousin, said of Lineta’s eyes, “They are as deep as lakes.” The only question was what is at the bottom; and it was precisely this secret which gave her charm to the young lady.
The Osnovskis came with the intention of remaining in Warsaw; but Pani Aneta had not seen Rome in vain. “Art, and art!” said she to Pani Marynia; “I wish to know of nothing else.” Her professed plan was to open an “Athenian” salon; but her secret one was to become the Beatrice of some Dante, the Laura of some Petrarch, or, at least, something in the nature of Vittoria Colonna for some Michael Angelo.
“We have a nice garden with the villa,” said she. “The evenings will be beautiful, and we shall pass them in such Roman and Florentine conversations. You know” (here she raised her hands to the height of her shoulders, and began to move them), “the gray hour, a little twilight, a little moonlight, a few lamps, a few shadows from the trees; we shall sit and talk in an undertone about everything,—life, feelings, art. In truth, that is worth more than gossip! My Yozio, perhaps thou wilt be annoyed; but be not angry, do this for my sake, and, believe me, it will be very nice.”
“But, my Anetka, can I be annoyed by what pleases thee?”
“Especially now, while Lineta is with us; she is an artist in every drop of her blood.”
Here she turned to Lineta. “What fine thread is that head spinning now? What dost thou say of such Roman evenings?”
Lineta smiled dreamily; and the widow of “Rurik’s last descendant” began to speak, with an expression of indescribable sweetness, to Pan Stanislav,—
“You do not know that Victor Hugo blessed her when she was yet a little girl.”