“‘It is not I, but nature.’
“She is a witty young lady; she said this in a perfectly audible voice. I began to laugh, all the others too, and with us Kopovski himself. He must have an accommodating character. He declared later on that if he looked worse to-day than usual, it was because he had not slept enough, and that he was in a hurry for the embraces of Orpheus.”
“Orpheus?”
“That’s what he said. Pan Osnovski corrected him without ceremony; but he did not agree to the correction, saying Orpheus at least ten times, and that he remembered well. Those ladies amused themselves a little with him, but he is such a fine-looking fellow that they are glad to paint him. But what an artist Panna Castelli is! When she went to showing me various plain surfaces with the brush, and lines on the portraits of Pan Kopovski, which she had begun, she touched colors, ‘What a line, that is! and what tones these are!’ I must do her the justice to say that she looked at the time like one of the Muses. She told me that it pleases her beyond everything to paint portraits, and that she meditates on a face to begin with, as on a model, and that she dreams of those heads in which there is anything uncommon.”
“Oh, ho! and you will appear to her in a dream first, and then sit for her, I am sure,” said Marynia. “And that will be well.”
Zavilovski added with a voice somewhat uncertain,—
“She told me, it is true, that that is a tribute which she likes and extorts from good acquaintances; she did not turn to me, however, directly, with this request. Had it not been for Pani Bronich, there would have been no talk of it.”
“Pani Bronich saved the Muse the trouble,” said Pan Stanislav.
“But that will be well,” said Marynia.
“Why?” inquired Zavilovski; and he looked at her with a glance at once submissive and alarmed. The idea that she might push him to another woman purposely, because she divined what was passing in his heart, attracted him, and at the same time filled him with fear.